- May 6, 1935
- February 13, 2018 (aged 82)
- Los Angeles, California, USA
- Editor and director, also actor
- 28 on MovieCove · 61 credits in all
What are Edward M. Abroms' films like?
Across their 22 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 18
Light 4 · Serious 13 · Dark 4
A split, not a type: Grounded 12 · Stylized 8 · Heightened 1
Gentle 2 · Charged 13 · Intense 6
Steady 8 · Shifting 10 · Whiplash 3
Straight-faced 13 · Some laughs 7 · Funny 1
Slow burn 5 · Even-paced 16 · Relentless 0
A split, not a type: Casual 12 · Engaged 9 · Full focus 0
Easy watch 8 · Affecting 11 · Heavy 2
Resolved 18 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy9
- Bittersweet9
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edward M. Abroms' films?
As of October 24, 2026, 13 of their 28 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Edward M. Abroms' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
61 credits, 28 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

T.N.T.(1997)
Midcredits score: 2nd percentile of all films
Street Fighter(1994)
Midcredits score: 5th percentile of all films
Taking the Heat (not in the MovieCove catalog yet)(1993)
Midcredits score: 26th percentile of all films
One Special Victory (not in the MovieCove catalog yet)(1991)

Payoff (not in the MovieCove catalog yet)(1991)
Midcredits score: 38th percentile of all films
Midcredits score: 21st percentile of all films
Nightlife(1989)
Midcredits score: 35th percentile of all films
Cohen and Tate(1988)
Midcredits score: 55th percentile of all films
Plain Clothes(1988)
Midcredits score: 50th percentile of all films
Cherry 2000(1987)
Midcredits score: 32nd percentile of all films
Florida Straits (not in the MovieCove catalog yet)(1986)

The Guardian (not in the MovieCove catalog yet)(1984)

Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
The Osterman Weekend(1983)
Midcredits score: 33rd percentile of all films
Blue Thunder(1983)
Midcredits score: 60th percentile of all films
Nero Wolfe (not in the MovieCove catalog yet)(1981)

The Patricia Neal Story(1981)
Midcredits score: 62nd percentile of all films
Sultan and the Rock Star (not in the MovieCove catalog yet)(1980)
Midcredits score: 30th percentile of all filmsDoctors' Private Lives (not in the MovieCove catalog yet)(1979)

Mrs. Columbo (not in the MovieCove catalog yet)(1979)

Salvage 1 (not in the MovieCove catalog yet)(1979)

David Cassidy: Man Under Cover (not in the MovieCove catalog yet)(1978)

The Eddie Capra Mysteries (not in the MovieCove catalog yet)(1978)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
Man from Atlantis(1977)
Midcredits score: 25th percentile of all shows
CHiPs(1977)
Midcredits score: 27th percentile of all shows
The Feather And Father Gang (not in the MovieCove catalog yet)(1977)

Ellery Queen (not in the MovieCove catalog yet)(1975)

Switch (not in the MovieCove catalog yet)(1975)

The Impostor (not in the MovieCove catalog yet)(1975)

Archer (not in the MovieCove catalog yet)(1975)

One of Our Own(1975)
Midcredits score: 81st percentile of all films (provisional, few ratings)
The Sugarland Express(1974)
Midcredits score: 74th percentile of all films
Apple's Way (not in the MovieCove catalog yet)(1974)
Midcredits score: 57th percentile of all shows
Kojak(1973)
Midcredits score: 58th percentile of all shows
Doc Elliot (not in the MovieCove catalog yet)(1973)
Griff (not in the MovieCove catalog yet)(1973)

Savage (not in the MovieCove catalog yet)(1973)

Police Story (not in the MovieCove catalog yet)(1973)

That Certain Summer (not in the MovieCove catalog yet)(1972)

You'll Like My Mother(1972)
Midcredits score: 64th percentile of all films
Ransom for a Dead Man(1971)
Midcredits score: 94th percentile of all films
The Rookies (not in the MovieCove catalog yet)(1972)

The Groundstar Conspiracy (not in the MovieCove catalog yet)(1972)

