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Alan J. Pakula

Alan J. Pakula

Producer, director and writer · Died November 19, 1998, aged 70 · New York City, New York, USA

Alan Jay Pakula (/pəˈkuːlə/; April 7, 1928 – November 19, 1998) was an American film director, screenwriter, and producer. Associated with the New Hollywood movement, his best-known works include his critically acclaimed "paranoia trilogy": the neo-noir mystery Klute (1971), the conspiracy thriller The Parallax View (1974), and the Watergate scandal drama All the President's Men (1976). His other notable films included Comes a Horseman (1978), Starting Over (1979), Sophie's Choice (1982), Presumed Innocent (1990), and The Pelican Brief (1993). Pakula received Academy Award nominations for Best Director for All the President's Men and Best Adapted Screenplay for Sophie's Choice. He was also nominated for Best Picture for producing To Kill a Mockingbird (1962). Additionally, he was a BAFTA Award, Golden Globe Award, and Directors Guild of America Award nominee. Pakula's films often dealt with psychological and political themes. His obituary in The New York Times stated Pakula made "different kinds of movies, all of them intended to entertain, but the thread connecting many of them was a style that emphasized and explored the psychology and motivations of his characters." He was the subject of the 2023 documentary Alan Pakula: Going for Truth. Description above from the Wikipedia article Alan J. Pakula, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
April 7, 1928
Died
November 19, 1998 (aged 70)
From
New York City, New York, USA
Works as
Producer, director and writer
Titles
23 on MovieCove
TMDB popularity, last 38 days to Oct 27Down 13% in 30 days

What are Alan J. Pakula's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 5 · Dark 15

Grounded 20 · Stylized 2 · Heightened 1

A split, not a type: Gentle 2 · Charged 10 · Intense 11

Steady 8 · Shifting 15 · Whiplash 0

Straight-faced 19 · Some laughs 4 · Funny 0

Slow burn 15 · Even-paced 7 · Relentless 1

Casual 4 · Engaged 13 · Full focus 6

Easy watch 0 · Affecting 12 · Heavy 11

A split, not a type: Resolved 12 · Open-ended 8 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
17
Melancholic
16
Dread
6
Warm
6
Contemplative
7
Other
14

How their films end · 5 with a twist

  • Happy3
  • Bittersweet14
  • Tragic2
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alan J. Pakula's films?

As of October 24, 2026, 11 of their 23 MovieCove titles stream on a subscription or free service, most on Pluto TV (6).

Subscription and free streaming for Alan J. Pakula's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 23 with a MovieCove page; 10 appearances as themselves are hidden until asked for.

  • The Devil's Own(1997)

    Director

    Midcredits score: 45th percentile of all films
  • The Pelican Brief(1993)

    Director · Producer · Screenplay

    Midcredits score: 67th percentile of all films
  • Consenting Adults(1992)

    Director · Producer

    Midcredits score: 24th percentile of all films
  • Presumed Innocent(1990)

    Director · Screenplay

    Midcredits score: 81st percentile of all films
  • See You in the Morning(1989)

    Director · Producer · Writer

    Midcredits score: 37th percentile of all films
  • Orphans(1987)

    Director · Producer

    Midcredits score: 68th percentile of all films
  • Dream Lover(1986)

    Director · Producer

    Midcredits score: 13th percentile of all films
  • Sophie's Choice(1982)

    Director · Producer · Screenplay

    Midcredits score: 92nd percentile of all films
  • Rollover(1981)

    Director

    Midcredits score: 21st percentile of all films
  • Starting Over(1979)

    Director · Producer

    Midcredits score: 58th percentile of all films
  • Comes a Horseman(1978)

    Director

    Midcredits score: 49th percentile of all films
  • Midcredits score: 99th percentile of all films
  • The Parallax View(1974)

    Director · Producer

    Midcredits score: 85th percentile of all films
  • Love and Pain and the Whole Damn Thing(1973)

    Director · Producer

    Midcredits score: 64th percentile of all films
  • Klute(1971)

    Director · Producer

    Midcredits score: 87th percentile of all films
  • The Sterile Cuckoo(1969)

    Director · Producer

    Midcredits score: 67th percentile of all films
  • The Stalking Moon(1968)

    Producer

    Midcredits score: 66th percentile of all films
  • Up the Down Staircase(1967)

    Producer

    Midcredits score: 90th percentile of all films
  • Inside Daisy Clover(1965)

    Producer

    Midcredits score: 48th percentile of all films
  • Midcredits score: 55th percentile of all films
  • Midcredits score: 88th percentile of all films
  • To Kill a Mockingbird(1962)

    Producer

    Midcredits score: 99th percentile of all films
  • Fear Strikes Out(1957)

    Producer

    Midcredits score: 80th percentile of all films

Career shape

A full career of 23 titles from 1957 to 1997.

By role

only this rolewith another role
Directing16 of 23: 4 only directing, 12 with another role · typical Midcredits score66thWriting4 of 23: 0 only writing, 4 with another roleProducing18 of 23: 7 only producing, 11 with another role · typical Midcredits score67th

23 titles, 12 with more than one role — producing and directing overlap on 11 of them.

By decade

1950s1 · crew1960s7 · crew1970s6 · crew1980s5 · crew1990s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alan J. Pakula's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 23; across their 23 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 23

Approval · how many liked their films

68thpercentile
Typical film, the median of 23

Reach · how many have seen their films

74thpercentile
Typical film, the median of 23

Midcredits score across 23 titles, by percentile

  • 75th and up9
  • 50th to 74th7
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

13 of their 23 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser13
  • Broadly Agreed3
  • Mixed4

Reviewers score the atmosphere 73/100 and the pacing 43/100 in their films, across 23 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alan J. Pakula's work okay for kids?

Across up to 12 MovieCove titles with content scores, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles27–70 · median 46 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity12 titles13–48 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity9 titles39–78 · median 57 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs8 titles31–43 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles38–67 · median 51 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alan J. Pakula work with?

People who share at least 2 of Alan J. Pakula's MovieCove titles, grouped by what they did on them; Michael Small shares the most, 9.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers