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Martin Brest

Martin Brest

Director, producer and writer · Born August 8, 1951 (75) · The Bronx, New York City, New York

Martin Brest (born August 8, 1951) is an American film director, screenwriter, and producer. After his feature debut, Going in Style (1979), he directed the action comedies Beverly Hills Cop (1984) and Midnight Run (1988), which were critical and commercial hits. He then directed Scent of a Woman (1992), starring Al Pacino, who won the Academy Award for Best Actor for his performance, and earned Brest nominations for Best Director and Best Picture. He followed it with Meet Joe Black (1998), which received mixed reviews. Brest's next film was Gigli (2003). After disagreements between Brest and Revolution Studios, creative control was taken from him, resulting in a radically re-written and re-shot version of the original film being released, which became his first and only unprofitable film and, in fact, a major box-office bomb and was widely panned. It remains his last film to date. Description above from the Wikipedia article Martin Brest, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
August 8, 1951 (75)
From
The Bronx, New York City, New York
Works as
Director, producer and writer
Titles
12 on MovieCove · 15 credits in all
TMDB popularity, last 155 days to Oct 26Up 3% in 30 days

What are Martin Brest's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 0

A split, not a type: Grounded 5 · Stylized 1 · Heightened 1

Gentle 1 · Charged 5 · Intense 1

Steady 0 · Shifting 6 · Whiplash 1

Straight-faced 1 · Some laughs 3 · Funny 3

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 1

Casual 4 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 3 · Affecting 2 · Heavy 2

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
5
Thrilling
3
Absurd
2
Melancholic
2
Romantic
2
Other
5

How their films end · 1 with a twist

  • Happy3
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Martin Brest's films?

As of October 24, 2026, 6 of their 12 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Subscription and free streaming for Martin Brest's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page.

  • Midcredits score: 93rd percentile of all films
  • Going in Style(2017)

    Original Film Writer

    Midcredits score: 66th percentile of all films
  • Gigli(2003)

    Director · Producer · Writer

    Midcredits score: 1st percentile of all films
  • Meet Joe Black(1998)

    Director · Producer

    Midcredits score: 86th percentile of all films
  • Josh and S.A.M.(1993)

    Producer

    Midcredits score: 30th percentile of all films
  • Scent of a Woman(1992)

    Director · Producer

    Midcredits score: 98th percentile of all films
  • Midnight Run(1988)

    Director · Producer · as Airline Ticket Clerk (uncredited)

    Midcredits score: 95th percentile of all films
  • Spies Like Us(1985)

    as Drive-In Security

    Midcredits score: 54th percentile of all films
  • Beverly Hills Cop(1984)

    Director · as Beverly Palms Hotel Checkout Clerk (uncredited)

    Midcredits score: 92nd percentile of all films
  • Fast Times at Ridgemont High(1982)

    as Dr. Miller

    Midcredits score: 83rd percentile of all films
  • Going in Style(1979)

    Director · Screenplay

    Midcredits score: 86th percentile of all films
  • Hot Tomorrows (not in the MovieCove catalog yet)(1977)

    Director · Editor · Writer

  • Saturday Night Live(1975)

    Show 1 episode · Director

    Midcredits score: 71st percentile of all shows
  • Minestrone (not in the MovieCove catalog yet)(1975)

    Assistant Director

  • Hot Dogs for Gauguin (not in the MovieCove catalog yet)(1972)

    Director · Editor · Writer · as Man on Ferry

Career shape

A full career of 15 titles from 1972 to 2025.

Film career

By role

only this rolewith another role
Acting5 of 15: 2 only acting, 3 with another roleDirecting9 of 15: 1 only directing, 8 with another role · typical Midcredits score86thWriting5 of 15: 1 only writing, 4 with another roleProducing5 of 15: 1 only producing, 4 with another role · typical Midcredits score86thEditing2 of 15: 0 only editing, 2 with another roleOther crew2 of 15: 2 only other crew, 0 with another role

15 titles, 8 with more than one role — directing and acting overlap on 3 of them.

By decade

1970s5 · 1 acting · 5 crew1980s4 · 4 acting · 2 crew1990s3 · crew2000s1 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Martin Brest's films land?

Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 11; across their 7 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 7

Approval · how many liked their films

86thpercentile
Typical film, the median of 7

Reach · how many have seen their films

96thpercentile
Typical film, the median of 7

Midcredits score across 12 titles, by percentile

  • 75th and up7
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th1

Reviewers score the atmosphere 64/100 and the pacing 46/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Martin Brest's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles27–70 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity5 titles12–54 · median 51 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles52–90 · median 84 · severeheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles35–56 · median 47 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense5 titles28–53 · median 36 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Martin Brest work with?

People who share at least 2 of Martin Brest's MovieCove titles, grouped by what they did on them; Billy Weber shares the most, 4.

Writers

Actors

Composers and editors

Producers