
Will Geer
Actor · Died April 22, 1978, aged 76 · Frankfort, Indiana, USA
Will Geer (March 9, 1902 – April 22, 1978) was an American actor and social activist. His original name was William Aughe Ghere. He is remembered for his portrayal of Grandpa Zebulon Tyler Walton in the 1970s TV series, The Waltons. Geer made his Broadway debut as Pistol in a 1928 production of Much Ado About Nothing, created the role of Mr. Mister in Marc Blitzstein's The Cradle Will Rock, played Candy in John Steinbeck's theatrical adaptation of his novella Of Mice and Men, and appeared in numerous plays and revues throughout the 1940s. From 1948 to 1951, he appeared in more than a dozen movies, including Winchester '73 (as Wyatt Earp), Broken Arrow, Comanche Territory (all 1950) and Bright Victory (1951). Geer became a member of the Communist Party of the United States in 1934. Geer was also influential in introducing Harry Hay to organizing in the Communist Party. In 1934, Geer and Hay gave support to a labor strike of the port of San Francisco; the 1934 West Coast waterfront strike which lasted 83 days. Though marred by violence, it was an organizing triumph, one that became a model for future union strikes Geer became a reader of the West Coast Communist newspaper People's World. Geer became a dedicated activist, touring government work camps in the 1930s with folk singers like Burl Ives and Woody Guthrie (whom he introduced to the People's World and the Daily Worker; Guthrie would go on to write a column for the latter paper). In 1956, the duo released an album together on Folkways Records, titled Bound for Glory: Songs and Stories of Woody Guthrie. In his biography, fellow organizer and homosexual rights pioneer Harry Hay described Geer's activism and outlined their activities while organizing for the strike. Geer is credited with introducing Guthrie to Pete Seeger at the 'Grapes of Wrath' benefit Geer organized in 1940 for migrant farm workers. Geer acted with the Group Theatre (New York) studying under Harold Clurman, Cheryl Crawford and Lee Strasberg. Geer also acted in radio, appearing as Mephistopheles (the Devil) in the 1938 and 1944 productions of Norman Corwin's The Plot to Overthrow Christmas. He also acted in the radio soap opera Bright Horizon. Geer was blacklisted in the early 1950s for refusing to testify before the House Committee on Un-American Activities. As a result, Geer appeared in very few films over the next decade. Among them was Salt of the Earth (1954) which was produced, directed, written, and starring blacklisted Hollywood personnel and told the story of a miners' strike in New Mexico from a pro-union standpoint. The film was denounced as "subversive" and faced difficulties in its production and distribution as a consequence.
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Biography from TMDB.
- March 9, 1902
- April 22, 1978 (aged 76)
- Frankfort, Indiana, USA
- Actor
- 51 on Motif · 100 credits in all
What are Will Geer's films like?
Across their 35 Motif titles with a thematic analysis, their films lean Morality and Self.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 3 · Wry 1 · Earnest 31
A split, not a type: Light 12 · Serious 10 · Dark 13
A split, not a type: Grounded 23 · Stylized 8 · Heightened 4
Gentle 8 · Charged 16 · Intense 11
Steady 16 · Shifting 16 · Whiplash 3
Straight-faced 23 · Some laughs 7 · Funny 5
Slow burn 15 · Even-paced 19 · Relentless 1
Casual 15 · Engaged 16 · Full focus 4
A split, not a type: Easy watch 14 · Affecting 9 · Heavy 12
Resolved 27 · Open-ended 4 · Ambiguous 4
Roles they play
Usually the Mentor: 8 of 18 analyzed roles.
Show the 18 rolesHide the roles
- Threshold guardianas Sheriff Hampton in Intruder in the Dust (1949)
- Threshold guardianas Marshal Wyatt Earp in Winchester '73 (1950)
- Shadowas Ben Slade in Broken Arrow (1950)
- Mentoras Dan'l Seeger in Comanche Territory (1950)
- Threshold guardianas William Musk in It's a Small World (1950)
- Allyas Jack Mackay in To Please a Lady (1950)
- Allyas Tom Botts in Double Crossbones (1951)
- Allyas Candy in Of Mice and Men (1968)
- Threshold guardianas Boss in The Reivers (1969)
- Mentoras Mike Patterson in The Brotherhood of the Bell (1970)
- Threshold guardianas The Bishop in Pieces of Dreams (1970)
- Mentoras Simon Anderson in Who Killed the Mysterious Mr. Foster? (1971)
- Mentoras Doc Thomas in Brother John (1971)
- Mentoras Bear Claw in Jeremiah Johnson (1972)
- Mentoras Grandpa in Napoleon and Samantha (1972)
- Mentoras Lemuel Lovell in Isn't It Shocking? (1973)
- Shadowas Dr. Simpson in The Manchu Eagle Murder Caper Mystery (1975)
- Mentoras Choo-Choo Trayne in The Billion Dollar Hobo (1977)
Moods and endings
- Happy13
- Bittersweet13
- Tragic5
- Ambiguous3
- Other1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Will Geer's films?
As of October 24, 2026, 21 of their 51 Motif titles stream on a subscription or free service, most on Tubi (11).
- Salt of the Earth (1954) · actor · free
- Bewitched (1964) · actor · free
- Bonanza (1959) · actor · free
- A Woman Called Moses (1978) · actor · free
- Black Like Me (1964) · actor · free
- Brother John (1971) · actor · free
- Starsky and Hutch (1975) · actor · free
- Becky Sharp (1935) · actor · free
- The Manchu Eagle Murder Caper Mystery (1975) · actor · free
- The Hanged Man (1974) · actor · free
- The Billion Dollar Hobo (1977) · actor · free
Subscription and free streaming for Will Geer's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
100 credits, 51 with a Motif page; 9 appearances as themselves are hidden until asked for.

