Chuck McClelland
- Editor
- 8 on MovieCove · 17 credits in all
What are Chuck McClelland's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 3 · Serious 3 · Dark 0
A split, not a type: Grounded 4 · Stylized 1 · Heightened 1
A split, not a type: Gentle 3 · Charged 1 · Intense 2
Steady 2 · Shifting 3 · Whiplash 1
Straight-faced 2 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 2
Casual 6 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 0
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Chuck McClelland's films?
As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Pluto TV (3).
Subscription and free streaming for Chuck McClelland's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 8 with a MovieCove page.

The Colbys (not in the MovieCove catalog yet)(1985)

The Love Boat(1977)
Midcredits score: 20th percentile of all shows
The Man with the Power(1977)
Midcredits score: 50th percentile of all films (provisional, few ratings)
Project: Kill (not in the MovieCove catalog yet)(1976)
Midcredits score: 40th percentile of all films (provisional, few ratings)
The Keegans (not in the MovieCove catalog yet)(1976)

The Desperate Miles (not in the MovieCove catalog yet)(1975)

The Family Nobody Wanted (not in the MovieCove catalog yet)(1975)

Target Risk (not in the MovieCove catalog yet)(1975)

The Specialists (not in the MovieCove catalog yet)(1975)
Midcredits score: 38th percentile of all films
Foxy Brown(1974)
Midcredits score: 58th percentile of all films
Ginger in the Morning(1974)
Midcredits score: 19th percentile of all films
Kojak(1973)
Midcredits score: 58th percentile of all shows
Idaho Transfer (not in the MovieCove catalog yet)(1973)

Coffy(1973)
Midcredits score: 74th percentile of all films
Family Flight (not in the MovieCove catalog yet)(1972)
Career shape
A full career of 16 titles from 1972 to 1985.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Chuck McClelland's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 50th to 74th4
- 25th to 49th2
- Below 25th2
Shape of the crowd
4 of their 8 titles are Mixed.
- Cult Classic1
- Crowd Pleaser3
- Mixed4
Reviewers score the pacing 53/100 in their films, across 3 reviewed titles; fans 60, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Chuck McClelland work with?
People who share at least 2 of Chuck McClelland's MovieCove titles, grouped by what they did on them; Jack Hill shares the most, 2.
Directors
- Jack HillShared titles: Foxy Brown (1974), Coffy (1973)See all 2 shared titles with Jack Hill

Actors
- Lee de BrouxShared titles: The Invasion of Johnson County (1976), Coffy (1973)See all 2 shared titles with Lee de Broux

- Mills WatsonShared titles: The Invasion of Johnson County (1976), The Story of Pretty Boy Floyd (1974)See all 2 shared titles with Mills Watson

- Pam GrierShared titles: Foxy Brown (1974), Coffy (1973)See all 2 shared titles with Pam Grier

Cinematographers and editors
- J.J. JonesShared titles: The Man with the Power (1977), The Story of Pretty Boy Floyd (1974)See all 2 shared titles with J.J. Jones
- Gloryette ClarkShared titles: The Invasion of Johnson County (1976), The Story of Pretty Boy Floyd (1974)See all 2 shared titles with Gloryette Clark
Producers
- Jo Swerling Jr.Shared titles: The Invasion of Johnson County (1976), The Story of Pretty Boy Floyd (1974)See all 2 shared titles with Jo Swerling Jr.

- Roy HugginsShared titles: The Invasion of Johnson County (1976), The Story of Pretty Boy Floyd (1974)See all 2 shared titles with Roy Huggins
- Buzz FeitshansShared titles: Foxy Brown (1974), Coffy (1973)See all 2 shared titles with Buzz Feitshans

