Brigitte Anne-Marie Bardot (September 28, 1934 – December 28, 2025) was a French actress, singer, model and animal rights activist. In her early life, Bardot was an aspiring ballet dancer. She started her acting career in 1952 and, after appearing in 16 films, became world-famous due to her role in her then-husband Roger Vadim's controversial film And God Created Woman. She later starred in Jean-Luc Godard's 1963 cult film, Contempt. She was nominated for a BAFTA Award for Best Foreign Actress for her role in Louis Malle's 1965 film, Viva Maria!. She caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay, The Lolita Syndrome, which described Bardot as a \"locomotive of women's history\" and built upon existentialist themes to declare her the first and most liberated woman of post-war France.\n\nBardot retired from the entertainment industry in 1973. During her career in show business Bardot starred in 47 films, performed in numerous musical shows, and recorded 80 songs. She was awarded the Légion d'honneur in 1985 but refused to receive it. After her retirement, Bardot established herself as an animal rights activist, but her longstanding support for the far-right and for discrimination against minorities in France showed a constant disdain for human rights instead."
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Biography from TMDB.
- September 28, 1934
- December 28, 2025 (aged 91)
- Paris, France
- Actor, also producer
- 50 on MovieCove · 78 credits in all
What are Brigitte Bardot's films like?
Across their 33 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 7 · Earnest 24
Light 21 · Serious 6 · Dark 6
Grounded 14 · Stylized 14 · Heightened 5
A split, not a type: Gentle 17 · Charged 12 · Intense 4
Steady 22 · Shifting 10 · Whiplash 1
A split, not a type: Straight-faced 15 · Some laughs 6 · Funny 12
Slow burn 17 · Even-paced 16 · Relentless 0
Casual 25 · Engaged 6 · Full focus 2
Easy watch 21 · Affecting 9 · Heavy 3
Resolved 28 · Open-ended 2 · Ambiguous 3
Roles they play
Usually the Hero: 16 of 26 analyzed roles.
Show the 26 rolesHide the roles
- Allyas Manina in The Girl in the Bikini (1952)
- Heroas Sophie Dimater in School for Love (1955)
- Shapeshifteras Brigitte Latour in Naughty Girl (1956)
- Heroas Agnès Dumont in Plucking the Daisy (1956)
- Heroas Juliette Hardy in ...And God Created Woman (1956)
- Heroas Brigitte Laurier in The Parisian (1957)
- Heroas Ursula in The Night Heaven Fell (1958)
- Shapeshifteras Yvette Maudet in Love Is My Profession (1958)
- Shapeshifteras Eva Marchand in The Female (1958)
- Tricksteras Eva Marchand in The Female (1958)
- Heroas Babette in Babette Goes to War (1959)
- Heroas Virginie Dandieu in Come Dance with Me! (1959)
- Heroas Dominique Marceau in The Truth (1960)
- Heroas Sophie in Please, Not Now! (1961)
- Heroas Jill in A Very Private Affair (1962)
- Heroas Geneviève Le Theil in Love on a Pillow (1962)
- Shapeshifteras Camille Javal in Contempt (1963)
- Allyas Penelope 'Penny' Lightfeather in The Ravishing Idiot (1964)
- Heroas Maria I in Viva Maria! (1965)
- Heroas Clara in The Vixen (1969)
- Heroas Agnès in The Novices (1970)
- Heraldas Linda Larue in Rum Runners (1971)
- Heroas Louise in The Legend of Frenchie King (1971)
- Shapeshifteras Louise in The Legend of Frenchie King (1971)
- Mentoras Arabelle in The Edifying and Joyous Story of Colinot (1973)
- Heroas Jeanne in Don Juan, or If Don Juan Were a Woman (1973)
Moods and endings
- Happy17
- Bittersweet5
- Tragic6
- Ambiguous4
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Brigitte Bardot's films?
As of October 24, 2026, 15 of their 50 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (7).
- BFI Player, show their title on BFI Player
- France Channel, show their title on France Channel
- IndiePix Unlimited, show their title on IndiePix Unlimited
- Kino Film Collection, show their title on Kino Film Collection
- Lionsgate+, show their title on Lionsgate+
- Shout! TV, show their title on Shout! TV
- Sundance Now, show their title on Sundance Now
Subscription and free streaming for Brigitte Bardot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
78 credits, 50 with a MovieCove page; 58 appearances as themselves are hidden until asked for.

Bardot(2025)
Midcredits score: 75th percentile of all films
Brigitte Bardot confidentiel (not in the MovieCove catalog yet)(2022)

Belmondo: The Incorrigible (not in the MovieCove catalog yet)(2022)

Fantômas démasqué(2022)
Midcredits score: 70th percentile of all films

Mythos Côte d'Azur - Liebe, Luxus, Leidenschaft (not in the MovieCove catalog yet)(2021)

Jacques Tati, tombé de la lune (not in the MovieCove catalog yet)(2021)

Morceaux de Cannes (not in the MovieCove catalog yet)(2021)

Gainsbourg, toute une vie (not in the MovieCove catalog yet)(2021)

Hossein, Ronet, Trintignant : Confidences de trois acteurs inoubliables (not in the MovieCove catalog yet)(2021)

Oh Les Filles! (not in the MovieCove catalog yet)(2019)
Midcredits score: 39th percentile of all films
She's French (not in the MovieCove catalog yet)(2018)

Coming Apart (not in the MovieCove catalog yet)(2017)

The Summer of Love(2017)
Midcredits score: 64th percentile of all films (provisional, few ratings)
Midcredits score: 56th percentile of all films (provisional, few ratings)
Midcredits score: 70th percentile of all films
The truth about Brigitte Bardot (not in the MovieCove catalog yet)(2014)

Bardot, The Misunderstanding (not in the MovieCove catalog yet)(2013)
Midcredits score: 96th percentile of all films
Midcredits score: 64th percentile of all films
Brigitte Bardot: The Icon of France (not in the MovieCove catalog yet)(2009)

Hollywood sul Tevere (not in the MovieCove catalog yet)(2009)
Midcredits score: 93rd percentile of all films
French Love(1998)
Midcredits score: 15th percentile of all films (provisional, few ratings)
Famous T & A (not in the MovieCove catalog yet)(1982)

Cœur bleu (not in the MovieCove catalog yet)(1980)
Midcredits score: 96th percentile of all films
Midcredits score: 7th percentile of all films
Midcredits score: 17th percentile of all films
Le viager(1972)
Midcredits score: 77th percentile of all films
Midcredits score: 25th percentile of all films
Rum Runners(1971)
Midcredits score: 18th percentile of all films
The Novices(1970)
Midcredits score: 9th percentile of all films
The Bear and the Doll (not in the MovieCove catalog yet)(1970)

The Vixen(1969)
Midcredits score: 23rd percentile of all films
Shalako(1968)
Midcredits score: 24th percentile of all films
Spirits of the Dead(1968)
Midcredits score: 61st percentile of all films
Mondo Hollywood (not in the MovieCove catalog yet)(1967)

Two Weeks in September (not in the MovieCove catalog yet)(1967)

Masculine Feminine(1966)
Midcredits score: 92nd percentile of all films
Viva Maria!(1965)
Midcredits score: 54th percentile of all films
Dear Brigitte(1965)
Midcredits score: 51st percentile of all films
Marie Soleil (not in the MovieCove catalog yet)(1964)

The Ravishing Idiot(1964)
Midcredits score: 28th percentile of all films
Contempt(1963)
Midcredits score: 89th percentile of all films
Love on a Pillow(1962)
Midcredits score: 31st percentile of all films
A Very Private Affair(1962)
Midcredits score: 26th percentile of all films
Famous Love Affairs(1961)
Midcredits score: 13th percentile of all films
Please, Not Now!(1961)
Midcredits score: 29th percentile of all films
The Truth(1960)
Midcredits score: 96th percentile of all films
It Happened All Night(1960)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Testament of Orpheus(1960)
Midcredits score: 87th percentile of all films
Come Dance with Me!(1959)
Midcredits score: 54th percentile of all films
Babette Goes to War(1959)
Midcredits score: 44th percentile of all films
The Female(1958)
Midcredits score: 27th percentile of all films
Love Is My Profession(1958)
Midcredits score: 66th percentile of all films
The Night Heaven Fell(1958)
Midcredits score: 24th percentile of all films
The Parisian(1957)
Midcredits score: 46th percentile of all films
...And God Created Woman(1956)
Midcredits score: 53rd percentile of all films
Her Bridal Night (not in the MovieCove catalog yet)(1956)

Nero's Mistress (not in the MovieCove catalog yet)(1956)

Plucking the Daisy(1956)
Midcredits score: 38th percentile of all films
Naughty Girl(1956)
Midcredits score: 33rd percentile of all films
Helen of Troy(1956)
Midcredits score: 45th percentile of all films
Midcredits score: 39th percentile of all films
The Grand Manoeuvre (not in the MovieCove catalog yet)(1955)

Doctor at Sea(1955)
Midcredits score: 35th percentile of all films
School for Love(1955)
Midcredits score: 14th percentile of all films
Caroline and the Rebels(1955)
Midcredits score: 5th percentile of all films
Night of Love (not in the MovieCove catalog yet)(1954)

Act of Love(1953)
Midcredits score: 60th percentile of all films
Midcredits score: 70th percentile of all films
His Father's Portrait (not in the MovieCove catalog yet)(1953)

Les Dents longues (not in the MovieCove catalog yet)(1953)

The Girl in the Bikini(1952)
Midcredits score: 23rd percentile of all films
Crazy for Love (not in the MovieCove catalog yet)(1952)

Culture Club: Greatest Hits (not in the MovieCove catalog yet)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 78 titles, 77 of them dated from 1952 to 2025; peak year 2013.

