
Lee J. Cobb
Actor · Died February 11, 1976, aged 64 · New York City, New York, USA
Lee J. Cobb (December 8, 1911 — February 11, 1976) was an American actor. He was best known for his performances in On the Waterfront (1954), for which he was nominated for an Academy Award, 12 Angry Men (1957), and The Exorcist (1973). He also played the role of Willy Loman in the original Broadway production of Arthur Miller's 1949 play Death of a Salesman under the direction of Elia Kazan. On television, Cobb costarred in the first four seasons of the popular, long-running western series The Virginian. He typically played arrogant, intimidating, and abrasive characters, but often had roles as respectable figures such as judges. Born Leo Jacob in New York City, he grew up in The Bronx, before studying at New York University and making his film debut in The Vanishing Shadow (1934). Cobb performed in numerous theater productions and companies, including Group Theatre (New York) before serving in the First Motion Picture Unit of the Army Air Force during World War II. Following the war, Cobb returned to film, television and theater before being accused of being a Communist in 1951 testimony before the House Un-American Activities Committee by Larry Parks, himself a former Communist Party member. Cobb was called to testify before HUAC but refused to do so for two years until, with his career threatened by the blacklist, he relented in 1953 and gave testimony in which he named 20 people as former members of the Communist Party USA. Following the hearing he resumed his career and worked with Elia Kazan and Budd Schulberg, two other HUAC "friendly witnesses", on the 1954 film On the Waterfront, which is widely seen as an allegory and apologia for testifying. His 1968 performance as King Lear achieved the longest run (72 performances) for the play in Broadway history. One of his final film roles was that of police detective Lt. Kinderman in the 1973 horror film The Exorcist. Cobb died of a heart attack in February 1976 in Woodland Hills, California, and was buried in Mount Sinai Memorial Park Cemetery in Los Angeles. He was survived by his second wife, Mary Hirsch, and daughter, also an accomplished actress, Julie Cobb.
Read moreShow less
Biography from TMDB.
- December 8, 1911
- February 11, 1976 (aged 64)
- New York City, New York, USA
- Actor
- 57 on MovieCove · 102 credits in all
What are Lee J. Cobb's films like?
Across their 54 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 50
A split, not a type: Light 14 · Serious 16 · Dark 24
A split, not a type: Grounded 29 · Stylized 18 · Heightened 7
Gentle 7 · Charged 27 · Intense 20
Steady 24 · Shifting 27 · Whiplash 3
Straight-faced 41 · Some laughs 10 · Funny 3
Slow burn 21 · Even-paced 30 · Relentless 3
Casual 17 · Engaged 30 · Full focus 7
Easy watch 15 · Affecting 24 · Heavy 15
Resolved 39 · Open-ended 14 · Ambiguous 1
Roles they play
Usually the Shadow: 14 of 44 analyzed roles.
Show the 44 rolesHide the roles
- Threshold guardianas Julio Diestro in This Thing Called Love (1940)
- Shadowas Dave Morris in Men of Boys Town (1941)
- Mentoras Dr. Albert Winter in The Moon Is Down (1943)
- Mentoras Monsieur Bonnard in Tonight We Raid Calais (1943)
- Threshold guardianas Jeptha Marr in Buckskin Frontier (1943)
- Threshold guardianas Kralahome in Anna and the King of Siam (1946)
- Threshold guardianas Chief Harold F. Robinson in Boomerang! (1947)
- Allyas Juan Garcia in Captain from Castile (1947)
- Threshold guardianas D.C. Augur in The Luck of the Irish (1948)
- Shapeshifteras Brian Kelly in Call Northside 777 (1948)
- Heroas Dr. Andrew Collins in The Dark Past (1948)
- Threshold guardianas Marcus Harris in The Miracle of the Bells (1948)
- Shadowas Mike Figlia in Thieves' Highway (1949)
- Shadowas Col. Feroud in Sirocco (1951)
- Mentoras Durango in The Fighter (1952)
- Mentoras Capt. Theodore Bess in The Tall Texan (1953)
- Heroas Detective Cobb in Gorilla at Large (1954)
- Shadowas Johnny Friendly in On the Waterfront (1954)
- Shadowas Mieh Yang in The Left Hand of God (1955)
- Threshold guardianas Jim Donovan in The Road to Denver (1955)
- Heraldas Judge Bernstein in The Man in the Gray Flannel Suit (1956)
- Mentoras Doctor Curtis Luther in The Three Faces of Eve (1957)
- Shadowas Juror 3 in 12 Angry Men (1957)
- Shadowas Dock Tobin in Man of the West (1958)
- Shadowas Fyodor Karamazov in The Brothers Karamazov (1958)
- Shadowas Rico Angelo in Party Girl (1958)
- Mentoras Nuflo in Green Mansions (1959)
- Mentoras Barak Ben Canaan in Exodus (1960)
- Heraldas Julio Madariaga in The Four Horsemen of the Apocalypse (1962)
- Threshold guardianas Harry Baker in Come Blow Your Horn (1963)
- Heroas Willy Loman in Death of a Salesman (1966)
- Mentoras Cramden in Our Man Flint (1966)
- Shadowas Cramden in In Like Flint (1967)
- Shadowas Don Mariano Arena in Mafia (1968)
- Threshold guardianas Oman Hedgepath in The Liberation of L.B. Jones (1970)
- Shadowas Duffy in Macho Callahan (1970)
- Shadowas Vincent Bronson in Lawman (1971)
- Mentoras Judge Garth in The Bull of the West (1972)
- Mentoras Harvey Lapchance in The Man Who Loved Cat Dancing (1973)
- Heroas Willy Calso in The Great Ice Rip-Off (1974)
- Mentoras Victor Bateman in Trapped Beneath the Sea (1974)
- Threshold guardianas Judge Henry Garth in Bad Men of the West (1974)
- Threshold guardianas Lt. Gen. Henry Steedman in That Lucky Touch (1975)
- Shadowas Robert Clark in Nick the Sting (1976)
Moods and endings
- Happy13
- Bittersweet29
- Tragic4
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lee J. Cobb's films?
As of October 24, 2026, 17 of their 57 MovieCove titles stream on a subscription or free service, most on Tubi (12).
- 12 Angry Men (1957) · actor · free
- On the Waterfront (1954) · actor · free
- Mafia (1968) · actor · free
- Man of the West (1958) · actor · free
- Lawman (1971) · actor · free
- The Man Who Cheated Himself (1950) · actor · free
- Exodus (1960) · actor · free
- The Liberation of L.B. Jones (1970) · actor · free
- Buckskin Frontier (1943) · actor · free
- The Tall Texan (1953) · actor · free
- The Fighter (1952) · actor · free
- The Phantom Creeps (1939) · actor · free
Subscription and free streaming for Lee J. Cobb's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
102 credits, 57 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

Bad Men of the West(1974)
Midcredits score: 8th percentile of all films
Cross Shot (not in the MovieCove catalog yet)(1976)

Origins of the Mafia (not in the MovieCove catalog yet)(1976)

Nick the Sting(1976)
Midcredits score: 42nd percentile of all films
Mark Shoots First (not in the MovieCove catalog yet)(1975)

That Lucky Touch(1975)
Midcredits score: 13th percentile of all films
Blood, Sweat and Fear (not in the MovieCove catalog yet)(1975)

The Balloon Vendor (not in the MovieCove catalog yet)(1974)

The Great Ice Rip-Off(1974)
Midcredits score: 66th percentile of all films (provisional, few ratings)
Trapped Beneath the Sea(1974)
Midcredits score: 49th percentile of all films (provisional, few ratings)
Dr. Max (not in the MovieCove catalog yet)(1974)

The Exorcist(1973)
Midcredits score: 97th percentile of all films
The Great Kidnapping (not in the MovieCove catalog yet)(1973)

Double Indemnity (not in the MovieCove catalog yet)(1973)
Midcredits score: 48th percentile of all films
The Bull of the West(1972)
Midcredits score: 19th percentile of all films
Heat of Anger (not in the MovieCove catalog yet)(1972)

Lawman(1971)
Midcredits score: 79th percentile of all films
Macho Callahan(1970)
Midcredits score: 16th percentile of all films
The Young Lawyers (not in the MovieCove catalog yet)(1970)
Midcredits score: 70th percentile of all films
McCloud(1970)
Midcredits score: 53rd percentile of all shows
Mackenna's Gold(1969)
Midcredits score: 66th percentile of all films
Coogan's Bluff(1968)
Midcredits score: 56th percentile of all films
Mafia(1968)
Midcredits score: 83rd percentile of all films
Midcredits score: 41st percentile of all films
In Like Flint(1967)
Midcredits score: 48th percentile of all films
Death of a Salesman(1966)
Midcredits score: 90th percentile of all films
Our Man Flint(1966)
Midcredits score: 60th percentile of all films
The Final Hour (not in the MovieCove catalog yet)(1965)

The Brazen Bell (not in the MovieCove catalog yet)(1964)
Bob Hope Presents the Chrysler Theatre (not in the MovieCove catalog yet)(1963)

Come Blow Your Horn(1963)
Midcredits score: 43rd percentile of all films
The Devil's Children (not in the MovieCove catalog yet)(1962)

How the West Was Won(1962)
Midcredits score: 81st percentile of all films
The Virginian (not in the MovieCove catalog yet)(1962)
Midcredits score: 63rd percentile of all films
Exodus(1960)
Midcredits score: 71st percentile of all filmsI, Don Quixote (not in the MovieCove catalog yet)(1959)

Startime (not in the MovieCove catalog yet)(1959)

The DuPont Show with June Allyson (not in the MovieCove catalog yet)(1959)

But Not for Me(1959)
Midcredits score: 57th percentile of all films
Green Mansions(1959)
Midcredits score: 18th percentile of all films
The Trap(1959)
Midcredits score: 67th percentile of all films
Party Girl(1958)
Midcredits score: 80th percentile of all films
Westinghouse Desilu Playhouse (not in the MovieCove catalog yet)(1958)

Man of the West(1958)
Midcredits score: 81st percentile of all films
Naked City(1958)
Midcredits score: 82nd percentile of all shows
The Brothers Karamazov(1958)
Midcredits score: 68th percentile of all films
The Three Faces of Eve(1957)
Midcredits score: 85th percentile of all filmsPanic Button (not in the MovieCove catalog yet)(1957)

The Garment Jungle(1957)
Midcredits score: 65th percentile of all films
12 Angry Men(1957)
Midcredits score: 99th percentile of all films
Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)

Miami Exposé (not in the MovieCove catalog yet)(1956)
Midcredits score: 81st percentile of all films
Tony Awards (not in the MovieCove catalog yet)(1956)

Gunsmoke (not in the MovieCove catalog yet)(1955)

The Left Hand of God(1955)
Midcredits score: 58th percentile of all films
The Road to Denver(1955)
Midcredits score: 54th percentile of all films
The Racers (not in the MovieCove catalog yet)(1955)

Day of Triumph (not in the MovieCove catalog yet)(1954)

Medic (not in the MovieCove catalog yet)(1954)

On the Waterfront(1954)
Midcredits score: 98th percentile of all films
Gorilla at Large(1954)
Midcredits score: 25th percentile of all films
Yankee Pasha (not in the MovieCove catalog yet)(1954)

The Tall Texan(1953)
Midcredits score: 36th percentile of all films
General Electric Theater (not in the MovieCove catalog yet)(1953)

The Ford Television Theatre (not in the MovieCove catalog yet)(1952)

The Fighter(1952)
Midcredits score: 25th percentile of all films
The Family Secret (not in the MovieCove catalog yet)(1951)

Tales of Tomorrow (not in the MovieCove catalog yet)(1951)

Sirocco(1951)
Midcredits score: 48th percentile of all films
Midcredits score: 72nd percentile of all filmsLux Video Theatre (not in the MovieCove catalog yet)(1950)

Thieves' Highway(1949)
Midcredits score: 93rd percentile of all films
Lights Out (not in the MovieCove catalog yet)(1949)

The Phantom Creeps (not in the MovieCove catalog yet)(1949)

The Dark Past(1948)
Midcredits score: 48th percentile of all films
Studio One (not in the MovieCove catalog yet)(1948)

The Luck of the Irish(1948)
Midcredits score: 67th percentile of all films
The Miracle of the Bells(1948)
Midcredits score: 64th percentile of all films
Call Northside 777(1948)
Midcredits score: 91st percentile of all films
Captain from Castile(1947)
Midcredits score: 76th percentile of all films
Boomerang!(1947)
Midcredits score: 86th percentile of all films
Johnny O'Clock (not in the MovieCove catalog yet)(1947)
Midcredits score: 78th percentile of all films
Winged Victory (not in the MovieCove catalog yet)(1944)
Flight Characteristics of the P-51 Airplane (not in the MovieCove catalog yet)(1944)

The Song of Bernadette(1943)
Midcredits score: 92nd percentile of all films
Buckskin Frontier(1943)
Midcredits score: 39th percentile of all films
Tonight We Raid Calais(1943)
Midcredits score: 46th percentile of all films
The Moon Is Down(1943)
Midcredits score: 77th percentile of all films
Paris Calling (not in the MovieCove catalog yet)(1941)

Men of Boys Town(1941)
Midcredits score: 65th percentile of all films
This Thing Called Love(1940)
Midcredits score: 58th percentile of all films
Golden Boy (not in the MovieCove catalog yet)(1939)

The Phantom Creeps(1939)
Midcredits score: 12th percentile of all films
Danger on the Air (not in the MovieCove catalog yet)(1938)

