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Preston Sturges

Preston Sturges

Writer, director and producer · Died August 6, 1959, aged 60 · Chicago, Illinois, USA

From Wikipedia, the free encyclopedia. Preston Sturges (29 August 1898 – 6 August 1959), originally Edmund Preston Biden, was a celebrated playwright, screenwriter and film director born in Chicago, Illinois. In 1941 he won the Academy Award for Best Original Screenplay for the film The Great McGinty. Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite the farcical situations. In recent years, film scholars such as Alessandro Pirolini have also argued that Sturges' cinema anticipated more experimental narratives by contemporary directors such as Joel and Ethan Coen, Robert Zemeckis, and Woody Allen, along with prolific The Simpsons writer John Swartzwelder: "Many of [Sturges'] movies and screenplays reveal a restless and impatient attempt to escape codified rules and narrative schemata, and to push the mechanisms and conventions of their genre to the extent of unveiling them to the spectator. [See for example] the disruption of standardized timelines in films such as The Power and the Glory and The Great McGinty [or the way] an apparently classical comedy such as Unfaithfully Yours (1948) shifts into the realm of multiple and hypothetical narratives. Prior to Sturges, other figures in Hollywood (such as Charlie Chaplin, D.W. Griffith, and Frank Capra) had directed films from their own scripts. However, Sturges is often regarded as the first Hollywood figure to be initially mainly successfully established as a screenwriter and then to subsequently move into directing his own scripts, at a time when those roles were mostly entrenched and separate. Famously, Sturges sold the story for The Great McGinty to Paramount Pictures for $1, in return for being allowed to direct the film; the sum was quietly raised to $10 by the studio for legal reasons. Description above from the Wikipedia article Preston Sturges, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
August 29, 1898
Died
August 6, 1959 (aged 60)
From
Chicago, Illinois, USA
Works as
Writer, director and producer
Titles
23 on MovieCove · 42 credits in all
TMDB popularity, last 39 days to Oct 28Down 23% in 30 days

What are Preston Sturges' films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

Light 19 · Serious 2 · Dark 2

Grounded 9 · Stylized 9 · Heightened 5

A split, not a type: Gentle 12 · Charged 10 · Intense 1

A split, not a type: Steady 12 · Shifting 9 · Whiplash 2

Straight-faced 3 · Some laughs 4 · Funny 16

Slow burn 6 · Even-paced 15 · Relentless 2

Casual 17 · Engaged 6 · Full focus 0

Resolved 21 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
14
Absurd
11
Romantic
12
Warm
5
Manic
4
Other
17

How their films end · 2 with a twist

  • Happy14
  • Bittersweet8
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Preston Sturges' films?

As of October 24, 2026, 6 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Preston Sturges' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 23 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Unfaithfully Yours(1984)

    Original Film Writer

    Midcredits score: 39th percentile of all films
  • Rock-a-Bye Baby(1958)

    Story

    Midcredits score: 70th percentile of all films
  • Paris Holiday (not in the MovieCove catalog yet)(1958)

    as Serge Vitry

  • The Birds and the Bees (not in the MovieCove catalog yet)(1956)

    Screenplay

  • The French, They Are a Funny Race (not in the MovieCove catalog yet)(1955)

    Director · Writer

  • The Beautiful Blonde from Bashful Bend(1949)

    Director · Producer · Writer

    Midcredits score: 47th percentile of all films
  • Unfaithfully Yours(1948)

    Director · Producer · Screenplay

    Midcredits score: 91st percentile of all films
  • The Sin of Harold Diddlebock(1947)

    Director · Producer · Screenplay

    Midcredits score: 60th percentile of all films
  • I'll Be Yours (not in the MovieCove catalog yet)(1947)

    Writer

  • The Miracle of Morgan's Creek(1943)

    Director · Producer · Writer

    Midcredits score: 89th percentile of all films
  • Hail the Conquering Hero(1944)

    Director · Producer · Writer

    Midcredits score: 93rd percentile of all films
  • The Great Moment (not in the MovieCove catalog yet)(1944)

    Director · Screenplay

  • I Married a Witch(1942)