Biggest box office
Contempt (1963)

Highest rated
The Truth (1960)

Most popular right now
The Novices (1970)
Film career
Peak 2013 · at the high point of their film career. Top draw in 6 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1952Screen debut· Crazy for Love
- 1952First top-billed film· Manina, the Lighthouse-Keeper's Daughter
- 1963Career best· Contempt
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Brigitte Bardot's films land?
Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of the 49 of 50 with a score; across their 32 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 75th and up9
- 50th to 74th13
- 25th to 49th14
- Below 25th13
Shape of the crowd
19 of their 49 titles are Mixed.
- Universally Loved4
- Universally Panned1
- Divisive1
- Crowd Pleaser16
- Broadly Agreed8
- Mixed19
Reviewers score the acting 66/100 in their films, across 28 reviewed titles; fans 76, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Brigitte Bardot's work okay for kids?
Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Brigitte Bardot work with?
People who share at least 2 of Brigitte Bardot's MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 9.
Directors
- Roger VadimShared titles: Don Juan, or If Don Juan Were a Woman (1973), Spirits of the Dead (1968), Love on a Pillow (1962), Please, Not Now! (1961), The Night Heaven Fell (1958), ...And God Created Woman (1956), Naughty Girl (1956), Plucking the Daisy (1956), School for Love (1955)See all 9 shared titles with Roger Vadim

- Louis MalleShared titles: Spirits of the Dead (1968), Viva Maria! (1965), A Very Private Affair (1962)See all 3 shared titles with Louis Malle

- Michel BoisrondShared titles: Come Dance with Me! (1959), The Parisian (1957), Naughty Girl (1956)See all 3 shared titles with Michel Boisrond

- Jean AurelShared titles: The Vixen (1969), Please, Not Now! (1961), The Parisian (1957)See all 3 shared titles with Jean Aurel
Writers
- Raoul LévyShared titles: The Truth (1960), Babette Goes to War (1959), Love Is My Profession (1958), The Night Heaven Fell (1958), ...And God Created Woman (1956)See all 5 shared titles with Raoul Lévy

- Clement Biddle WoodShared titles: The Legend of Frenchie King (1971), Spirits of the Dead (1968)See all 2 shared titles with Clement Biddle Wood
- Daniel BoulangerShared titles: The Legend of Frenchie King (1971), Spirits of the Dead (1968)See all 2 shared titles with Daniel Boulanger

- Jacques LaurentShared titles: The Vixen (1969), Caroline and the Rebels (1955)See all 2 shared titles with Jacques Laurent
Actors
- Catherine DeneuveShared titles: Bernadette Lafont, and God Created the Free Woman (2016), Mag Bodard, un destin (2005), Celebrity Naked Ambition (2003)See all 3 shared titles with Catherine Deneuve

- Jess HahnShared titles: Rum Runners (1971), The Novices (1970), The Female (1958)See all 3 shared titles with Jess Hahn

- James Robertson JusticeShared titles: Spirits of the Dead (1968), Love on a Pillow (1962), Doctor at Sea (1955)See all 3 shared titles with James Robertson Justice

- Jacques HillingShared titles: The Ravishing Idiot (1964), Babette Goes to War (1959), The Female (1958)See all 3 shared titles with Jacques Hilling

Cinematographers and editors
- Armand ThirardShared titles: Love on a Pillow (1962), The Truth (1960), Babette Goes to War (1959), The Night Heaven Fell (1958), ...And God Created Woman (1956), Act of Love (1953)See all 6 shared titles with Armand Thirard

- Victoria MercantonShared titles: Don Juan, or If Don Juan Were a Woman (1973), Love on a Pillow (1962), The Night Heaven Fell (1958), ...And God Created Woman (1956)See all 4 shared titles with Victoria Mercanton
- Henri DecaëShared titles: Don Juan, or If Don Juan Were a Woman (1973), Viva Maria! (1965), A Very Private Affair (1962)See all 3 shared titles with Henri Decaë

- Suzanne BaronShared titles: Spirits of the Dead (1968), Viva Maria! (1965), The Girl in the Bikini (1952)See all 3 shared titles with Suzanne Baron
Producers
- Francis CosneShared titles: The Legend of Frenchie King (1971), Love on a Pillow (1962), Please, Not Now! (1961), Come Dance with Me! (1959), The Parisian (1957)See all 5 shared titles with Francis Cosne
- Raymond EgerShared titles: The Legend of Frenchie King (1971), Spirits of the Dead (1968), Plucking the Daisy (1956)See all 3 shared titles with Raymond Eger
- Christine Gouze-RénalShared titles: A Very Private Affair (1962), The Female (1958), The Light Across the Street (1955)See all 3 shared titles with Christine Gouze-Rénal

- Alain PoiréShared titles: Rum Runners (1971), Caroline and the Rebels (1955)See all 2 shared titles with Alain Poiré

Mixed roles
- Mag BodardShared titles: Mag Bodard, un destin (2005), The Edifying and Joyous Story of Colinot (1973)See all 2 shared titles with Mag Bodard

