
Mary Astor
Actor · Died September 25, 1987, aged 81 · Quincy, Illinois, USA
Mary Astor (May 3, 1906 - September 25, 1987) was an American actress. Most remembered for her role as Brigid O'Shaughnessy in The Maltese Falcon (1941) with Humphrey Bogart, Astor began her long motion picture career as a teenager in the silent movies of the early 1920s. She eventually made a successful transition to talkies, but almost saw her career destroyed due to public scandal in the mid-1930s. She was sued for support by her parents and was later branded an adulterous wife by her ex-husband during a custody fight over her daughter. Overcoming these stumbling blocks in her private life, Astor went on to even greater success on the screen, eventually winning the Academy Award for Best Supporting Actress for her portrayal of Sandra Kovak in The Great Lie (1941). She was an MGM contract player through most of the 1940s and continued to act in movies, on television and on stage until her retirement from the screen in 1964. Astor was the author of five novels. Her autobiography became a bestseller, as did her later book, A Life on Film, which was specifically about her career. Director Lindsay Anderson wrote of her in 1990: "...(W)hen two or three who love the cinema are gathered together, the name of Mary Astor always comes up, and everybody agrees that she was an actress of special attraction, whose qualities of depth and reality always seemed to illuminate the parts she played." Description above from the Wikipedia article Mary Astor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- May 3, 1906
- September 25, 1987 (aged 81)
- Quincy, Illinois, USA
- Actor
- 41 on Motif · 148 credits in all
What are Mary Astor's films like?
Across their 37 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 33
A split, not a type: Light 16 · Serious 14 · Dark 7
A split, not a type: Grounded 18 · Stylized 14 · Heightened 5
Gentle 10 · Charged 22 · Intense 5
Steady 15 · Shifting 22 · Whiplash 0
A split, not a type: Straight-faced 17 · Some laughs 16 · Funny 4
Slow burn 13 · Even-paced 21 · Relentless 3
A split, not a type: Casual 21 · Engaged 12 · Full focus 4
A split, not a type: Easy watch 17 · Affecting 18 · Heavy 2
Resolved 30 · Open-ended 6 · Ambiguous 1
Roles they play
Usually the Shadow: 6 of 17 analyzed roles.
Show the 17 rolesHide the roles
- Heroas Mary Linden in Behind Office Doors (1931)
- Heroas May Ballard in Those We Love (1932)
- Allyas Ruth Wayburn in The Little Giant (1933)
- Mentoras Edith Cortright in Dodsworth (1936)
- Shadowas Lola Fraser in There's Always a Woman (1938)
- Threshold guardianas Helene Flammarion in Midnight (1939)
- Shadowas Sandra Kovak in The Great Lie (1941)
- Shadowas Brigid O'Shaughnessy in The Maltese Falcon (1941)
- Allyas Alberta Marlow in Across the Pacific (1942)
- Shapeshifteras The Princess Centimillia in The Palm Beach Story (1942)
- Threshold guardianas Fritzi Haller in Desert Fury (1947)
- Threshold guardianas Pat in Act of Violence (1948)
- Shapeshifteras Ada in Any Number Can Play (1949)
- Mentoras Marmee March in Little Women (1949)
- Shadowas Mrs. Jargin in The Devil's Hairpin (1957)
- Shadowas Mrs. Virgilnie Beasley in A Stranger in My Arms (1959)
- Shadowas Mrs. Roberta Carter in Return to Peyton Place (1961)
Moods and endings
- Happy19
- Bittersweet14
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mary Astor's films?
As of October 24, 2026, 14 of their 41 Motif titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Mary Astor's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
148 credits, 41 with a Motif page; 6 appearances as themselves are hidden until asked for.
Midcredits score: 86th percentile of all films
Midcredits score: 93rd percentile of all films
Youngblood Hawke(1964)
Midcredits score: 40th percentile of all films
Burke's Law (not in the Motif catalog yet)(1963)

Ben Casey (not in the Motif catalog yet)(1961)

Dr. Kildare (not in the Motif catalog yet)(1961)

The Defenders (not in the Motif catalog yet)(1961)

Return to Peyton Place(1961)
Midcredits score: 38th percentile of all films
Checkmate (not in the Motif catalog yet)(1960)

Thriller (not in the Motif catalog yet)(1960)

Journey to the Day (not in the Motif catalog yet)(1960)

The Snows of Kilimanjaro (not in the Motif catalog yet)(1960)

A Stranger in My Arms(1959)
Midcredits score: 37th percentile of all films
Rawhide (not in the Motif catalog yet)(1959)
The Littlest Enemy (not in the Motif catalog yet)(1958)

This Happy Feeling (not in the Motif catalog yet)(1958)
The Troublemakers (not in the Motif catalog yet)(1957)

The Devil's Hairpin(1957)
Midcredits score: 21st percentile of all films (provisional, few ratings)
The Ninth Day (not in the Motif catalog yet)(1957)

Dick Powell's Zane Grey Theatre (not in the Motif catalog yet)(1956)

The Power and the Prize(1956)
Midcredits score: 41st percentile of all films
A Kiss Before Dying(1956)
Midcredits score: 69th percentile of all filmsPlaywrights '56 (not in the Motif catalog yet)(1955)
Midcredits score: 96th percentile of all shows
The Thief (not in the Motif catalog yet)(1955)
Producers' Showcase (not in the Motif catalog yet)(1954)

Climax! (not in the Motif catalog yet)(1954)

Yesterday and Today (not in the Motif catalog yet)(1953)

The United States Steel Hour (not in the Motif catalog yet)(1953)

General Electric Theater (not in the Motif catalog yet)(1953)

Lux Video Theatre (not in the Motif catalog yet)(1950)

Robert Montgomery Presents (not in the Motif catalog yet)(1950)

Any Number Can Play(1949)
Midcredits score: 75th percentile of all films
Little Women(1949)
Midcredits score: 86th percentile of all films
Act of Violence(1948)
Midcredits score: 92nd percentile of all films
Studio One (not in the Motif catalog yet)(1948)

The Philco Television Playhouse (not in the Motif catalog yet)(1948)

Cass Timberlane(1947)
Midcredits score: 58th percentile of all films
Cynthia (not in the Motif catalog yet)(1947)

Desert Fury(1947)
Midcredits score: 64th percentile of all films
Fiesta(1947)
Midcredits score: 37th percentile of all films
Okay for Sound (not in the Motif catalog yet)(1946)

Claudia and David (not in the Motif catalog yet)(1946)

Blonde Fever (not in the Motif catalog yet)(1944)

Meet Me in St. Louis(1944)
Midcredits score: 92nd percentile of all films
Thousands Cheer(1943)
Midcredits score: 49th percentile of all films
Young Ideas(1943)
Midcredits score: 21st percentile of all films
Across the Pacific(1942)
Midcredits score: 72nd percentile of all films
The Palm Beach Story(1942)
Midcredits score: 89th percentile of all films
The Maltese Falcon(1941)
Midcredits score: 97th percentile of all films
The Great Lie(1941)
Midcredits score: 82nd percentile of all films
Brigham Young(1940)
Midcredits score: 54th percentile of all films
Turnabout (not in the Motif catalog yet)(1940)

Midnight(1939)
Midcredits score: 96th percentile of all films
Listen, Darling(1938)
Midcredits score: 65th percentile of all films
Woman Against Woman (not in the Motif catalog yet)(1938)

Paradise for Three (not in the Motif catalog yet)(1938)

There's Always a Woman(1938)
Midcredits score: 71st percentile of all films
No Time to Marry (not in the Motif catalog yet)(1938)

The Hurricane(1937)
Midcredits score: 82nd percentile of all films
The Prisoner of Zenda(1937)
Midcredits score: 93rd percentile of all films
Lady from Nowhere (not in the Motif catalog yet)(1936)

Dodsworth(1936)
Midcredits score: 95th percentile of all films
Trapped by Television (not in the Motif catalog yet)(1936)

And So They Were Married (not in the Motif catalog yet)(1936)

The Murder of Dr. Harrigan (not in the Motif catalog yet)(1936)

Man of Iron (not in the Motif catalog yet)(1935)

Page Miss Glory (not in the Motif catalog yet)(1935)

Dinky (not in the Motif catalog yet)(1935)

Straight from the Heart (not in the Motif catalog yet)(1935)

Red Hot Tires (not in the Motif catalog yet)(1935)

I Am a Thief (not in the Motif catalog yet)(1934)
Midcredits score: 74th percentile of all films
The Man with Two Faces (not in the Motif catalog yet)(1934)

Return of the Terror (not in the Motif catalog yet)(1934)

Upperworld (not in the Motif catalog yet)(1934)

Easy to Love (not in the Motif catalog yet)(1934)

Convention City(1933)
Midcredits score: 52nd percentile of all films
The World Changes (not in the Motif catalog yet)(1933)

The Kennel Murder Case(1933)
Midcredits score: 71st percentile of all films
Jennie Gerhardt (not in the Motif catalog yet)(1933)

The Little Giant(1933)
Midcredits score: 81st percentile of all films
Red Dust(1932)
Midcredits score: 82nd percentile of all films
A Successful Calamity (not in the Motif catalog yet)(1932)

Those We Love(1932)
Midcredits score: 24th percentile of all films
The Lost Squadron (not in the Motif catalog yet)(1932)

Men of Chance (not in the Motif catalog yet)(1931)

Smart Woman (not in the Motif catalog yet)(1931)

White Shoulders (not in the Motif catalog yet)(1931)

The Sin Ship (not in the Motif catalog yet)(1931)

Behind Office Doors(1931)
Midcredits score: 38th percentile of all films
Other Men's Women(1930)
Midcredits score: 57th percentile of all films
The Royal Bed(1931)
Midcredits score: 23rd percentile of all films
The Lash (not in the Motif catalog yet)(1930)

Holiday (not in the Motif catalog yet)(1930)

Ladies Love Brutes (not in the Motif catalog yet)(1930)

The Runaway Bride (not in the Motif catalog yet)(1930)

Show of Shows(1929)
Midcredits score: 41st percentile of all films
The Woman from Hell (not in the Motif catalog yet)(1929)

New Year's Eve (not in the Motif catalog yet)(1929)

Romance of the Underworld (not in the Motif catalog yet)(1928)

Dry Martini (not in the Motif catalog yet)(1928)

Heart to Heart (not in the Motif catalog yet)(1928)

3-Ring Marriage (not in the Motif catalog yet)(1928)

Dressed to Kill (not in the Motif catalog yet)(1928)

Sailors' Wives (not in the Motif catalog yet)(1928)

No Place to Go (not in the Motif catalog yet)(1927)

The Rough Riders (not in the Motif catalog yet)(1927)

Rose of the Golden West (not in the Motif catalog yet)(1927)

Two Arabian Knights (not in the Motif catalog yet)(1927)

The Sunset Derby (not in the Motif catalog yet)(1927)

The Sea Tiger (not in the Motif catalog yet)(1927)

Forever After (not in the Motif catalog yet)(1926)

Don Juan(1926)
Midcredits score: 76th percentile of all films
The Wise Guy (not in the Motif catalog yet)(1926)

High Steppers (not in the Motif catalog yet)(1926)

Scarlet Saint (not in the Motif catalog yet)(1925)

The Pace That Thrills (not in the Motif catalog yet)(1925)

Don Q Son of Zorro(1925)
Midcredits score: 71st percentile of all films
Playing with Souls (not in the Motif catalog yet)(1925)

Enticement (not in the Motif catalog yet)(1925)

Oh, Doctor! (not in the Motif catalog yet)(1925)

Inez from Hollywood (not in the Motif catalog yet)(1924)

The Price of a Party (not in the Motif catalog yet)(1924)

To the Ladies (not in the Motif catalog yet)(1924)

Unguarded Women (not in the Motif catalog yet)(1924)

The Fighting American (not in the Motif catalog yet)(1924)

Beau Brummel (not in the Motif catalog yet)(1924)

The Fighting Coward (not in the Motif catalog yet)(1924)

Woman-Proof (not in the Motif catalog yet)(1923)

The Marriage Maker (not in the Motif catalog yet)(1923)

Puritan Passions (not in the Motif catalog yet)(1923)

Hollywood (not in the Motif catalog yet)(1923)

The Bright Shawl (not in the Motif catalog yet)(1923)

Success (not in the Motif catalog yet)(1923)

Second Fiddle (not in the Motif catalog yet)(1923)

The Rapids (not in the Motif catalog yet)(1922)

The Man Who Played God (not in the Motif catalog yet)(1922)

Hope (not in the Motif catalog yet)(1922)

John Smith (not in the Motif catalog yet)(1922)

The Young Painter (not in the Motif catalog yet)(1922)
The Angelus (not in the Motif catalog yet)(1922)

Wings of the Border (not in the Motif catalog yet)(1921)