    Producer

    Midcredits score: 83rd percentile of all films
  • The Palm Beach Story(1942)

    Director · Screenplay

    Midcredits score: 89th percentile of all films
  • Star Spangled Rhythm (not in the MovieCove catalog yet)(1942)

    as Preston Sturges

  • Safeguarding Military Information (not in the MovieCove catalog yet)(1942)

    Director · Writer

  • Sullivan's Travels(1941)

    Director · Writer

    Midcredits score: 97th percentile of all films
  • The Lady Eve(1941)

    Director · Screenplay

    Midcredits score: 95th percentile of all films
  • Christmas in July(1940)

    Director · Theatre Play · Writer · as Man at Shoeshine Stand (uncredited)

    Midcredits score: 89th percentile of all films
  • The Great McGinty(1940)

    Director · Writer

    Midcredits score: 86th percentile of all films
  • Remember the Night(1939)

    Screenplay

    Midcredits score: 94th percentile of all films
  • Midcredits score: 86th percentile of all films
  • Never Say Die (not in the MovieCove catalog yet)(1939)

    Screenplay

  • If I Were King(1938)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Port of Seven Seas (not in the MovieCove catalog yet)(1938)

    Writer

  • College Swing (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Easy Living(1937)

    Screenplay

    Midcredits score: 93rd percentile of all films
  • Hotel Haywire (not in the MovieCove catalog yet)(1937)

    Writer

  • Love Before Breakfast (not in the MovieCove catalog yet)(1936)

    Writer

  • Next Time We Love(1936)

    Writer

    Midcredits score: 61st percentile of all films
  • Diamond Jim (not in the MovieCove catalog yet)(1935)

    Writer

  • The Good Fairy (not in the MovieCove catalog yet)(1935)

    Screenplay

  • We Live Again(1934)

    Adaptation

    Midcredits score: 55th percentile of all films
  • Thirty Day Princess (not in the MovieCove catalog yet)(1934)

    Screenplay

  • Twentieth Century(1934)

    Writer

    Midcredits score: 86th percentile of all films
  • Imitation of Life(1934)

    Writer

    Midcredits score: 90th percentile of all films
  • The Power and the Glory (not in the MovieCove catalog yet)(1933)

    Screenplay

  • Child of Manhattan (not in the MovieCove catalog yet)(1933)

    Theatre Play

  • They Just Had to Get Married (not in the MovieCove catalog yet)(1933)

    Writer

  • Strictly Dishonorable (not in the MovieCove catalog yet)(1931)

    Theatre Play

  • The Big Pond(1930)

    Dialogue

    Midcredits score: 28th percentile of all films
  • Fast and Loose(1930)

    Writer

    Midcredits score: 45th percentile of all films

Career shape

A full career of 38 titles from 1930 to 1984.

By role

only this rolewith another role
Acting3 of 38: 2 only acting, 1 with another roleDirecting13 of 38: 0 only directing, 13 with another role · typical Midcredits score89thWriting35 of 38: 22 only writing, 13 with another role · typical Midcredits score88thProducing6 of 38: 1 only producing, 5 with another role · typical Midcredits score86th

38 titles, 13 with more than one role — writing and directing overlap on 13 of them.

By decade

1930s17 · crew1940s16 · 2 acting · 15 crew1950s4 · 1 acting · 3 crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Preston Sturges' films land?

Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 23; across their 23 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 23

Approval · how many liked their films

86thpercentile
Typical film, the median of 23

Reach · how many have seen their films

69thpercentile
Typical film, the median of 23

Midcredits score across 23 titles, by percentile

  • 75th and up15
  • 50th to 74th4
  • 25th to 49th4

Shape of the crowd

None of their 23 titles divides audiences: 10 are Universally Loved.

  • Universally Loved10
  • Crowd Pleaser8
  • Broadly Agreed2
  • Mixed3

Reviewers score the dialogue 71/100 and the plot and story 53/100 in their films, across 23 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Preston Sturges' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 19 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Preston Sturges work with?

People who share at least 2 of Preston Sturges' MovieCove titles, grouped by what they did on them; William Demarest shares the most, 7.

Directors

Writers

Actors

Cinematographers and editors

Producers