Rustlers' Valley (not in the MovieCove catalog yet)(1937)

North of the Rio Grande (not in the MovieCove catalog yet)(1937)

The Vanishing Shadow (not in the MovieCove catalog yet)(1934)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 102 titles from 1934 to 1978; peak year 1967.
Film career
Peak 1967 · steadily prominent in film for years. Top draw in 16 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1939Screen debut· The Phantom Creeps
- 1950First top-billed film· The Man Who Cheated Himself
- 1957Career best· 12 Angry Men
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Lee J. Cobb's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 55; across their 54 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up19
- 50th to 74th19
- 25th to 49th13
- Below 25th6
Shape of the crowd
30 of their 57 titles are Crowd Pleasers.
- Universally Loved7
- Crowd Pleaser30
- Broadly Agreed8
- Mixed12
Reviewers score the acting 71/100 in their films, across 54 reviewed titles; fans 78, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Lee J. Cobb's work okay for kids?
Across up to 11 MovieCove titles with content scores, profanity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Lee J. Cobb work with?
People who share at least 2 of Lee J. Cobb's MovieCove titles, grouped by what they did on them; Alfred Newman shares the most, 6.
Directors
- Nunnally JohnsonShared titles: The Three Faces of Eve (1957), The Man in the Gray Flannel Suit (1956), The Moon Is Down (1943)See all 3 shared titles with Nunnally Johnson

- Henry HathawayShared titles: How the West Was Won (1962), Call Northside 777 (1948)See all 2 shared titles with Henry Hathaway

- Elia KazanShared titles: On the Waterfront (1954), Boomerang! (1947)See all 2 shared titles with Elia Kazan

- Irving PichelShared titles: The Miracle of the Bells (1948), The Moon Is Down (1943)See all 2 shared titles with Irving Pichel

Writers
- George SeatonShared titles: But Not for Me (1959), The Song of Bernadette (1943), This Thing Called Love (1940)See all 3 shared titles with George Seaton

- Hal FimbergShared titles: In Like Flint (1967), Our Man Flint (1966)See all 2 shared titles with Hal Fimberg
- Reginald RoseShared titles: Man of the West (1958), 12 Angry Men (1957)See all 2 shared titles with Reginald Rose

- A.I. BezzeridesShared titles: Sirocco (1951), Thieves' Highway (1949)See all 2 shared titles with A.I. Bezzerides

Actors
- Albert SalmiShared titles: Bad Men of the West (1974), Lawman (1971), The Brothers Karamazov (1958)See all 3 shared titles with Albert Salmi

- Gregory PeckShared titles: Mackenna's Gold (1969), How the West Was Won (1962), The Man in the Gray Flannel Suit (1956)See all 3 shared titles with Gregory Peck

- Richard ConteShared titles: The Fighter (1952), Thieves' Highway (1949), Call Northside 777 (1948)See all 3 shared titles with Richard Conte

- Jane WyattShared titles: The Man Who Cheated Himself (1950), Boomerang! (1947), Buckskin Frontier (1943)See all 3 shared titles with Jane Wyatt

Composers, cinematographers and editors
- Alfred NewmanShared titles: How the West Was Won (1962), Thieves' Highway (1949), Call Northside 777 (1948), Captain from Castile (1947), The Moon Is Down (1943), The Song of Bernadette (1943)See all 6 shared titles with Alfred Newman

- William H. DanielsShared titles: In Like Flint (1967), Come Blow Your Horn (1963), How the West Was Won (1962)See all 3 shared titles with William H. Daniels

- Joseph LaShelleShared titles: How the West Was Won (1962), The Luck of the Irish (1948), Captain from Castile (1947)See all 3 shared titles with Joseph LaShelle

- Viola LawrenceShared titles: Sirocco (1951), The Dark Past (1948), This Thing Called Love (1940)See all 3 shared titles with Viola Lawrence

Producers
- Darryl F. ZanuckShared titles: The Man in the Gray Flannel Suit (1956), Thieves' Highway (1949), Call Northside 777 (1948), Boomerang! (1947), Captain from Castile (1947)See all 5 shared titles with Darryl F. Zanuck

- William PerlbergShared titles: But Not for Me (1959), The Song of Bernadette (1943), This Thing Called Love (1940)See all 3 shared titles with William Perlberg

- Saul DavidShared titles: In Like Flint (1967), Our Man Flint (1966)See all 2 shared titles with Saul David

- Buddy AdlerShared titles: The Left Hand of God (1955), The Dark Past (1948)See all 2 shared titles with Buddy Adler





