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Gianni Amelio

Gianni Amelio

Director and writer · Born January 20, 1945 (81) · Magisano, Catanzaro, Italy

Gianni Amelio (born 20 January 1945; Catanzaro) is an Italian film director. His film "The Way We Laughed" (1998) won a Golden Lion at the 55th Venice Film Festival. Amelio was born in San Pietro di Magisano, province of Catanzaro, Calabria. His father moved to Argentina soon after his birth. He spent his youth and adolescence with his mother and his grandmother. The absence of a paternal figures will be a constant in Amelio's future works. During his university studies of philosophy in Messina, Amelio got interested in cinema, writing as film critic for a local magazine. In 1965 he moved to Rome, where he worked as operator and assistant director for figures such as Liliana Cavani and Vittorio De Seta. He also worked for television, directing documentaries and advertisements. Amelio's first important work is the TV film "Sun City", directed in 1973 for RAI TV and inspired to Tommaso Campanella's work. This was followed by "The Cinema According to Bertolucci" (1976) a documentary about "1900" shooting, and the thriller "Special Effects" (1978). Two years later he directed the mystery "Death at Work" (1978), which won prizes at Locarno and Hyères festivals. "The Little Archimedes" of 1979 was also critically acclaimed. In 1982 he debuted for cinema proper with "Blow to the Heart" (1982), about Italian terrorism, presented at the Venice Film Festival. In 1987 Amelio released "Via Panisperna Boys", about the lives of 1930 Italian physicists such as Enrico Fermi and Edoardo Amaldi, which won the award for best screenplay at the Bari Film Festival. 1989's "Open Doors", featuring Gian Maria Volonté, confirmed Amelio's status as one of Italy's best film directors and won a nomination as Best Foreign Film at 1991 Academy Awards. The film received also four Felix, two Silver Ribbon, four David di Donatello and three Golden Globes awards. Also successful was "The Stolen Children" in 1992, which won the Special Prize of Jury at the 1992 Cannes Film Festival plus two Silver Ribbon and 5 David di Donatello. In 1994 "Lamerica", about Albanian immigration in Italy, repeated the fate and the success, with 2 Silver Ribbons and 3 Davids. Four years later, "The Way We Laughed" won the Golden Lion at the Venice Film Festival. Amelio gained another Silver Ribbon as best director for "The Keys to the House", inspired to a novel by Giuseppe Pontiggia, of 2004. Amelio was a member of jury at the Cannes Film Festival in 1995. In 2006 he released his eighth feature film, "The Missing Star", featuring Sergio Castellitto. From 2009 to 2012 he has been director of Torino Film Festival, Turin. Amelio came out as gay late in life, shortly before the release of his 2014 documentary "Happy to be Different".

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Biography from TMDB.

Born
January 20, 1945 (81)
From
Magisano, Catanzaro, Italy
Works as
Director and writer
Titles
5 on MovieCove · 34 credits in all
TMDB popularity, last 39 days to Oct 28Down 11% in 30 days

What are Gianni Amelio's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
32%
Bonds
24%
Power
16%
Survival
16%
Society
13%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 4

Grounded 3 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 3

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Bittersweet
1
Dread
1
Warm
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gianni Amelio's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Gianni Amelio's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 5 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Nessun dolore(2026)

    Director · Idea · Screenplay · Script · Story · Writer

    Midcredits score: 29th percentile of all films
  • Battlefield (not in the MovieCove catalog yet)(2024)

    Director · Screenplay

  • Lord of the Ants(2022)

    Director · Screenplay

    Midcredits score: 76th percentile of all films
  • Hammamet (not in the MovieCove catalog yet)(2020)

    Director · Screenplay · Story

  • Pastime (not in the MovieCove catalog yet)(2019)

    Director · Screenplay

  • Someone Else's Home (not in the MovieCove catalog yet)(2017)

    Director

  • Tenderness (not in the MovieCove catalog yet)(2017)

    Director · Screenplay

  • Class Register. Second Book 1968-2000 (not in the MovieCove catalog yet)(2015)

    Director

  • Class Register. First Book 1900-1960 (not in the MovieCove catalog yet)(2015)

    Director

  • Happy to Be Different (not in the MovieCove catalog yet)(2014)

    Director · Writer

  • Intrepido: A Lonely Hero (not in the MovieCove catalog yet)(2013)

    Director · Screenplay · Story

  • Alì Blue Eyes (not in the MovieCove catalog yet)(2012)

    Thanks

  • The First Man (not in the MovieCove catalog yet)(2011)

    Director · Writer

  • The Missing Star (not in the MovieCove catalog yet)(2006)

    Director · Screenplay · Story

  • The Keys to the House(2004)

    Director · Writer

    Midcredits score: 83rd percentile of all films
  • The Way We Laughed (not in the MovieCove catalog yet)(1998)

    Director · Writer

  • Lamerica (not in the MovieCove catalog yet)(1994)

    Director · Screenplay · Story

  • The Stolen Children(1992)

    Director · Idea · Screenplay · Story · Writer

    Midcredits score: 93rd percentile of all films
  • Open Doors (not in the MovieCove catalog yet)(1990)

    Director · Screenplay

  • Via Panisperna Boys (not in the MovieCove catalog yet)(1989)

    Director · Idea · Screenplay · Script · Story · Writer

  • Sabatoventiquattromarzo (not in the MovieCove catalog yet)(1984)

    Director

  • Blow to the Heart (not in the MovieCove catalog yet)(1982)

    Director · Story · Writer

  • The Sailing Ships (not in the MovieCove catalog yet)(1982)

    Director

  • The Little Archimedes (not in the MovieCove catalog yet)(1980)

    Director · Screenplay

  • Death at Work (not in the MovieCove catalog yet)(1978)

    Director · Writer

  • Special Effects (not in the MovieCove catalog yet)(1978)

    Director

  • The Cinema According to Bertolucci (not in the MovieCove catalog yet)(1976)

    Director

  • The City of the Sun (not in the MovieCove catalog yet)(1973)

    Director

  • The End of the Game (not in the MovieCove catalog yet)(1970)

    Director · as l'accompagnatore

  • The Year of the Cannibals (not in the MovieCove catalog yet)(1969)

    Assistant Director

  • The Seven Cervi Brothers (not in the MovieCove catalog yet)(1968)

    First Assistant Director

  • Django Kill... If You Live, Shoot!(1967)

    Assistant Director

    Midcredits score: 54th percentile of all films
  • Almost a Man (not in the MovieCove catalog yet)(1966)

    Script Supervisor

  • Matteotti (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 34 titles, 33 of them dated from 1966 to 2026.

By role

only this rolewith another role
Acting1 of 34: 0 only acting, 1 with another roleDirecting29 of 34: 10 only directing, 19 with another roleWriting18 of 34: 0 only writing, 18 with another roleOther crew7 of 34: 5 only other crew, 2 with another role

34 titles, 19 with more than one role — directing and writing overlap on 18 of them.

By decade

1960s4 · crew1970s5 · 1 acting · 5 crew1980s5 · crew1990s4 · crew2000s2 · crew2010s9 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Gianni Amelio's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 4

Approval · how many liked their films

78thpercentile
Typical film, the median of 4

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Mixed1

Reviewers score the pacing 55/100 in their films, across 3 reviewed titles; fans 64, detractors 33. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gianni Amelio work with?

People who share at least 2 of Gianni Amelio's MovieCove titles, grouped by what they did on them; Simona Paggi shares the most, 3.

Writers

Composers, cinematographers and editors

Producers