Will Geer: America's Grandpa (not in the Motif catalog yet)(2019)

Woody Guthrie All-Star Tribute Concert 1970 (not in the Motif catalog yet)(2019)

Mysterious Miracles: World Beyond Death (not in the Motif catalog yet)(2005)
The Man Who Loved Bears (not in the Motif catalog yet)(1979)

A Woman Called Moses(1978)
Midcredits score: 68th percentile of all shows
Rip Van Winkle (not in the Motif catalog yet)(1978)

The Mafu Cage(1978)
Midcredits score: 52nd percentile of all films
Unknown Powers (not in the Motif catalog yet)(1978)

The Billion Dollar Hobo(1977)
Midcredits score: 9th percentile of all films
The Love Boat(1977)
Midcredits score: 20th percentile of all shows
Eight Is Enough(1977)
Midcredits score: 29th percentile of all shows
Bunco (not in the Motif catalog yet)(1977)

Moving Violation (not in the Motif catalog yet)(1976)

Law and Order (not in the Motif catalog yet)(1976)

The Blue Bird(1976)
Midcredits score: 32nd percentile of all films
Midcredits score: 79th percentile of all films
Starsky and Hutch(1975)
Midcredits score: 53rd percentile of all shows
Midcredits score: 27th percentile of all films
The Lives of Benjamin Franklin (not in the Motif catalog yet)(1974)

Hurricane (not in the Motif catalog yet)(1974)

Memory of Us (not in the Motif catalog yet)(1974)
Silence (not in the Motif catalog yet)(1974)

Honky Tonk (not in the Motif catalog yet)(1974)

The Hanged Man(1974)
Midcredits score: 20th percentile of all films
Executive Action(1973)
Midcredits score: 69th percentile of all films
Doc Elliot (not in the Motif catalog yet)(1973)

Isn't It Shocking?(1973)
Midcredits score: 59th percentile of all films
A Gift of Terror (not in the Motif catalog yet)(1973)

Savage (not in the Motif catalog yet)(1973)

Such Dust as Dreams Are Made On (not in the Motif catalog yet)(1973)

Brock's Last Case (not in the Motif catalog yet)(1973)

The ABC Afternoon Playbreak (not in the Motif catalog yet)(1972)

Kung Fu(1972)
Midcredits score: 80th percentile of all shows
The Waltons(1972)
Midcredits score: 75th percentile of all shows
Jeremiah Johnson(1972)
Midcredits score: 95th percentile of all films
Napoleon and Samantha(1972)
Midcredits score: 45th percentile of all films
The Rowdyman (not in the Motif catalog yet)(1972)

Dear Dead Delilah (not in the Motif catalog yet)(1972)

The Sixth Sense (not in the Motif catalog yet)(1972)

Scarecrow (not in the Motif catalog yet)(1972)

Columbo (not in the Motif catalog yet)(1971)

Brother John(1971)
Midcredits score: 61st percentile of all films
Midcredits score: 71st percentile of all films (provisional, few ratings)
Alias Smith and Jones (not in the Motif catalog yet)(1971)

Pieces of Dreams(1970)
Midcredits score: 9th percentile of all films
Midcredits score: 76th percentile of all films
The Bold Ones: The Senator (not in the Motif catalog yet)(1970)

The Moonshine War(1970)
Midcredits score: 39th percentile of all films
The Reivers(1969)
Midcredits score: 66th percentile of all films
Medical Center (not in the Motif catalog yet)(1969)
Midcredits score: 57th percentile of all shows
Then Came Bronson (not in the Motif catalog yet)(1969)

The Bill Cosby Show (not in the Motif catalog yet)(1969)

Hawaii Five-O(1968)
Midcredits score: 69th percentile of all shows
Mayberry R.F.D.(1968)
Midcredits score: 12th percentile of all shows
Certain Honorable Men (not in the Motif catalog yet)(1968)

Bandolero!(1968)
Midcredits score: 64th percentile of all films
Of Mice and Men(1968)
Midcredits score: 96th percentile of all films
The President's Analyst(1967)
Midcredits score: 73rd percentile of all films
In Cold Blood(1967)
Midcredits score: 97th percentile of all films
Garrison's Gorillas (not in the Motif catalog yet)(1967)

The Crucible (not in the Motif catalog yet)(1967)

The Invaders (not in the Motif catalog yet)(1967)

Seconds(1966)
Midcredits score: 96th percentile of all films
Mission: Impossible(1966)
Midcredits score: 87th percentile of all shows
The Trials of O'Brien (not in the Motif catalog yet)(1965)

Run for Your Life (not in the Motif catalog yet)(1965)

Daniel Boone (not in the Motif catalog yet)(1964)

Bewitched(1964)
Midcredits score: 80th percentile of all shows
Black Like Me(1964)
Midcredits score: 66th percentile of all films
Advise & Consent(1962)
Midcredits score: 94th percentile of all films
Bonanza(1959)
Midcredits score: 69th percentile of all shows
Mobs, Inc. (not in the Motif catalog yet)(1956)

Gunsmoke (not in the Motif catalog yet)(1955)

Salt of the Earth(1954)
Midcredits score: 89th percentile of all films
The Barefoot Mailman (not in the Motif catalog yet)(1951)

The Tall Target(1951)
Midcredits score: 85th percentile of all films
Bright Victory(1951)
Midcredits score: 89th percentile of all films
Racket Squad (not in the Motif catalog yet)(1951)

Double Crossbones(1951)
Midcredits score: 34th percentile of all films
To Please a Lady(1950)
Midcredits score: 46th percentile of all films
Convicted (not in the Motif catalog yet)(1950)

Broken Arrow(1950)
Midcredits score: 83rd percentile of all films
Winchester '73(1950)
Midcredits score: 95th percentile of all films
It's a Small World(1950)
Midcredits score: 28th percentile of all films
Comanche Territory(1950)
Midcredits score: 29th percentile of all films
The Kid from Texas(1950)
Midcredits score: 54th percentile of all films
Intruder in the Dust(1949)
Midcredits score: 93rd percentile of all films
Anna Lucasta (not in the Motif catalog yet)(1949)

