Margaux Hemingway
Actor · Died July 1, 1996, aged 42 · Portland, Oregon, USA
Margaux Louise Hemingway was an American fashion model and actress. She earned success as a supermodel in the mid-1970s, appearing on the covers of magazines including Cosmopolitan, Elle, Harper's Bazaar, Vogue and Time. She signed a million-dollar contract for Fabergé as the spokes-model for Babe perfume. She was the granddaughter of writer Ernest Hemingway. Her later years were marred by highly publicized episodes of addiction and depression, before her suicide from a drug overdose on July 1, 1996, at the age of 42. Description above from the Wikipedia article Margaux Hemingway, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- February 16, 1954
- July 1, 1996 (aged 42)
- Portland, Oregon, USA
- Actor
- 7 on MovieCove · 18 credits in all
What are Margaux Hemingway's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 1 · Dark 3
Grounded 5 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 3
Steady 1 · Shifting 3 · Whiplash 2
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 2
Resolved 5 · Open-ended 1 · Ambiguous 0
Roles they play
- Heroas Chris McCormick in Lipstick (1976)
- Allyas Elizabeth in Over the Brooklyn Bridge (1984)
Moods and endings
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Margaux Hemingway's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Margaux Hemingway's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 7 with a MovieCove page; 7 appearances as themselves are hidden until asked for.
Backroads to Vegas (not in the MovieCove catalog yet)(1996)
Dangerous Cargo (not in the MovieCove catalog yet)(1996)
Vicious Kiss (not in the MovieCove catalog yet)(1995)
Frame-Up II: The Cover-Up (not in the MovieCove catalog yet)(1994)
Inner Sanctum II(1994)
Midcredits score: 1st percentile of all films
Deadly Rivals (not in the MovieCove catalog yet)(1993)
Bad Love(1992)
Midcredits score: 17th percentile of all films
A Woman's Secret (not in the MovieCove catalog yet)(1992)
Double Obsession (not in the MovieCove catalog yet)(1992)
Inner Sanctum(1991)
Midcredits score: 4th percentile of all films
Mass in C Minor (not in the MovieCove catalog yet)(1990)
Portami la luna (not in the MovieCove catalog yet)(1987)
Gila and Rik (not in the MovieCove catalog yet)(1987)
Killing Machine (not in the MovieCove catalog yet)(1984)
Over the Brooklyn Bridge(1984)
Midcredits score: 57th percentile of all films
They Call Me Bruce(1982)
Midcredits score: 29th percentile of all films
Killer Fish(1979)
Midcredits score: 4th percentile of all films
Lipstick(1976)
Midcredits score: 31st percentile of all films
Career shape
Star power in the 71st percentile of 239,109 people with a billed film role, over a full career of 18 titles from 1976 to 1996.
Biggest box office
Lipstick (1976)
Highest rated
Over the Brooklyn Bridge (1984)
Most popular right now
Killer Fish (1979)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Margaux Hemingway's films land?
Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 12th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th4
Shape of the crowd
6 of their 7 titles are Mixed.
- Universally Panned1
- Mixed6
Reviewers score the acting 55/100 in their films, across 5 reviewed titles; fans 69, detractors 32. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Margaux Hemingway work with?
People who share at least 2 of Margaux Hemingway's MovieCove titles, grouped by what they did on them; Fred Olen Ray shares the most, 2.
Directors
- Fred Olen RayShared titles: Inner Sanctum II (1994), Inner Sanctum (1991)See all 2 shared titles with Fred Olen Ray
Actors
- Suzanne AgerShared titles: Inner Sanctum II (1994), Inner Sanctum (1991)See all 2 shared titles with Suzanne Ager
Composers and editors
- Chuck CirinoShared titles: Inner Sanctum II (1994), Inner Sanctum (1991)See all 2 shared titles with Chuck Cirino
- Steven NielsonShared titles: Inner Sanctum II (1994), Inner Sanctum (1991)See all 2 shared titles with Steven Nielson
Producers
- Alan AmielShared titles: Inner Sanctum II (1994), Inner Sanctum (1991)See all 2 shared titles with Alan Amiel
