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Dead Eye

Dead Eye

201197 minNot RatedMidcredits score: 45th percentile of all films (provisional, few ratings)
Director
Louis Affortunato
Starring
Gary Devirgilio, Hank Offinger, Joel M. Reed, Maria Rusolo

Raymond lives at home alone with his Uncle Joe. His Uncle abuses him every chance he can get. When Uncle Joe suffers a debilitating stroke, Ray is forced to care for him full time. As a result he gets closer to his Uncle, but when Ray attempts to delve deeper into his Uncle's life, he'll soon find that some things are best left unknown. Starring Joel M. Reed, director of Blood Sucking Freaks.

Where to watch

Where can I watch Dead Eye?

As of October 24, 2026, MovieCove does not list Dead Eye on any major US streaming service.

Your rating, lists and review

Reception

Is Dead Eye worth watching?

Dead Eye's Midcredits score is the 45th percentile of all films, from 31 ratings (very few ratings yet, so treat it as provisional). 32% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

45th percentile

Better received than 45% of films

Very few ratings yet, so treat it as provisional.

85th percentile among Horror45th percentile among 2010s
Acclaim (how much people like it)63rd
Approval (how many liked it)26th

65 /100

Very few ratings yet, so treat it as provisional.

63rd percentile of all films

94th percentile among Horror63rd percentile among 2010s

Rating distribution

Big peaks at both ends — people either love this or bounce off it hard.

Approval

How many liked it

32% liked it

26th percentile of all films

67th percentile among Horror25th percentile among 2010s
32% rated it 7–1068% rated it 1–6

Reach

How many have seen it

14th percentile

31 ratings across platforms

8th percentile among Horror19th percentile among 2010s
TMDB popularity, last 37 days to Oct 26Down 23% in 30 days

Watch experience

What is Dead Eye like to watch?

Conclusions only — categories and positions, no plot detail.

Scary: browse every movie of this kind

Watch this when you are ready for heavy feelings, and you want to be scared.

It is intense, takes its time and leaves you unsettled. Skip it when you want an easy night or you want things to move fast.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Room for heavy feelings and patience.

What it feels like

Scary.

The answer rests on this: Moods
TenseDread
Heaviest: late
Register
Brooding: Heavy, inward, weather-beaten.Bleak · 8% of films
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film plays its dark domestic horror completely straight, with a brooding, unflinching gaze.
The rideThe film maintains a constant atmosphere of dread and psychological tension, building toward a dark revelation.
StructureConventional horror thriller structure, no indication of nonlinear devices.

How it leaves you

what you carry away

Unsettled.

UnsettlingHaunting · 14% of films
Why it leaves you this wayThe film lingers as a disturbing portrait of abuse and secrecy, leaving the viewer unsettled.
How it ends · evidence
Tragic ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Monster
Every story archetype, clockwise from the top
  • Monster 21% (this title): Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1% (this title)
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Overcoming the monster: A threat menaces the hero's world and must be defeated. · Inner demon: The monster is within — addiction, illness, a dark double.

21% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeRay's internal battle with his violent impulses and his abusive uncle drives the story, with psychological horror centered on repressed secrets.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfTraumaSurvival
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% (this title) · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15% (this title): Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% (this title) · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Survival

Trauma · 7% of filmsMemory · 3% of films
Warns its theme: Presents its theme as a danger or a coming cost.Intimate stakes: Consequences reach a person or a household.Single lead
How it treats its themeThe film explores the lasting psychological damage of childhood trauma and the dangers of repressed memories.
StanceThe film issues a warning about the corrosive effect of family secrets and unresolved trauma.

The world

ContemporaryDomesticRealistic
AmbientSupportive music · original score
SettingA wealthy uncle's home where a troubled nephew cares for him after a stroke.

Cast and crew

Who is in Dead Eye?

Cast

Gary Devirgilio
as Raymond
Hank Offinger
as Edmund Gurtz
Joel M. Reed
as Uncle Joe
Maria Rusolo
as Ashley Mackenzie
Natalie Savage
as Helen Cromerty
Tom Wardach
as Dr. Fisher

Crew

More like this

What are movies like Dead Eye?

Movies like Dead Eye include Mercy (2014), Disorder (2015) and Sleep (2023). Of the 12 closest matches, most are psychological horror films, and most are stories about carers and dependents.

Balanced: every group counts the same, and production only breaks ties.

All 12 share its feel: brooding. Those cards say what else they share.

Explore by

What else shares a premise, people or place with Dead Eye?

2.2K other films share the rarest tag below, relationship: caretaker and dependent. Each tag opens Browse with the films that share it.