Skip to content
MovieCove
Le sphinx

Le sphinx

1995109 minMidcredits score: 39th percentile of all films
Director
Louis Saia
Starring
Marc Messier, Céline Bonnier, Serge Thériault, Sylvie Drapeau

A school teacher falls in love with a stripper/singer. He even leaves his wife and children for her. He soon spends a lot of time at the club where he works part-time as the M.C.. But the owner, a mobster, interferes in the relationship which brings fear and violence into the game.

Where to watch

Where can I watch Le sphinx?

As of October 24, 2026, MovieCove lists Le sphinx to rent or buy on Apple TV, and on no subscription service.

Rent / Buy

Rent · $2.99

Your rating, lists and review

Highlights

What stands out about Le sphinx?

Le sphinx earns 2 badges, led by Unsettling and Broadly Agreed.

  • Reception
  • Craft and mood

Reception

Is Le sphinx worth watching?

Le sphinx's Midcredits score is the 39th percentile of all films, from 197 ratings across 3 sources. 43% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

39th percentile

Better received than 39% of films

36th percentile among Drama43rd percentile among 1990s
Acclaim (how much people like it)37th
Approval (how many liked it)42nd

58 /100

37th percentile of all films

34th percentile among Drama40th percentile among 1990s

Rating distribution

A broad spread centered near 6.0 — solid but not unanimous.

Approval

How many liked it

43% liked it

42nd percentile of all films

39th percentile among Drama44th percentile among 1990s
43% rated it 7–1057% rated it 1–6

Reach

How many have seen it

11th percentile

197 ratings across platforms

9th percentile among Drama4th percentile among 1990s
TMDB popularity, last 37 days to Oct 26Up 48% in 30 days

Box office

Domestic gross$218K

Watch experience

What is Le sphinx like to watch?

Conclusions only — categories and positions, no plot detail.

Dark and unsettling: browse every movie of this kind

Watch this when you are ready for heavy feelings, and you want something dark that stays with you.

It is intense and leaves you unsettled. Skip it when you want an easy night.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Room for heavy feelings.

What it feels like

Dark and unsettling.

The answer rests on this: Moods
TenseMelancholic
Heaviest: late
Register
Brooding: Heavy, inward, weather-beaten.Melodramatic · 9% of films: Heightened emotion, played large.
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneA sincere, heavy drama that plays its material straight, treating the dangerous love affair with emotional intensity.
The rideThe buildup of fear and violence suggests increasing tension, with the emotional weight concentrated in the final violent confrontation.
StructureConventional story structure likely told chronologically; no evidence of nonlinear or experimental devices.

How it leaves you

what you carry away

Unsettled.

The answer rests on this: UnsettlingBittersweet
Why it leaves you this wayThe dangerous love affair and the threat of violence leave an uneasy, slightly mournful feeling.
How it ends · evidence
Bittersweet ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).MonsterTyrant
Every story archetype, clockwise from the top
  • Monster 21% (this title): Predator 6% · Tyrant 6% (this title) · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Overcoming the monster: A threat menaces the hero's world and must be defeated. · Tyrant: A human villain holds power over the hero's world (Die Hard).

21% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeA teacher's love affair leads him into conflict with a mobster club owner who threatens violence, positioning the mobster as the monster to overcome.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfRomanticlove
Every theme, clockwise from the top
  • Bonds 27% (this title): Romantic love 15% (this title) · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% (this title) · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% (this title) · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Bonds

Romantic love · 15% of filmsViolence · 4% of filmsBetrayal · 5% of films
Warns its theme: Presents its theme as a danger or a coming cost.Intimate stakes: Consequences reach a person or a household.Single lead
How it treats its themeThe film explores the destructive intensity of romantic love, its power to unravel existing commitments, and the violence that erupts when a possessive outsider intervenes.
StanceThe story cautions against the self-destructive power of obsessive love and the danger of entering a criminal world.

The world

ContemporaryUrbanInstitutionalRealistic
Orchestral classicalPopSupportive music · original score · François Asselin
Settinga city nightclub and the teacher's domestic home
MusicThe club setting likely weaves in diegetic pop music for Angie's performances.

Content guide

Is Le sphinx okay for kids?

Ratings in 1 other country
  • Canada14A

No detailed content scores for this title yet.

What content warnings does Le sphinx have?

Not screened for content warnings yet.

Cast and crew

Who is in Le sphinx?

Cast

Marc Messier
as Réal Prescott
Céline Bonnier
as Angie
Serge Thériault
as Carbone
Sylvie Drapeau
as Jojo
Eric Hoziel
as Jo
Vittorio Rossi
as Tony
Micheline Bernard
as Suzanne
Pierre McNicoll
as Bob
Henri Chassé
as Charles
Christine Olivier
as La Mère

Crew

More like this

What are movies like Le sphinx?

Movies like Le sphinx include Water for Elephants (2011) and The Dancer Upstairs (2002), both forbidden-love stories.

Balanced: every group counts the same, and production only breaks ties.

Explore by

What else shares a premise, people or place with Le sphinx?

1.3K other films share the rarest tag below, follows: teacher. Each tag opens Browse with the films that share it.