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Linda Moran

Linda Moran

Producer, also actor

Linda Jasmin Moran is an American music executive. She is the CEO and President of the Songwriters Hall of Fame, appointed by Hal David in 2001. She was the first female executive at Warner Music Group and worked at Atlantic Records in previous years. Moran has been nicknamed the "godmother" of music's top executives and artists. Description above from the Wikipedia article Linda Moran, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Producer, also actor
Titles
31 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 30% in 30 days

What are Linda Moran's films like?

Across their 28 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Genres

Drama9 titlesTypical Midcredits score: 39th percentile
: browse their Drama movies
Comedy6 titlesTypical Midcredits score: 21st percentile
: browse their Comedy movies
Crime4 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Crime movies
Action3 titlesTypical Midcredits score: 27th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 69th percentile, at or above their average across these genres
: browse their Adventure movies
Biography2 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Biography movies
Horror2 titlesTypical Midcredits score: 29th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
31%
Survival
24%
Bonds
24%
Morality
10%
Society
7%
Power
3%
Ideas
1%
Family bonds12 titles, browse their movies with this themeSelf-worth8 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeTrauma4 titles, browse their movies with this themeComing of age4 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this theme

What they feel like to watch

their average across 28 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 6 · Serious 5 · Dark 17

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 19 · Stylized 9 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 8 · Charged 5 · Intense 15

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 13 · Shifting 11 · Whiplash 4

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 17 · Some laughs 10 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 16 · Even-paced 10 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 11 · Engaged 10 · Full focus 7

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 7 · Heavy 16

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 15 · Open-ended 9 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
17
Melancholic
12
Dread
9
Contemplative
9
Warm
6
Other
24

How their films linger

Hopeful12 titles, browse their movies with this aftertasteBittersweet11 titles, browse their movies with this aftertasteUnsettling8 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteCathartic5 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy4
  • Bittersweet14
  • Tragic4
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Linda Moran's films?

As of October 24, 2026, 21 of their 31 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Linda Moran's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 31 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Sweet Tooth(2021)

    Show 24 episodes · Executive Producer

    Midcredits score: 83rd percentile of all shows

  • Son(2021)

    Co-Executive Producer

    Midcredits score: 29th percentile of all films

  • Honey Boy(2019)

    Co-Executive Producer

    Midcredits score: 87th percentile of all films

  • In the Shadow of the Moon(2019)

    Producer

    Midcredits score: 49th percentile of all films

  • The Wolf Hour(2019)

    Producer

    Midcredits score: 14th percentile of all films

  • We Only Know So Much(2018)

    Producer

    Midcredits score: 16th percentile of all films

  • Bakery in Brooklyn(2016)

    Executive Producer

    Midcredits score: 9th percentile of all films

  • A Sunday Horse(2016)

    Producer

    Midcredits score: 60th percentile of all films

  • No Beast So Fierce(2016)

    Producer

    Midcredits score: 40th percentile of all films

  • Captive(2015)

    Producer

    Midcredits score: 18th percentile of all films

  • Cold in July(2014)

    Producer

    Midcredits score: 74th percentile of all films

  • We Are What We Are(2013)

    Producer

    Midcredits score: 39th percentile of all films

  • A Birder's Guide to Everything(2013)

    Producer

    Midcredits score: 51st percentile of all films

  • La vida inesperada(2013)

    Producer

    Midcredits score: 53rd percentile of all films

  • Tiger Eyes(2012)

    Producer

    Midcredits score: 55th percentile of all films

  • The Mortician(2011)

    Producer

    Midcredits score: 19th percentile of all films

  • Twelve(2010)

    Producer

    Midcredits score: 27th percentile of all films

  • The Good Guy(2009)

    Producer

    Midcredits score: 28th percentile of all films

  • An Englishman in New York(2009)

    Co-Producer

    Midcredits score: 79th percentile of all films

  • Funny Games(2007)

    Producer · as Eve

    Midcredits score: 65th percentile of all films

  • Mulberry St(2006)

    Producer

    Midcredits score: 28th percentile of all films

  • A Guide to Recognizing Your Saints(2006)

    Producer

    Midcredits score: 78th percentile of all films

  • Transamerica(2005)

    Producer

    Midcredits score: 87th percentile of all films

  • Nowhere Man(2005)

    Producer

    Midcredits score: 13th percentile of all films

  • From Other Worlds(2004)

    Producer

    Midcredits score: 14th percentile of all films

  • Jailbait(2004)

    Producer

    Midcredits score: 36th percentile of all films

  • Martin & Orloff(2002)

    Producer

    Midcredits score: 63rd percentile of all films

  • L.I.E.(2001)

    Producer

    Midcredits score: 78th percentile of all films

  • Friends and Family (not in the MovieCove catalog yet)(2001)

    Producer

  • Swimming (not in the MovieCove catalog yet)(2000)

    Producer

  • Fiona (not in the MovieCove catalog yet)(1999)

    Co-Producer

  • Buena Vista Social Club(1999)

    Unit Production Manager

    Midcredits score: 95th percentile of all films

  • Harlem Aria (not in the MovieCove catalog yet)(1999)

    Producer

  • Sue(1997)

    Co-Producer

    Midcredits score: 83rd percentile of all films

  • Mob Queen (not in the MovieCove catalog yet)(1998)

    Co-Producer

  • Once We Were Strangers(1997)

    Location Manager

    Midcredits score: 62nd percentile of all films

  • Burning Bridges (not in the MovieCove catalog yet)(1996)

    Co-Producer

  • Callas (not in the MovieCove catalog yet)

    Producer

  • Gundam (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 26 titles, 24 of them dated from 1996 to 2021.

Biggest box office

Transamerica (2005)

$15M worldwide

Highest rated

Transamerica (2005)

Midcredits 87th

Most popular right now

Funny Games (2007)

Film career

By role

only this rolewith another role
Acting1 of 26: 1 only acting, 0 with another roleProducing23 of 26: 23 only producing, 0 with another role · typical Midcredits score63rdOther crew2 of 26: 2 only other crew, 0 with another role

By decade

1990s7 · crew2000s9 · 1 acting · 8 crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Linda Moran's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 30; across their 28 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 28

Approval · how many liked their films

45thpercentile
Typical film, the median of 28

Reach · how many have seen their films

76thpercentile
Typical film, the median of 28

Midcredits score across 31 titles, by percentile

  • 75th and up8
  • 50th to 74th8
  • 25th to 49th8
  • Below 25th7

Shape of the crowd

13 of their 31 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser13
  • Broadly Agreed4
  • Mixed10

Most divisive · producer

We Only Know So Much (2018)

92nd percentile spread · 44% rated it 4 or lower

Most loved · producer

Transamerica (2005)

Midcredits 87th · 80% liked

Reviewers score the acting 73/100 in their films, across 27 reviewed titles; fans 82, detractors 48. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Linda Moran's work okay for kids?

Across up to 12 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles53–83 · median 75 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity12 titles35–60 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles55–81 · median 64 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles31–67 · median 41 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles55–89 · median 69 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Linda Moran work with?

People who share at least 2 of Linda Moran's MovieCove titles, grouped by what they did on them; Rene Bastian shares the most, 22.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers