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Nos hacemos falta (Tilt)

Nos hacemos falta (Tilt)

200197 minMidcredits score: 25th percentile of all films (provisional, few ratings)
Director
Juanjo Giménez Peña
Starring
Pepe Pereza, Vicente Gil, Felipe García Vélez, Joaquín Gómez

A prisoner on a furlough to attend his mother's funeral finds out he has a little brother, a nine year old kid who follows him on a aimless journey through desolate secondary roads.

Where to watch

Where can I watch Nos hacemos falta (Tilt)?

As of October 24, 2026, MovieCove lists Nos hacemos falta (Tilt) to rent or buy on Prime Video, and on no subscription service.

Your rating, lists and review

Highlights

What stands out about Nos hacemos falta (Tilt)?

Nos hacemos falta (Tilt) earns 1 badge: Award Winner.

Reception

Is Nos hacemos falta (Tilt) worth watching?

Nos hacemos falta (Tilt)'s Midcredits score is the 25th percentile of all films, from 39 ratings across 3 sources (very few ratings yet, so treat it as provisional). 30% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

25th percentile

Better received than 25% of films

Very few ratings yet, so treat it as provisional.

26th percentile among Comedy24th percentile among 2000s
Acclaim (how much people like it)29th
Approval (how many liked it)23rd

55 /100

Very few ratings yet, so treat it as provisional.

29th percentile of all films

31st percentile among Comedy29th percentile among 2000s

Rating distribution

Ratings scatter across the whole scale — one of the most divisive reactions in the catalog.

30% liked it

23rd percentile of all films

23rd percentile among Comedy20th percentile among 2000s
30% rated it 7–1070% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 1 wins / 1 noms overall

Reach

How many have seen it

4th percentile

39 ratings across platforms

2nd percentile among Comedy3rd percentile among 2000s
TMDB popularity, last 37 days to Oct 26Up 37% in 30 days

Watch experience

What is Nos hacemos falta (Tilt) like to watch?

Conclusions only — categories and positions, no plot detail.

Quiet and reflective: browse every movie of this kind

Watch this when you are in a patient, quiet mood.

It is gentle, takes its time and leaves you bittersweet. Skip it when you want things to move fast.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Patience.

What it feels like

Quiet and reflective.

Moods
BittersweetContemplativeHopeful
Heaviest: middle
Wry humor: Amused and slightly dry about it.
Register
Warm
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film treats its material with a gentle, observant stance, finding warmth and light humor in a simple journey.
The rideThe unlikely journey blends melancholy and quiet hope, with the emotional core intensifying as the prisoner and his brother grow closer on the road.
StructureThe story follows a linear progression from the prisoner's furlough, through the journey, and likely to an emotional resolution.

How it leaves you

what you carry away

Bittersweet.

BittersweetHopeful
Why it leaves you this wayThe journey blends loss with new connection, leaving a bittersweet but hopeful afterglow.
How it ends · evidence
Ambiguous ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).RebirthHealing
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13% (this title): Redemption 3% · Healing 5% (this title) · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Rebirth: A stalled or darkened life reopened and renewed. · Healing: Recovery from grief or trauma (Good Will Hunting).

13% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeA prisoner on furlough meets his young half-brother and their aimless journey through desolate roads suggests a slow, healing bond that could change his outlook.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfFamilybonds
Every theme, clockwise from the top
  • Bonds 27% (this title): Romantic love 15% · Marriage 2% · Family bonds 21% (this title) · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% (this title) · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5% (this title)
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Bonds

Family bondsPurpose · 9% of filmsFreedom · 5% of films
Observes its theme: Presents its theme neutrally, declining to judge.Intimate stakes: Consequences reach a person or a household.Dual lead
How it treats its themeThe story centers on the unexpected bond forming between a prisoner and his young half-brother during a wandering furlough.
StanceThe film follows a prisoner and his young half-brother on a meandering journey, quietly observing the odd bond that forms between them.

The world

ContemporaryRuralIn transitStylized realism
FolkAmbientSupportive music · original score · Alfred García Demestres
Settingdesolate secondary roads of Spain
MusicThe composer's background suggests a folk-inflected score that may complement the desolate road setting.

Content guide

Is Nos hacemos falta (Tilt) okay for kids?

As of August 31, 2026, Midcredits content scores put its violence at intense (67/100), sexual content at intense (67/100), language at intense (67/100), drug and alcohol content at mild (33/100) and frightening material at minimal (0/100). None has enough votes to rank yet.

Overall
Moderate · all five categories
not ranked
Violence & Gore
Intense
too few votes to rank (1 vote)
Sex & Nudity
Intense
too few votes to rank (1 vote)
Profanity
Intense
too few votes to rank (1 vote)
Alcohol & Drugs
Mild
too few votes to rank (1 vote)
Frightening / Intense
None / Minimal
too few votes to rank (1 vote)

Too few votes to rank this title overall (5 votes across 5 categories; ranking needs 10 in at least three).

Source: Midcredits content scores, 0 (none) to 100 (severe) per category, with each standing ranked against other films that have them.

What content warnings does Nos hacemos falta (Tilt) have?

Not screened for content warnings yet.

Cast and crew

Who is in Nos hacemos falta (Tilt)?

Cast

Pepe Pereza
as Alex
Vicente Gil
as Pick
Felipe García Vélez
as Paco
Joaquín Gómez
as Andrés
Albert Espel
as Guardia civil #1
Juanjo Giménez Peña
as Guardia civil #2
Ghamedi M'Baye
as Marcos
Inma Ochoa
as María
Esther Moscatelli
as Pilar
Alicia Yagüe
as Ana

Crew

More like this

What are movies like Nos hacemos falta (Tilt)?

Movies like Nos hacemos falta (Tilt) include The Darjeeling Limited (2007), Euphoria (2017) and Back to Burgundy (2017). Of the 7 closest matches, all are stories about siblings, and two are buddy comedies.

Balanced: every group counts the same, and production only breaks ties.

4 of these 7 share its story type: road movie. Those cards say what else they share.

Explore by

What else shares a premise, people or place with Nos hacemos falta (Tilt)?

966 other films share the rarest tag below, follows: prisoner. Each tag opens Browse with the films that share it.