Lust for Gold(1949)
Midcredits score: 68th percentile of all films
Johnny Allegro (not in the Motif catalog yet)(1949)

Deep Waters (not in the Motif catalog yet)(1948)

Men and Dust (not in the Motif catalog yet)(1940)

The Fight for Life(1940)
Midcredits score: 13th percentile of all films
Union Pacific(1939)
Midcredits score: 79th percentile of all films
Becky Sharp(1935)
Midcredits score: 32nd percentile of all films
Mystery of Edwin Drood(1935)
Midcredits score: 52nd percentile of all films
Wild Gold (not in the Motif catalog yet)(1934)

Spitfire (not in the Motif catalog yet)(1934)

The Misleading Lady (not in the Motif catalog yet)(1932)
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 100 titles from 1932 to 2019; peak year 1972.

Biggest box office
Broken Arrow (1950)

Highest rated
In Cold Blood (1967)

Most popular right now
Jeremiah Johnson (1972)
Film career
Peak 1972 · fewer prominent film roles lately. Top draw in 3 Motif titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1935Screen debut· Becky Sharp
- 1972Career best· Jeremiah Johnson
- 1972Career best· The Waltons
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Will Geer's films land?
Their typical Motif film has a Midcredits score in the 66th percentile, the median of all 39; across their 35 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up18
- 50th to 74th17
- 25th to 49th10
- Below 25th6
Shape of the crowd
26 of their 51 titles are Crowd Pleasers.
- Universally Loved7
- Cult Classic2
- Crowd Pleaser26
- Broadly Agreed3
- Mixed13
Reviewers score the acting 68/100 in their films, across 33 reviewed titles; fans 78, detractors 47. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Will Geer's work okay for kids?
Across up to 6 Motif titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Will Geer work with?
People who share at least 2 of Will Geer's Motif titles, grouped by what they did on them; James Stewart shares the most, 3.
Directors
- Anthony MannShared titles: The Tall Target (1951), Winchester '73 (1950)See all 2 shared titles with Anthony Mann

- Clarence BrownShared titles: To Please a Lady (1950), Intruder in the Dust (1949)See all 2 shared titles with Clarence Brown

Writers
- William FaulknerShared titles: The Reivers (1969), Intruder in the Dust (1949)See all 2 shared titles with William Faulkner

- Oscar BrodneyShared titles: Double Crossbones (1951), Comanche Territory (1950)See all 2 shared titles with Oscar Brodney
Actors
- James StewartShared titles: Bandolero! (1968), Broken Arrow (1950), Winchester '73 (1950)See all 3 shared titles with James Stewart

- Michael ConstantineShared titles: The Night That Panicked America (1975), The Reivers (1969)See all 2 shared titles with Michael Constantine

- Sorrell BookeShared titles: The Manchu Eagle Murder Caper Mystery (1975), Black Like Me (1964)See all 2 shared titles with Sorrell Booke

- Dean JaggerShared titles: The Hanged Man (1974), The Brotherhood of the Bell (1970)See all 2 shared titles with Dean Jagger

Composers and editors
- Jerry GoldsmithShared titles: The Brotherhood of the Bell (1970), Bandolero! (1968), Seconds (1966)See all 3 shared titles with Jerry Goldsmith

- Frank SkinnerShared titles: Bright Victory (1951), Double Crossbones (1951), Comanche Territory (1950)See all 3 shared titles with Frank Skinner

- Thomas StanfordShared titles: Jeremiah Johnson (1972), The Reivers (1969)See all 2 shared titles with Thomas Stanford

- Quincy JonesShared titles: Brother John (1971), In Cold Blood (1967)See all 2 shared titles with Quincy Jones

Producers
- Edward LewisShared titles: The Blue Bird (1976), Seconds (1966)See all 2 shared titles with Edward Lewis

- Leonard GoldsteinShared titles: Double Crossbones (1951), Comanche Territory (1950)See all 2 shared titles with Leonard Goldstein




