
William Conrad (September 27, 1920 - February 11, 1994) was an American actor, producer, and director. He was born William Cann in Louisville, Kentucky, the son of a theatre-owner who moved to southern California, where he excelled at drama and literature while at school. Starting work in radio in the late 1930s in California, Conrad went on to serve as a fighter pilot in World War II. He entered the army in 1942, and was commissioned at Luke Field, Arizona in 1943 (now Luke Air Force Base). On the day of his commission he married June Nelson. He returned to the airwaves after the war, going on to accumulate over 7,000 roles in radio by his own estimate. Among Conrad's various film roles, where he was usually cast as threatening figures, perhaps his most notable role was his first credited one, as one of the gunmen sent to eliminate Burt Lancaster in the 1946 film The Killers. He also appeared in Body and Soul (1947), Sorry, Wrong Number, Joan of Arc (both 1948), and The Naked Jungle (1954). As a producer for Warner Brothers, he made a string of feature films, including An American Dream (1966, retitled See You in Hell, Darling for British release), A Covenant With Death (1966), First to Fight (1967) and The Cool Ones (1967), and also directed My Blood Runs Cold, Brainstorm and Two on a Guillotine (all 1965).
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Biography from TMDB.
- September 27, 1920
- February 11, 1994 (aged 73)
- Louisville, Kentucky, USA
- Actor, director and producer
- 54 on MovieCove · 117 credits in all
What are William Conrad's films like?
Across their 28 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 28
Light 6 · Serious 14 · Dark 8
A split, not a type: Grounded 17 · Stylized 8 · Heightened 3
Gentle 4 · Charged 15 · Intense 9
Steady 13 · Shifting 14 · Whiplash 1
Straight-faced 23 · Some laughs 4 · Funny 1
A split, not a type: Slow burn 15 · Even-paced 13 · Relentless 0
Casual 12 · Engaged 13 · Full focus 3
Easy watch 9 · Affecting 11 · Heavy 8
Resolved 22 · Open-ended 6 · Ambiguous 0
Roles they play
Usually the Hero: 2 of 5 analyzed roles.
- Tricksteras Morano in Sorry, Wrong Number (1948)
- Shadowas Detective Goodwin in Cry of the Hunted (1953)
- Heroas Sheriff Chris Hamish in The Ride Back (1957)
- Mentoras Jim Bathgate in -30- (1959)
- Heroas Frank Cannon in The Return of Frank Cannon (1980)
Moods and endings
- Happy11
- Bittersweet11
- Tragic3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Conrad's films?
As of October 24, 2026, 16 of their 54 MovieCove titles stream on a subscription or free service, most on Prime Video (9).
- The Rifleman (1958) · director · free
- Tombstone Territory (1957) · actor, director · free
- Battle of the Bulge (1965) · actor · free
- Route 66 (1960) · director · free
- Bat Masterson (1958) · actor, director · free
- Vengeance: The Story of Tony Cimo (1986) · actor · free
- The Sword of Monte Cristo (1951) · actor · free
Subscription and free streaming for William Conrad's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
117 credits, 54 with a MovieCove page; 12 appearances as themselves are hidden until asked for.

Hudson Hawk(1991)
Midcredits score: 33rd percentile of all films
Jake and the Fatman (not in the MovieCove catalog yet)(1987)

The Highwayman (not in the MovieCove catalog yet)(1987)
Midcredits score: 13th percentile of all films
Matlock(1986)
Midcredits score: 58th percentile of all shows
Killing Cars (not in the MovieCove catalog yet)(1986)

In Like Flynn (not in the MovieCove catalog yet)(1985)
Blitz (not in the MovieCove catalog yet)(1985)

Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
The Mikado(1982)
Midcredits score: 61st percentile of all films
Shock-Trauma (not in the MovieCove catalog yet)(1982)

Hotel (not in the MovieCove catalog yet)(1982)
Midcredits score: 74th percentile of all films
Police Squad! (not in the MovieCove catalog yet)(1982)
The Cremation of Sam McGee: A Poem by Robert W. Service (not in the MovieCove catalog yet)(1982)

Nero Wolfe (not in the MovieCove catalog yet)(1981)

Side Show (not in the MovieCove catalog yet)(1981)
Midcredits score: 62nd percentile of all films
Turnover Smith (not in the MovieCove catalog yet)(1980)

The Return of the King(1980)
Midcredits score: 38th percentile of all films
The Murder That Wouldn't Die (not in the MovieCove catalog yet)(1980)
Midcredits score: 56th percentile of all films
Keefer (not in the MovieCove catalog yet)(1978)

Night Cries (not in the MovieCove catalog yet)(1978)
Midcredits score: 87th percentile of all films
Moonshine County Express (not in the MovieCove catalog yet)(1977)

