Gary Cooper (May 7, 1901 - May 13, 1961) was an American film actor known for his natural, authentic, and understated acting style and screen performances. His career spanned thirty-six years, from 1925 to 1961, and included leading roles in eighty-four feature films. He was a major movie star from the end of the silent film era through to the end of the golden age of Classical Hollywood. His screen persona appealed strongly to both men and women, and his range of performances included roles in most major movie genres. Cooper's ability to project his own personality onto the characters he played contributed to his natural and authentic appearance on screen. Throughout his career, he sustained a screen persona that represented the ideal American hero.
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Biography from TMDB.
- May 7, 1901
- May 13, 1961 (aged 60)
- Helena, Montana, USA
- Actor, also producer
- 73 on Motif · 127 credits in all
What are Gary Cooper's films like?
Across their 66 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 61
A split, not a type: Light 26 · Serious 21 · Dark 19
A split, not a type: Grounded 33 · Stylized 27 · Heightened 6
Gentle 17 · Charged 35 · Intense 14
A split, not a type: Steady 33 · Shifting 29 · Whiplash 4
A split, not a type: Straight-faced 39 · Some laughs 17 · Funny 10
Slow burn 30 · Even-paced 34 · Relentless 2
Casual 32 · Engaged 32 · Full focus 2
Easy watch 27 · Affecting 27 · Heavy 12
Resolved 57 · Open-ended 8 · Ambiguous 1
Roles they play
Usually the Hero: 47 of 55 analyzed roles.
Show the 55 rolesHide the roles
- Heroas Abe Lee in The Winning of Barbara Worth (1926)
- Mentoras Cadet White in Wings (1927)
- Heroas Jim Baker in A Man from Wyoming (1930)
- Heroas Légionnaire Tom Brown in Morocco (1930)
- Heroas Clint Belmet in Fighting Caravans (1931)
- Heroas Lt. Sempter in Devil and the Deep (1932)
- Heroas Frederic in A Farewell to Arms (1932)
- Mentoras White Knight in Alice in Wonderland (1933)
- Heroas George Curtis in Design for Living (1933)
- Heroas Bogard in Today We Live (1933)
- Heroas Lt. Alan McGregor in The Lives of a Bengal Lancer (1935)
- Heroas Peter Ibbetson in Peter Ibbetson (1935)
- Heroas Tony Barrett in The Wedding Night (1935)
- Heroas Tom Bradley in Desire (1936)
- Heroas O'Hara in The General Died at Dawn (1936)
- Heroas Longfellow Deeds in Mr. Deeds Goes to Town (1936)
- Heroas Wild Bill Hickok in The Plainsman (1936)
- Heroas Marco Polo in The Adventures of Marco Polo (1938)
- Threshold guardianas Michael Brandon in Bluebeard's Eighth Wife (1938)
- Tricksteras Stretch Willoughby in The Cowboy and the Lady (1938)
- Heroas Beau Geste in Beau Geste (1939)
- Heroas Dr. Bill Canavan in The Real Glory (1939)
- Mentoras Dr. Bill Canavan in The Real Glory (1939)
- Heroas Dusty Rivers in North West Mounted Police (1940)
- Heroas Cole Harden in The Westerner (1940)
- Heroas Prof. Bertram Potts in Ball of Fire (1941)
- Heroas 'Long John' Willoughby in Meet John Doe (1941)
- Heroas Alvin C. York in Sergeant York (1941)
- Heroas Lou Gehrig in The Pride of the Yankees (1942)
- Heroas Robert Jordan in For Whom the Bell Tolls (1943)
- Heroas Casanova Brown in Casanova Brown (1944)
- Heroas Dr. Corydon M. Wassell in The Story of Dr. Wassell (1944)
- Heroas Melody Jones in Along Came Jones (1945)
- Shapeshifteras Colonel Clint Maroon in Saratoga Trunk (1945)
- Heroas Alvah Jesper in Cloak and Dagger (1946)
- Heroas Capt. Christopher Holden in Unconquered (1947)
- Heroas Sam Clayton in Good Sam (1948)
- Heroas Jonathan L. Scott in Task Force (1949)
- Heroas Brant Royle in Bright Leaf (1950)
- Heroas Blayde 'Reb' Hollister in Dallas (1950)
- Heroas Capt. Quincy Wyatt in Distant Drums (1951)
- Heroas Lt. John Harkness in You're in the Navy Now (1951)
- Heroas Marshal Will Kane in High Noon (1952)
- Heroas Maj. Alex 'Lex' Kearney in Springfield Rifle (1952)
- Heroas Jeff Dawson in Blowing Wild (1953)
- Heroas Hooker in Garden of Evil (1954)
- Heroas Benjamin Trane in Vera Cruz (1954)
- Heroas Col. Billy Mitchell in The Court-Martial of Billy Mitchell (1955)
- Heroas Jess Birdwell in Friendly Persuasion (1956)
- Heroas Frank Flannagan in Love in the Afternoon (1957)
- Heroas Link Jones in Man of the West (1958)
- Heroas Dr. Joseph 'Doc' Frail in The Hanging Tree (1959)
- Heroas Major Thomas Thorn in They Came to Cordura (1959)
- Shapeshifteras Gideon Patch in The Wreck of the Mary Deare (1959)
- Shapeshifteras George Radcliffe in The Naked Edge (1961)
Moods and endings
- Happy30
- Bittersweet26
- Tragic3
- Ambiguous5
- Cyclical1
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gary Cooper's films?
As of October 24, 2026, 31 of their 73 Motif titles stream on a subscription or free service, most on Tubi (23).
- I Am Not Your Negro (2016) · actor · free
- Ball of Fire (1941) · actor · free
- Sergeant York (1941) · actor · free
- Wings (1927) · actor · free
- The Pride of the Yankees (1942) · actor · free
- Meet John Doe (1941) · actor · free
- Making Montgomery Clift (2018) · actor · free
- The Westerner (1940) · actor · free
- Man of the West (1958) · actor · free
- Vera Cruz (1954) · actor · free
- Morocco (1930) · actor · free
- The Winning of Barbara Worth (1926) · actor · free
- +11 more
- Monty Python and the Holy Grail (1975) · thanks
- Ball of Fire (1941) · actor
- Meet John Doe (1941) · actor
- Making Montgomery Clift (2018) · actor
- The Westerner (1940) · actor
- The Winning of Barbara Worth (1926) · actor
- The Cowboy and the Lady (1938) · actor
- The Wedding Night (1935) · actor
- The Eagle (1925) · actor
- The Real Glory (1939) · actor
- A Farewell to Arms (1932) · actor
- Blowing Wild (1953) · actor
- +2 more
- Monty Python and the Holy Grail (1975) · thanks · free
- The Pride of the Yankees (1942) · actor · free
- Meet John Doe (1941) · actor · free
- Man of the West (1958) · actor · free
- Vera Cruz (1954) · actor · free
- The Cowboy and the Lady (1938) · actor · free
- Along Came Jones (1945) · actor, producer · free
- Alias Jesse James (1959) · actor · free
- A Farewell to Arms (1932) · actor · free
- Monty Python and the Holy Grail (1975) · thanks · free
- The Pride of the Yankees (1942) · actor · free
- Meet John Doe (1941) · actor · free
- Morocco (1930) · actor · free
- Seven Days Leave (1930) · actor · free
- A Farewell to Arms (1932) · actor · free
- The Adventures of Marco Polo (1938) · actor · free
- Fighting Caravans (1931) · actor · free
- Great American Pure Flix, show their 3 titles on Great American Pure Flix
- ScreenPix, show their 3 titles on ScreenPix
- IndieFlix, show their 2 titles on IndieFlix
- Best Westerns Ever, show their title on Best Westerns Ever
- Cineverse, show their title on Cineverse
- Dove Channel, show their title on Dove Channel
- Dox, show their title on Dox
- FilmBox+, show their title on FilmBox+
- Magnolia Selects, show their title on Magnolia Selects
- Shout! TV, show their title on Shout! TV
- Sundance Now, show their title on Sundance Now
Subscription and free streaming for Gary Cooper's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
127 credits, 73 with a Motif page; 48 appearances as themselves are hidden until asked for.

