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The Lockpicker

The Lockpicker

2016105 minMidcredits score: 46th percentile of all films (provisional, few ratings)
Director
Randall Okita
Starring
Jordan Gray, Linnea Currie-Roberts, Nidal Kabboul, Evan Marsh

A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.

Where to watch

Where can I watch The Lockpicker?

As of October 24, 2026, MovieCove does not list The Lockpicker on any major US streaming service.

Your rating, lists and review

Highlights

What stands out about The Lockpicker?

The Lockpicker earns 1 badge: Award Winner.

Reception

Is The Lockpicker worth watching?

The Lockpicker's Midcredits score is the 46th percentile of all films, from 65 ratings across 3 sources (very few ratings yet, so treat it as provisional). 41% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

46th percentile

Better received than 46% of films

Very few ratings yet, so treat it as provisional.

43rd percentile among Drama46th percentile among 2010s
Acclaim (how much people like it)52nd
Approval (how many liked it)39th

62 /100

Very few ratings yet, so treat it as provisional.

52nd percentile of all films

51st percentile among Drama52nd percentile among 2010s

Rating distribution

Big peaks at both ends — people either love this or bounce off it hard.

41% liked it

39th percentile of all films

35th percentile among Drama39th percentile among 2010s
41% rated it 7–1059% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 3 wins / 2 noms overall

Reach

How many have seen it

29th percentile

65 ratings across platforms

29th percentile among Drama33rd percentile among 2010s
TMDB popularity, last 37 days to Oct 26Up 30% in 30 days

Watch experience

What is The Lockpicker like to watch?

Conclusions only — categories and positions, no plot detail.

Dark and unsettling: browse every movie of this kind

Watch this when you are ready for heavy feelings, and you want something dark that stays with you.

It is intense and leaves you unsettled. Skip it when you want an easy night.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Room for heavy feelings.

What it feels like

Dark and unsettling.

The answer rests on this: Moods
TenseDread
Heaviest: late
Register
Solemn: Grave and dignified; treats its subject with weight and respect.Tender · 13% of films
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film treats its teenage protagonist's plight with gravity and a touch of tenderness.
The rideSustained ominous tension with emotional payoff near the end.
StructureConventional structure expected for a drama about escape.

How it leaves you

what you carry away

Unsettled.

The answer rests on this: UnsettlingHaunting · 14% of films
Why it leaves you this wayThe film's tension and violence leave a lingering unease.
How it ends · evidence
Ambiguous ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Voyage
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4% (this title): Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% (this title) · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Voyage and return: Into a strange world and back again, changed. · Survival ordeal: Trapped in a hostile environment, fighting back (Cast Away).

4% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeA teenage thief flees violence in his town, making the story a survival journey rather than a monster hunt.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfSurvival
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% (this title) · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15% (this title): Survival 17% (this title) · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Survival

SurvivalFamily bonds
Warns its theme: Presents its theme as a danger or a coming cost.Intimate stakes: Consequences reach a person or a household.Single lead
How it treats its themeThe film centers on a teenager's fight to stay alive and protect those close to him.
StanceThe film takes a warning stance toward violence, focusing on the protagonist's personal struggle to escape.

The world

ContemporarySmall townDomesticInstitutionalRealistic
Orchestral modernAmbientSupportive music · original score · Joseph Murray
Settinga small town plagued by violence

Content guide

Is The Lockpicker okay for kids?

Ratings in 1 other country
  • Canada18A

No detailed content scores for this title yet.

What content warnings does The Lockpicker have?

Not screened for content warnings yet.

Cast and crew

Who is in The Lockpicker?

Cast

Jordan Gray
as Mr. Meikle
Linnea Currie-Roberts
as Tamara
Nidal Kabboul
as Police Officer
Evan Marsh
as Richard
Storie Serres
as Sarah
Evan Gerolimon
as Danny
Madi Langdon
as Kay
MinWoo Kevin Lee
as Stacey
Lukas Lennon
as Shep
Robert Nolan
as Colin

Crew

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