McMillan & Wife(1971)
Midcredits score: 62nd percentile of all shows
Lock, Stock and Barrel(1971)
Midcredits score: 47th percentile of all films (provisional, few ratings)
Columbo (not in the MovieCove catalog yet)(1971)

Cannon (not in the MovieCove catalog yet)(1971)

Alias Smith and Jones (not in the MovieCove catalog yet)(1971)

Night Gallery(1969)
Midcredits score: 86th percentile of all shows
Berlin Affair (not in the MovieCove catalog yet)(1970)

Tarzan's Deadly Silence(1970)
Midcredits score: 11th percentile of all films (provisional, few ratings)
Dial Hot Line (not in the MovieCove catalog yet)(1970)

My Sweet Charlie (not in the MovieCove catalog yet)(1970)

Night Gallery (not in the MovieCove catalog yet)(1969)

Hawaii Five-O(1968)
Midcredits score: 69th percentile of all shows
Deadlock (not in the MovieCove catalog yet)(1969)
Career shape
A full career of 59 titles from 1969 to 1998.

Biggest box office
Street Fighter (1994)

Highest rated
Ransom for a Dead Man (1971)

Most popular right now
Murder, She Wrote (1984)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Edward M. Abroms' films land?
Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 20; across their 21 films with reception data, the typical film sits in the 45th percentile for acclaim.
- 75th and up3
- 50th to 74th11
- 25th to 49th9
- Below 25th5
Shape of the crowd
12 of their 28 titles are Crowd Pleasers.
- Universally Loved1
- Universally Panned2
- Crowd Pleaser12
- Broadly Agreed2
- Mixed11
Reviewers score the pacing 48/100 in their films, across 15 reviewed titles; fans 59, detractors 31. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Edward M. Abroms' work okay for kids?
Across up to 6 MovieCove titles with content scores, every category sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Edward M. Abroms work with?
People who share at least 2 of Edward M. Abroms' MovieCove titles, grouped by what they did on them; Gregory Goodell shares the most, 2.
Writers
- Gregory GoodellShared titles: Grave Secrets: The Legacy of Hilltop Drive (1992), Aftermath: A Test of Love (1991)See all 2 shared titles with Gregory Goodell
- Peter S. FischerShared titles: Murder, She Wrote (1984), The Case of the Baltimore Girls (1978)See all 2 shared titles with Peter S. Fischer
- William LinkShared titles: Murder, She Wrote (1984), Ransom for a Dead Man (1971)See all 2 shared titles with William Link
Actors
- Cassie YatesShared titles: Alpha to Omega: Exposing 'the Osterman Weekend' (2004), The Osterman Weekend (1983)See all 2 shared titles with Cassie Yates

- Chris SarandonShared titles: Alpha to Omega: Exposing 'the Osterman Weekend' (2004), The Osterman Weekend (1983)See all 2 shared titles with Chris Sarandon

- Craig T. NelsonShared titles: Alpha to Omega: Exposing 'the Osterman Weekend' (2004), The Osterman Weekend (1983)See all 2 shared titles with Craig T. Nelson

- Helen ShaverShared titles: Alpha to Omega: Exposing 'the Osterman Weekend' (2004), The Osterman Weekend (1983)See all 2 shared titles with Helen Shaver

Composers, cinematographers and editors
- Patrick WilliamsShared titles: Grave Secrets: The Legacy of Hilltop Drive (1992), Lock, Stock and Barrel (1971)See all 2 shared titles with Patrick Williams

- Paul LohmannShared titles: Aftermath: A Test of Love (1991), Crash: The Mystery of Flight 1501 (1990)See all 2 shared titles with Paul Lohmann
- Richard BeldingShared titles: One of Our Own (1975), Lock, Stock and Barrel (1971)See all 2 shared titles with Richard Belding
Producers
- Edward R. PressmanShared titles: Street Fighter (1994), Cherry 2000 (1987)See all 2 shared titles with Edward R. Pressman

Mixed roles
- Lalo SchifrinShared titles: Alpha to Omega: Exposing 'the Osterman Weekend' (2004), The Osterman Weekend (1983)See all 2 shared titles with Lalo Schifrin