Making Montgomery Clift(2018)
Midcredits score: 89th percentile of all films
I Am Not Your Negro(2016)
Midcredits score: 97th percentile of all films
Bright Leaves(2003)
Midcredits score: 84th percentile of all films
The Celluloid Closet(1995)
Midcredits score: 95th percentile of all films
Marilyn Monroe (not in the Motif catalog yet)(1986)
Midcredits score: 75th percentile of all films (provisional, few ratings)
Showbiz Goes to War(1982)
Midcredits score: 99th percentile of all films (provisional, few ratings)
Midcredits score: 45th percentile of all films
Midcredits score: 99th percentile of all films
The Naked Edge(1961)
Midcredits score: 67th percentile of all films
The 10 from Texas (not in the Motif catalog yet)(1961)
Midcredits score: 70th percentile of all films
They Came to Cordura(1959)
Midcredits score: 60th percentile of all films
Alias Jesse James(1959)
Midcredits score: 58th percentile of all films
The Hanging Tree(1959)
Midcredits score: 85th percentile of all films
Man of the West(1958)
Midcredits score: 81st percentile of all films
Ten North Frederick (not in the Motif catalog yet)(1958)

Love in the Afternoon(1957)
Midcredits score: 85th percentile of all films
Friendly Persuasion(1956)
Midcredits score: 83rd percentile of all films
Midcredits score: 76th percentile of all films
Vera Cruz(1954)
Midcredits score: 81st percentile of all films
Garden of Evil(1954)
Midcredits score: 67th percentile of all films
Boom on Paris (not in the Motif catalog yet)(1954)

Blowing Wild(1953)
Midcredits score: 55th percentile of all films
Return to Paradise (not in the Motif catalog yet)(1953)

Springfield Rifle(1952)
Midcredits score: 66th percentile of all films
High Noon(1952)
Midcredits score: 97th percentile of all films
Distant Drums(1951)
Midcredits score: 59th percentile of all films
Starlift (not in the Motif catalog yet)(1951)
Midcredits score: 40th percentile of all films
You're in the Navy Now(1951)
Midcredits score: 53rd percentile of all films
Dallas(1950)
Midcredits score: 51st percentile of all films
The Jack Benny Program (not in the Motif catalog yet)(1950)

Bright Leaf(1950)
Midcredits score: 67th percentile of all films
Task Force(1949)
Midcredits score: 69th percentile of all films
It's a Great Feeling(1949)
Midcredits score: 53rd percentile of all films
The Fountainhead(1949)
Midcredits score: 78th percentile of all films
Good Sam(1948)
Midcredits score: 58th percentile of all films
Unconquered(1947)
Midcredits score: 76th percentile of all films
Variety Girl(1947)
Midcredits score: 58th percentile of all films
Cloak and Dagger(1946)
Midcredits score: 70th percentile of all films
Saratoga Trunk(1945)
Midcredits score: 55th percentile of all films
Along Came Jones(1945)
Midcredits score: 59th percentile of all films
Casanova Brown(1944)
Midcredits score: 47th percentile of all films
The Story of Dr. Wassell(1944)
Midcredits score: 67th percentile of all films
For Whom the Bell Tolls(1943)
Midcredits score: 72nd percentile of all films
The Pride of the Yankees(1942)
Midcredits score: 92nd percentile of all films
Ball of Fire(1941)
Midcredits score: 97th percentile of all films
Sergeant York(1941)
Midcredits score: 93rd percentile of all films
Meet John Doe(1941)
Midcredits score: 91st percentile of all films
Midcredits score: 58th percentile of all films
The Westerner(1940)
Midcredits score: 88th percentile of all films
The Real Glory(1939)
Midcredits score: 62nd percentile of all films
Beau Geste(1939)
Midcredits score: 90th percentile of all films
The Cowboy and the Lady(1938)
Midcredits score: 65th percentile of all films
Midcredits score: 32nd percentile of all films
Bluebeard's Eighth Wife(1938)
Midcredits score: 85th percentile of all films
Souls at Sea (not in the Motif catalog yet)(1937)

The General Died at Dawn(1936)
Midcredits score: 65th percentile of all films
The Plainsman(1936)
Midcredits score: 71st percentile of all films
Hollywood Boulevard (not in the Motif catalog yet)(1936)

Desire(1936)
Midcredits score: 84th percentile of all films
Mr. Deeds Goes to Town(1936)
Midcredits score: 97th percentile of all films
Peter Ibbetson(1935)
Midcredits score: 75th percentile of all filmsScreen Snapshots Series 14, No. 8 (not in the Motif catalog yet)(1935)

The Wedding Night(1935)
Midcredits score: 65th percentile of all films
Midcredits score: 77th percentile of all films
Now and Forever (not in the Motif catalog yet)(1934)

Operator 13 (not in the Motif catalog yet)(1934)

Design for Living(1933)
Midcredits score: 91st percentile of all films
Alice in Wonderland(1933)
Midcredits score: 51st percentile of all films
One Sunday Afternoon(1933)
Midcredits score: 55th percentile of all films
Today We Live(1933)
Midcredits score: 37th percentile of all films
A Farewell to Arms(1932)
Midcredits score: 58th percentile of all films
If I Had a Million(1932)
Midcredits score: 76th percentile of all films
Devil and the Deep(1932)
Midcredits score: 49th percentile of all films
Make Me a Star(1932)
Midcredits score: 56th percentile of all films
His Woman (not in the Motif catalog yet)(1931)

I Take This Woman (not in the Motif catalog yet)(1931)

City Streets (not in the Motif catalog yet)(1931)

The Stolen Jools (not in the Motif catalog yet)(1931)

Fighting Caravans(1931)
Midcredits score: 27th percentile of all films
Morocco(1930)
Midcredits score: 79th percentile of all films
The Spoilers (not in the Motif catalog yet)(1930)

A Man from Wyoming(1930)
Midcredits score: 49th percentile of all films
The Texan (not in the Motif catalog yet)(1930)

Paramount on Parade (not in the Motif catalog yet)(1930)

Only the Brave (not in the Motif catalog yet)(1930)

Seven Days Leave(1930)
Midcredits score: 61st percentile of all films
The Virginian (not in the Motif catalog yet)(1929)

Betrayal (not in the Motif catalog yet)(1929)

Wolf Song (not in the Motif catalog yet)(1929)

The Shopworn Angel (not in the Motif catalog yet)(1928)

Lilac Time (not in the Motif catalog yet)(1928)

The First Kiss (not in the Motif catalog yet)(1928)

Half a Bride (not in the Motif catalog yet)(1928)

The Legion of the Condemned (not in the Motif catalog yet)(1928)

Doomsday (not in the Motif catalog yet)(1928)

Beau Sabreur (not in the Motif catalog yet)(1928)

Wings(1927)
Midcredits score: 93rd percentile of all films
Nevada (not in the Motif catalog yet)(1927)

The Last Outlaw (not in the Motif catalog yet)(1927)

Children of Divorce (not in the Motif catalog yet)(1927)

Arizona Bound (not in the Motif catalog yet)(1927)

It (not in the Motif catalog yet)(1927)

Bad Man's Bluff (not in the Motif catalog yet)(1926)

Old Ironsides (not in the Motif catalog yet)(1926)

Lightnin' Flashes (not in the Motif catalog yet)(1926)
Midcredits score: 78th percentile of all films
Lightnin' Wins (not in the Motif catalog yet)(1926)

Watch Your Wife (not in the Motif catalog yet)(1926)

A Six Shootin' Romance (not in the Motif catalog yet)(1926)

The Johnstown Flood (not in the Motif catalog yet)(1926)

Three Pals (not in the Motif catalog yet)(1926)

North Star (not in the Motif catalog yet)(1925)
Midcredits score: 93rd percentile of all films
Tricks (not in the Motif catalog yet)(1925)

The Eagle(1925)
Midcredits score: 64th percentile of all films
The Vanishing American (not in the Motif catalog yet)(1925)

Wild Horse Mesa (not in the Motif catalog yet)(1925)

The Lucky Horseshoe (not in the Motif catalog yet)(1925)

The Drug Store Cowboy (not in the Motif catalog yet)(1925)

Riders of the Purple Sage (not in the Motif catalog yet)(1925)

The Thundering Herd (not in the Motif catalog yet)(1925)

The Trail Rider (not in the Motif catalog yet)(1925)

Dick Turpin (not in the Motif catalog yet)(1925)

Warrior Gap (not in the Motif catalog yet)(1925)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 124 titles from 1925 to 2004; peak year 1961.
Film career
Peak 1961 · fewer prominent film roles lately. Top draw in 33 Motif titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Gary Cooper's films land?
Their typical Motif film has a Midcredits score in the 70th percentile, the median of all 73; across their 66 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up33
- 50th to 74th32
- 25th to 49th8
Shape of the crowd
49 of their 73 titles are Crowd Pleasers.
- Universally Loved13
- Crowd Pleaser49
- Broadly Agreed4
- Mixed7
Reviewers score the acting 71/100 in their films, across 61 reviewed titles; fans 78, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Gary Cooper's work okay for kids?
Across up to 12 Motif titles with content scores, profanity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Gary Cooper work with?
People who share at least 2 of Gary Cooper's Motif titles, grouped by what they did on them; Samuel Goldwyn shares the most, 8.
Directors
- Henry HathawayShared titles: Garden of Evil (1954), You're in the Navy Now (1951), The Real Glory (1939), Peter Ibbetson (1935), The Lives of a Bengal Lancer (1935)See all 5 shared titles with Henry Hathaway

- Cecil B. DeMilleShared titles: Unconquered (1947), The Story of Dr. Wassell (1944), North West Mounted Police (1940), The Plainsman (1936)See all 4 shared titles with Cecil B. DeMille

- Sam WoodShared titles: Saratoga Trunk (1945), Casanova Brown (1944), For Whom the Bell Tolls (1943), The Pride of the Yankees (1942)See all 4 shared titles with Sam Wood

- Stuart HeislerShared titles: Dallas (1950), Along Came Jones (1945), The Cowboy and the Lady (1938), Peter Ibbetson (1935), The Wedding Night (1935)See all 5 shared titles with Stuart Heisler

Writers
- Waldemar YoungShared titles: Desire (1936), The Plainsman (1936), Peter Ibbetson (1935), The Lives of a Bengal Lancer (1935)See all 4 shared titles with Waldemar Young

- Robert RiskinShared titles: Meet John Doe (1941), The Real Glory (1939), The Cowboy and the Lady (1938), Mr. Deeds Goes to Town (1936)See all 4 shared titles with Robert Riskin

- Billy WilderShared titles: Love in the Afternoon (1957), Ball of Fire (1941), Bluebeard's Eighth Wife (1938)See all 3 shared titles with Billy Wilder

- Alan Le MayShared titles: Along Came Jones (1945), The Story of Dr. Wassell (1944), North West Mounted Police (1940)See all 3 shared titles with Alan Le May
Actors
- Walter BrennanShared titles: Task Force (1949), The Pride of the Yankees (1942), Meet John Doe (1941), Sergeant York (1941), The Westerner (1940), The Cowboy and the Lady (1938), The Wedding Night (1935)See all 7 shared titles with Walter Brennan

- Barbara StanwyckShared titles: Barbara Stanwyck: Fire and Desire (1991), Blowing Wild (1953), Variety Girl (1947), Ball of Fire (1941), Meet John Doe (1941)See all 5 shared titles with Barbara Stanwyck

- Akim TamiroffShared titles: For Whom the Bell Tolls (1943), North West Mounted Police (1940), Desire (1936), The General Died at Dawn (1936), The Lives of a Bengal Lancer (1935)See all 5 shared titles with Akim Tamiroff

- Roscoe KarnsShared titles: One Sunday Afternoon (1933), Today We Live (1933), If I Had a Million (1932), Wings (1927)See all 4 shared titles with Roscoe Karns

Composers and cinematographers
- Max SteinerShared titles: The Hanging Tree (1959), Springfield Rifle (1952), Distant Drums (1951), Dallas (1950), Cloak and Dagger (1946), Saratoga Trunk (1945), Sergeant York (1941)See all 7 shared titles with Max Steiner

- Dimitri TiomkinShared titles: Friendly Persuasion (1956), The Court-Martial of Billy Mitchell (1955), Blowing Wild (1953), High Noon (1952), Meet John Doe (1941), The Westerner (1940), Alice in Wonderland (1933)See all 7 shared titles with Dimitri Tiomkin

- Victor MilnerShared titles: The Story of Dr. Wassell (1944), North West Mounted Police (1940), Desire (1936), The General Died at Dawn (1936), The Plainsman (1936), Design for Living (1933), One Sunday Afternoon (1933)See all 7 shared titles with Victor Milner

- Alfred NewmanShared titles: Ball of Fire (1941), The Westerner (1940), Beau Geste (1939), The Real Glory (1939), The Cowboy and the Lady (1938), The Wedding Night (1935)See all 6 shared titles with Alfred Newman

Producers
- Samuel GoldwynShared titles: The Pride of the Yankees (1942), Ball of Fire (1941), The Westerner (1940), The Real Glory (1939), The Adventures of Marco Polo (1938), The Cowboy and the Lady (1938), The Wedding Night (1935), The Winning of Barbara Worth (1926)See all 8 shared titles with Samuel Goldwyn

- Louis D. LightonShared titles: Peter Ibbetson (1935), The Lives of a Bengal Lancer (1935), Alice in Wonderland (1933), One Sunday Afternoon (1933), Seven Days Leave (1930), Wings (1927)See all 6 shared titles with Louis D. Lighton

- Milton SperlingShared titles: The Court-Martial of Billy Mitchell (1955), Blowing Wild (1953), Distant Drums (1951), Cloak and Dagger (1946)See all 4 shared titles with Milton Sperling
- William LeBaronShared titles: Beau Geste (1939), Bluebeard's Eighth Wife (1938), The General Died at Dawn (1936)See all 3 shared titles with William LeBaron

Mixed roles
- Fred ZinnemannShared titles: High Noon (1952), Peter Ibbetson (1935)See all 2 shared titles with Fred Zinnemann

- Thomas MitchellShared titles: High Noon (1952), Casanova Brown (1944)See all 2 shared titles with Thomas Mitchell