Catastrophe (not in the MovieCove catalog yet)(1977)

The Force of Evil(1977)
Midcredits score: 56th percentile of all films
How the West Was Won(1976)
Midcredits score: 89th percentile of all shows
Quinn Martin's Tales of the Unexpected (not in the MovieCove catalog yet)(1977)

The City (not in the MovieCove catalog yet)(1977)

The Macahans (not in the MovieCove catalog yet)(1976)
Midcredits score: 36th percentile of all filmsVoices (not in the MovieCove catalog yet)(1974)

Barnaby Jones(1973)
Midcredits score: 50th percentile of all shows
Cannon (not in the MovieCove catalog yet)(1971)

O'Hara, United States Treasury: Operation Cobra (not in the MovieCove catalog yet)(1971)

Cannon (not in the MovieCove catalog yet)(1971)

D.A.: Conspiracy to Kill(1971)
Midcredits score: 74th percentile of all films (provisional, few ratings)
Midcredits score: 76th percentile of all films
Chisum(1970)
Midcredits score: 77th percentile of all films
The Learning Tree(1969)
Midcredits score: 85th percentile of all films
The Dudley Do-Right Show (not in the MovieCove catalog yet)(1969)

The Name of the Game (not in the MovieCove catalog yet)(1968)

Assignment to Kill(1968)
Midcredits score: 39th percentile of all films
Chubasco(1968)
Midcredits score: 14th percentile of all films
The High Chaparral (not in the MovieCove catalog yet)(1967)

Countdown(1967)
Midcredits score: 34th percentile of all films
The Cool Ones (not in the MovieCove catalog yet)(1967)

First to Fight(1967)
Midcredits score: 35th percentile of all films
A Covenant with Death(1967)
Midcredits score: 34th percentile of all films
Chamber of Horrors(1966)
Midcredits score: 39th percentile of all films
An American Dream(1966)
Midcredits score: 13th percentile of all films
Battle of the Bulge(1965)
Midcredits score: 74th percentile of all films
The Dean Martin Show (not in the MovieCove catalog yet)(1965)

F Troop(1965)
Midcredits score: 58th percentile of all shows
Brainstorm(1965)
Midcredits score: 61st percentile of all films
My Blood Runs Cold (not in the MovieCove catalog yet)(1965)

Two on a Guillotine(1965)
Midcredits score: 47th percentile of all films
Eggs Benedict (not in the MovieCove catalog yet)(1965)

The Man from Galveston(1963)
Midcredits score: 30th percentile of all films
Temple Houston (not in the MovieCove catalog yet)(1963)

The Fugitive (not in the MovieCove catalog yet)(1963)

General Electric True (not in the MovieCove catalog yet)(1962)
Midcredits score: 97th percentile of all shows
Saints and Sinners (not in the MovieCove catalog yet)(1962)

Design for Disaster (not in the MovieCove catalog yet)(1962)

Target: The Corruptors! (not in the MovieCove catalog yet)(1961)

The Case of the Dangerous Robin (not in the MovieCove catalog yet)(1960)

Klondike (not in the MovieCove catalog yet)(1960)

Route 66(1960)
Midcredits score: 73rd percentile of all shows
The Aquanauts (not in the MovieCove catalog yet)(1960)

The Adventures of Rocky and Bullwinkle and Friends (not in the MovieCove catalog yet)(1959)

The Bullwinkle Show (not in the MovieCove catalog yet)(1959)

-30-(1959)
Midcredits score: 59th percentile of all films
This Man Dawson (not in the MovieCove catalog yet)(1959)

Men Into Space (not in the MovieCove catalog yet)(1959)

Lock-Up (not in the MovieCove catalog yet)(1959)

The Man and the Challenge (not in the MovieCove catalog yet)(1959)

Bold Venture (not in the MovieCove catalog yet)(1959)

77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Mackenzie's Raiders (not in the MovieCove catalog yet)(1958)

Bat Masterson(1958)
Midcredits score: 60th percentile of all shows
The Rough Riders (not in the MovieCove catalog yet)(1958)

Naked City(1958)
Midcredits score: 82nd percentile of all shows
The Rifleman(1958)
Midcredits score: 93rd percentile of all shows
Zero Hour!(1957)
Midcredits score: 61st percentile of all films
Tombstone Territory(1957)
Midcredits score: 86th percentile of all shows
Have Gun, Will Travel (not in the MovieCove catalog yet)(1957)

The Ride Back(1957)
Midcredits score: 68th percentile of all films
Johnny Concho (not in the MovieCove catalog yet)(1956)

The Conqueror(1956)
Midcredits score: 3rd percentile of all films
The Naked Sea (not in the MovieCove catalog yet)(1955)