The Beggar Maid (not in the Motif catalog yet)(1921)
My Lady o' the Pines (not in the Motif catalog yet)(1921)

Sentimental Tommy (not in the Motif catalog yet)(1921)
Brother of the Bear (not in the Motif catalog yet)(1921)
Bullets or Ballots (not in the Motif catalog yet)(1921)
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 148 titles from 1921 to 1976.
Film career
Top draw in 7 Motif titles.
- 1927Screen debut· Two Arabian Knights
- 1941Career best· The Maltese Falcon
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Mary Astor's films land?
Their typical Motif film has a Midcredits score in the 71st percentile, the median of all 40; across their 37 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up17
- 50th to 74th12
- 25th to 49th8
- Below 25th4
Shape of the crowd
21 of their 41 titles are Crowd Pleasers.
- Universally Loved8
- Cult Classic1
- Crowd Pleaser21
- Broadly Agreed2
- Mixed9
Reviewers score the acting 75/100 in their films, across 37 reviewed titles; fans 81, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mary Astor's work okay for kids?
Across a limited sample of up to 4 Motif titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Mary Astor work with?
People who share at least 2 of Mary Astor's Motif titles, grouped by what they did on them; Jerome Cowan shares the most, 4.
Directors
- Mervyn LeRoyShared titles: Any Number Can Play (1949), Little Women (1949)See all 2 shared titles with Mervyn LeRoy

- George SidneyShared titles: Cass Timberlane (1947), Thousands Cheer (1943)See all 2 shared titles with George Sidney

- John HustonShared titles: Across the Pacific (1942), The Maltese Falcon (1941)See all 2 shared titles with John Huston

Writers
- Donald Ogden StewartShared titles: Cass Timberlane (1947), The Prisoner of Zenda (1937), Red Dust (1932)See all 3 shared titles with Donald Ogden Stewart

- Sally BensonShared titles: Little Women (1949), Meet Me in St. Louis (1944)See all 2 shared titles with Sally Benson

- Sarah Y. MasonShared titles: Little Women (1949), Meet Me in St. Louis (1944)See all 2 shared titles with Sarah Y. Mason

- Victor HeermanShared titles: Little Women (1949), Meet Me in St. Louis (1944)See all 2 shared titles with Victor Heerman

Actors
- Jerome CowanShared titles: The Great Lie (1941), The Maltese Falcon (1941), There's Always a Woman (1938), The Hurricane (1937)See all 4 shared titles with Jerome Cowan

- C. Aubrey SmithShared titles: Little Women (1949), The Hurricane (1937), The Prisoner of Zenda (1937)See all 3 shared titles with C. Aubrey Smith

- Grant MitchellShared titles: The Great Lie (1941), The Case of the Howling Dog (1934), Convention City (1933)See all 3 shared titles with Grant Mitchell

- Joan BlondellShared titles: There's Always a Woman (1938), Convention City (1933), Other Men's Women (1930)See all 3 shared titles with Joan Blondell

Composers and cinematographers
- Arthur EdesonShared titles: Across the Pacific (1942), The Maltese Falcon (1941), Red Dust (1932), Those We Love (1932)See all 4 shared titles with Arthur Edeson
- Alfred NewmanShared titles: Brigham Young (1940), The Hurricane (1937), The Prisoner of Zenda (1937), Dodsworth (1936)See all 4 shared titles with Alfred Newman

- Charles Lawton Jr.Shared titles: Youngblood Hawke (1964), Young Ideas (1943), Listen, Darling (1938)See all 3 shared titles with Charles Lawton Jr.

- George J. FolseyShared titles: The Power and the Prize (1956), Meet Me in St. Louis (1944), Thousands Cheer (1943)See all 3 shared titles with George J. Folsey

Producers
- Hal B. WallisShared titles: Desert Fury (1947), The Great Lie (1941), The Maltese Falcon (1941)See all 3 shared titles with Hal B. Wallis

- Henry BlankeShared titles: The Great Lie (1941), The Maltese Falcon (1941), Convention City (1933)See all 3 shared titles with Henry Blanke
- William LeBaronShared titles: Midnight (1939), Behind Office Doors (1931), The Royal Bed (1931)See all 3 shared titles with William LeBaron

- Jerry WaldShared titles: Return to Peyton Place (1961), Across the Pacific (1942)See all 2 shared titles with Jerry Wald





