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Paul Maslak

Producer and writer, also director

Paul Maslak graduated from the University of Maryland with a BS degree in Business Administration. While concurrently working for Disney as a project planner on EPCOT and Tokyo Disneyland, he took a job as editor of INSIDE KUNG-FU magazine. In this latter capacity, he was invited to work as casting director on the martial arts film, "No Retreat, No Surrender," for which he helpled "discover" Jean-Claude Van Damme and Cynthia Rothrock. Afterwards, he pursued a two-track career for many years, working as a master scheduler and production control supervisor in corporate America by day, and free-lancing as a story analyst for HBO and Tri-Star Pictures by night. Eventually, he quit his corporate job, at first managing martial arts actors, but then taking jobs in hands-on film production. He worked his way up through the ranks of many low-budget films to become a full producer. In 1993, he formed a partnership to produce independent features, and in 1996, he began directing with the film "Sworn to Justice."

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Biography from TMDB.

Works as
Producer and writer, also director
Titles
13 on MovieCove · 17 credits in all
TMDB popularity, last 39 days to Oct 28Down 27% in 30 days

What are Paul Maslak's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 6 · Heightened 0

Gentle 0 · Charged 7 · Intense 2

Steady 6 · Shifting 3 · Whiplash 0

Straight-faced 6 · Some laughs 3 · Funny 0

Slow burn 0 · Even-paced 6 · Relentless 3

Casual 6 · Engaged 3 · Full focus 0

Resolved 7 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Thrilling
7
Melancholic
2
Contemplative
1

How their films end · 2 with a twist

  • Happy4
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Maslak's films?

As of October 24, 2026, 11 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Paul Maslak's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 13 with a MovieCove page.

  • Just Sue Me (not in the MovieCove catalog yet)(2000)

    Producer

  • The Right Temptation(2000)

    Producer

    Midcredits score: 26th percentile of all films
  • Primary Suspect (not in the MovieCove catalog yet)(2000)

    Producer

  • Kiss Toledo Goodbye (not in the MovieCove catalog yet)(1999)

    Producer · Second Unit Director

  • Sworn to Justice(1996)

    Director · Producer · Story

    Midcredits score: 15th percentile of all films
  • Angel of Destruction (not in the MovieCove catalog yet)(1994)

    Story

  • Red Sun Rising(1994)

    Producer · Story

    Midcredits score: 23rd percentile of all films
  • Cyber Tracker(1994)

    Co-Producer

    Midcredits score: 3rd percentile of all films
  • Bloodfist V: Human Target(1994)

    Associate Producer

    Midcredits score: 23rd percentile of all films
  • Ring of Fire II: Blood and Steel(1993)

    Co-Producer · Fight Choreographer · Story

    Midcredits score: 15th percentile of all films
  • Out for Blood(1992)

    Co-Producer · Fight Choreographer · Story · as Hospital Doctor

    Midcredits score: 16th percentile of all films
  • Bloodfist IV: Die Trying(1992)

    Associate Producer · Fight Choreographer

    Midcredits score: 23rd percentile of all films
  • Blackbelt(1992)

    Fight Choreographer · Story · Stunt Coordinator

    Midcredits score: 23rd percentile of all films
  • Bloodfist III: Forced to Fight(1991)

    Martial Arts Choreographer

    Midcredits score: 20th percentile of all films
  • Future Kick(1991)

    Fight Choreographer · Stunts

    Midcredits score: 6th percentile of all films
  • Ring of Fire(1991)

    Martial Arts Choreographer

    Midcredits score: 18th percentile of all films
  • No Retreat, No Surrender(1986)

    Casting · Casting Director

    Midcredits score: 38th percentile of all films

Career shape

A full career of 17 titles from 1986 to 2000.

By role

only this rolewith another role
Acting1 of 17: 0 only acting, 1 with another roleDirecting1 of 17: 0 only directing, 1 with another roleWriting6 of 17: 1 only writing, 5 with another role · typical Midcredits score16thProducing11 of 17: 5 only producing, 6 with another role · typical Midcredits score20thOther crew9 of 17: 4 only other crew, 5 with another role · typical Midcredits score19th

17 titles, 7 with more than one role — producing and other crew overlap on 4 of them.

By decade

1980s1 · crew1990s13 · 1 acting · 13 crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul Maslak's films land?

Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 13; across their 9 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 9

Approval · how many liked their films

18thpercentile
Typical film, the median of 9

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 9

Midcredits score across 13 titles, by percentile

  • 25th to 49th2
  • Below 25th11

Reviewers score the dialogue 30/100 and the plot and story 31/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul Maslak work with?

People who share at least 2 of Paul Maslak's MovieCove titles, grouped by what they did on them; Don Wilson shares the most, 7.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles