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Rex Ingram

Rex Ingram

Director and producer · Died July 21, 1950, aged 58 · Dublin, Ireland

Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young director Michael Powell.

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Biography from TMDB.

Born
January 15, 1892
Died
July 21, 1950 (aged 58)
From
Dublin, Ireland
Works as
Director and producer
Titles
3 on MovieCove · 40 credits in all
TMDB popularity, last 38 days to Oct 27Down 31% in 30 days

What are Rex Ingram's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 0 · Stylized 0 · Heightened 3

Gentle 0 · Charged 1 · Intense 2

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Triumphant
2
Romantic
2
Cathartic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rex Ingram's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Rex Ingram's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Baroud (not in the MovieCove catalog yet)(1933)

    Director · Producer · as André Duval

  • Baroud (not in the MovieCove catalog yet)(1932)

    Director · Writer

  • L'évadée (not in the MovieCove catalog yet)(1929)

    Art Direction · Producer

  • The Three Passions (not in the MovieCove catalog yet)(1928)

    Director · Writer

  • The Garden of Allah (not in the MovieCove catalog yet)(1927)

    Director

  • The Magician (not in the MovieCove catalog yet)(1926)

    Director · Adaptation · Producer · Screenplay

  • Mare Nostrum (not in the MovieCove catalog yet)(1926)

    Director · Producer

  • Camille: The Fate of a Coquette (not in the MovieCove catalog yet)(1926)

    as Charles Stewart Parnell

  • Midcredits score: 93rd percentile of all films
  • The Arab (not in the MovieCove catalog yet)(1924)

    Director · Writer

  • Scaramouche(1923)

    Director · Producer

    Midcredits score: 78th percentile of all films
  • Mary of the Movies (not in the MovieCove catalog yet)(1923)

    as (uncredited)

  • Where the Pavement Ends (not in the MovieCove catalog yet)(1923)

    Director · Adaptation

  • Trifling Women (not in the MovieCove catalog yet)(1922)

    Director · Writer

  • The Prisoner of Zenda (not in the MovieCove catalog yet)(1922)

    Director · Producer

  • Turn to the Right (not in the MovieCove catalog yet)(1922)

    Director

  • The Conquering Power (not in the MovieCove catalog yet)(1921)

    Director · Producer

  • Midcredits score: 80th percentile of all films
  • Hearts Are Trumps (not in the MovieCove catalog yet)(1920)

    Director

  • Under Crimson Skies (not in the MovieCove catalog yet)(1920)

    Director

  • Shore Acres (not in the MovieCove catalog yet)(1920)

    Director · Producer

  • The Day She Paid (not in the MovieCove catalog yet)(1919)

    Director

  • Humdrum Brown (not in the MovieCove catalog yet)(1918)

    Director

  • His Robe of Honor (not in the MovieCove catalog yet)(1918)

    Director

  • The Little Terror (not in the MovieCove catalog yet)(1917)

    Director · Story

  • The Flower of Doom (not in the MovieCove catalog yet)(1917)

    Director · Writer

  • The Pulse of Life (not in the MovieCove catalog yet)(1917)

    Director · Writer

  • The Reward of the Faithless (not in the MovieCove catalog yet)(1917)

    Director · Scenario Writer

  • Black Orchids (not in the MovieCove catalog yet)(1917)

    Director · Scenario Writer

  • The Chalice of Sorrow (not in the MovieCove catalog yet)(1916)

    Director · Writer

  • Broken Fetters (not in the MovieCove catalog yet)(1916)

    Director · Scenario Writer · Screenplay

  • The Great Problem (not in the MovieCove catalog yet)(1916)

    Director · Scenario Writer · Writer

  • The Galley Slave (not in the MovieCove catalog yet)(1915)

    Writer

  • The Wonderful Adventure (not in the MovieCove catalog yet)(1915)

    Scenario Writer

  • The Song of Hate (not in the MovieCove catalog yet)(1915)

    Writer

  • Should a Mother Tell (not in the MovieCove catalog yet)(1915)

    Scenario Writer · Story

  • Snatched from a Burning Death (not in the MovieCove catalog yet)(1915)

    as Chandler, the lover

  • The Evil Men Do (not in the MovieCove catalog yet)(1915)

    as Margaret's Companion

  • The Moonshine Maid and the Man (not in the MovieCove catalog yet)(1914)

    Actor

  • Beau Brummel (not in the MovieCove catalog yet)(1913)

    Actor

Career shape

A full career of 39 titles from 1913 to 1933.

By role

only this rolewith another role
Acting7 of 39: 6 only acting, 1 with another roleDirecting28 of 39: 8 only directing, 20 with another roleWriting18 of 39: 4 only writing, 14 with another roleProducing8 of 39: 0 only producing, 8 with another roleOther crew1 of 39: 0 only other crew, 1 with another role

39 titles, 21 with more than one role — directing and writing overlap on 14 of them.

By decade

1910s19 · 4 acting · 15 crew1920s18 · 2 acting · 16 crew1930s2 · 1 acting · 2 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Rex Ingram's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 74th percentile for acclaim.

Acclaim · how much people like their films

74thpercentile
Typical film, the median of 3

Approval · how many liked their films

86thpercentile
Typical film, the median of 3

Reach · how many have seen their films

66thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1

Reviewers score the atmosphere 83/100 and the pacing 55/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rex Ingram work with?

People who share at least 2 of Rex Ingram's MovieCove titles, grouped by what they did on them; June Mathis shares the most, 2.

Writers

Actors

Composers, cinematographers and editors

Producers