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Stephen Mark

Editor

Works as
Editor
Titles
14 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 34% in 30 days

What are Stephen Mark's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.

Genres

Comedy2 titlesTypical Midcredits score: 9th percentile
: browse their Comedy movies
Horror2 titlesTypical Midcredits score: 14th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
33%
Morality
17%
Bonds
16%
Survival
13%
Power
10%
Ideas
8%
Society
4%
Family bonds3 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 3 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 1 · Charged 2 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 4 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 3 · Full focus 2

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
3
Contemplative
3
Thrilling
2
Melancholic
2
Other
4

How their films linger

Unsettling5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Bittersweet2
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Stephen Mark's films?

As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Stephen Mark's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 14 with a MovieCove page.

  • Distant Tales (not in the MovieCove catalog yet)(2023)

    Editor

  • Delilah(2021)

    Show Editor

    Midcredits score: 23rd percentile of all shows

  • The Girl on the Train(2014)

    Editor

    Midcredits score: 19th percentile of all films

  • Boss(2011)

    Show 3 episodes · Editor

    Midcredits score: 87th percentile of all shows

  • The Job(2009)

    Editor

    Midcredits score: 10th percentile of all films

  • Deadwood(2004)

    Show 14 episodes · Editor

    Midcredits score: 97th percentile of all shows

  • Dinotopia(2002)

    Show Editor

    Midcredits score: 19th percentile of all shows

  • The Day the World Ended(2001)

    Editor

    Midcredits score: 7th percentile of all films

  • Smallville(2001)

    Show 6 episodes · Editor

    Midcredits score: 80th percentile of all shows

  • Dark Angel (not in the MovieCove catalog yet)(2000)

    Show 21 episodes · Editor

  • The X Files(1998)

    Editor

    Midcredits score: 83rd percentile of all films

  • The X-Files(1993)

    Show 5 episodes · Editor

    Midcredits score: 98th percentile of all shows

  • Side Out(1990)

    Additional Editor

    Midcredits score: 30th percentile of all films

  • Stripped to Kill 2: Live Girls(1989)

    Editor

    Midcredits score: 8th percentile of all films

  • The Nest(1987)

    Editor

    Midcredits score: 21st percentile of all films

  • The Drifter (not in the MovieCove catalog yet)(1988)

    Editor

  • 8 Million Ways to Die(1986)

    Assistant Editor

    Midcredits score: 30th percentile of all films

  • Swap Meet (not in the MovieCove catalog yet)(1979)

    Assistant Editor

Career shape

A full career of 15 titles from 1979 to 2023.

Biggest box office

The X Files (1998)

$189M worldwide

Highest rated

The X Files (1998)

Midcredits 83rd

By role

only this rolewith another role
Editing13 of 15: 13 only editing, 0 with another role · typical Midcredits score55thOther crew2 of 15: 2 only other crew, 0 with another role

By decade

1970s1 · crew1980s4 · crew1990s3 · crew2000s5 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Stephen Mark's films land?

Their typical MovieCove film has a Midcredits score in the 20th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 21st percentile for acclaim.

Acclaim · how much people like their films

21stpercentile
Typical film, the median of 6

Approval · how many liked their films

16thpercentile
Typical film, the median of 6

Reach · how many have seen their films

60thpercentile
Typical film, the median of 6

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 25th to 49th2
  • Below 25th7

Shape of the crowd

6 of their 14 titles are Mixed.

  • Universally Loved3
  • Universally Panned1
  • Divisive1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed6

Most divisive · editor

Delilah (2021)

93rd percentile spread · 34% rated it 4 or lower

Most loved · editor

The X-Files (1993)

Midcredits 98th · 93% liked

Reviewers score the pacing 45/100 in their films, across 6 reviewed titles; fans 56, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Stephen Mark work with?

People who share at least 2 of Stephen Mark's MovieCove titles; Roger Corman shares the most, 2.