Highway Patrol(1955)
Midcredits score: 74th percentile of all shows
Gunsmoke (not in the MovieCove catalog yet)(1955)

5 Against the House(1955)
Midcredits score: 33rd percentile of all films
The Naked Jungle(1954)
Midcredits score: 70th percentile of all films
The Desert Song (not in the MovieCove catalog yet)(1953)

Cry of the Hunted(1953)
Midcredits score: 41st percentile of all films
Lone Star(1952)
Midcredits score: 46th percentile of all films
The Racket(1951)
Midcredits score: 68th percentile of all films
Midcredits score: 9th percentile of all films
Cry Danger (not in the MovieCove catalog yet)(1951)

Dial 1119 (not in the MovieCove catalog yet)(1950)

The Milkman (not in the MovieCove catalog yet)(1950)

One Way Street (not in the MovieCove catalog yet)(1950)

East Side, West Side(1949)
Midcredits score: 80th percentile of all films
Tension (not in the MovieCove catalog yet)(1949)

Any Number Can Play(1949)
Midcredits score: 75th percentile of all films
Joan of Arc(1948)
Midcredits score: 55th percentile of all films
To the Victor (not in the MovieCove catalog yet)(1948)

Sorry, Wrong Number(1948)
Midcredits score: 86th percentile of all films
Four Faces West (not in the MovieCove catalog yet)(1948)

Arch of Triumph(1948)
Midcredits score: 52nd percentile of all films
Body and Soul(1947)
Midcredits score: 93rd percentile of all films
The Killers(1946)
Midcredits score: 96th percentile of all films
Pillow to Post (not in the MovieCove catalog yet)(1945)
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 117 titles from 1945 to 1991; peak year 1965.

Biggest box office
The Conqueror (1956)

Highest rated
Body and Soul (1947)

Most popular right now
The Return of the King (1980)
Film career
Peak 1965 · back in prominent film roles after a quiet stretch. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1946Screen debut· The Killers
- 1977First top-billed film· The Making of Star Wars
- 1977Career best· The Making of Star Wars
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do William Conrad's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 42; across their 28 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up14
- 50th to 74th22
- 25th to 49th13
- Below 25th5
Shape of the crowd
28 of their 54 titles are Crowd Pleasers.
- Universally Loved8
- Crowd Pleaser28
- Broadly Agreed7
- Mixed11
Reviewers score the acting 67/100 in their films, across 26 reviewed titles; fans 76, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Conrad work with?
People who share at least 2 of William Conrad's MovieCove titles, grouped by what they did on them; Jimmy Lydon shares the most, 7.
Directors
- Allen H. MinerShared titles: Chubasco (1968), The Ride Back (1957)See all 2 shared titles with Allen H. Miner
Writers
- Lawrence B. MarcusShared titles: A Covenant with Death (1967), Brainstorm (1965)See all 2 shared titles with Lawrence B. Marcus

- Mann RubinShared titles: An American Dream (1966), Brainstorm (1965)See all 2 shared titles with Mann Rubin
- William BowersShared titles: -30- (1959), 5 Against the House (1955)See all 2 shared titles with William Bowers

Actors
- Ed NelsonShared titles: The Return of Frank Cannon (1980), The Man from Galveston (1963)See all 2 shared titles with Ed Nelson

- William SmithersShared titles: The Return of Frank Cannon (1980), The Brotherhood of the Bell (1970)See all 2 shared titles with William Smithers

- John AndersonShared titles: The Force of Evil (1977), A Covenant with Death (1967)See all 2 shared titles with John Anderson

- Stephen CoitShared titles: The Force of Evil (1977), Countdown (1967)See all 2 shared titles with Stephen Coit

Cinematographers and editors
- George R. RohrsShared titles: The Learning Tree (1969), Assignment to Kill (1968), First to Fight (1967), An American Dream (1966)See all 4 shared titles with George R. Rohrs
- William H. ZieglerShared titles: A Covenant with Death (1967), Brainstorm (1965), Two on a Guillotine (1965)See all 3 shared titles with William H. Ziegler
- Sam LeavittShared titles: An American Dream (1966), Brainstorm (1965), Two on a Guillotine (1965)See all 3 shared titles with Sam Leavitt

- Harold LipsteinShared titles: Assignment to Kill (1968), Cry of the Hunted (1953)See all 2 shared titles with Harold Lipstein
Producers
- Jimmy LydonShared titles: The Learning Tree (1969), Assignment to Kill (1968), Chubasco (1968), A Covenant with Death (1967), Countdown (1967), First to Fight (1967), An American Dream (1966)See all 7 shared titles with Jimmy Lydon

- Jack WebbShared titles: D.A.: Conspiracy to Kill (1971), The Man from Galveston (1963), -30- (1959)See all 3 shared titles with Jack Webb


