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Motif

Walter Coblenz

Producer

Works as
Producer
Titles
13 on Motif · 18 credits in all
TMDB popularity, last 39 days to Oct 28Down 24% in 30 days

What are Walter Coblenz's films like?

Across their 11 Motif titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 3 · Dark 3

Grounded 8 · Stylized 3 · Heightened 0

Gentle 2 · Charged 6 · Intense 3

Steady 3 · Shifting 7 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 2 · Funny 2

A split, not a type: Slow burn 6 · Even-paced 3 · Relentless 2

Casual 4 · Engaged 6 · Full focus 1

Resolved 8 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
3
Contemplative
3
Thrilling
2
Melancholic
3
Other
11

How their films end · 1 with a twist

  • Happy5
  • Bittersweet4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Walter Coblenz's films?

As of October 24, 2026, 8 of their 13 Motif titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Walter Coblenz's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 13 with a Motif page; 1 appearance as themselves is hidden until asked for.

  • Money Talks(1997)

    Producer

    Midcredits score: 50th percentile of all films
  • Not Our Son (not in the Motif catalog yet)(1995)

    Producer

  • Midcredits score: 27th percentile of all films
  • House of Secrets (not in the Motif catalog yet)(1993)

    Producer

  • The Babe(1992)

    Executive Producer

    Midcredits score: 33rd percentile of all films
  • 18 Again!(1988)

    Producer

    Midcredits score: 31st percentile of all films
  • For Keeps?(1988)

    Producer

    Midcredits score: 44th percentile of all films
  • Sister, Sister(1987)

    Producer

    Midcredits score: 24th percentile of all films
  • SpaceCamp(1986)

    Producer

    Midcredits score: 36th percentile of all films
  • Strange Invaders(1983)

    Producer

    Midcredits score: 21st percentile of all films
  • Midcredits score: 22nd percentile of all films
  • The Onion Field(1979)

    Producer

    Midcredits score: 70th percentile of all films
  • Midcredits score: 99th percentile of all films
  • A Dream for Christmas (not in the Motif catalog yet)(1973)

    Producer

  • The Blue Knight (not in the Motif catalog yet)(1973)

    Producer

  • The Blue Knight (not in the Motif catalog yet)(1973)

    Show 4 episodes · Producer

  • The Candidate(1972)

    Producer

    Midcredits score: 81st percentile of all films
  • Two-Lane Blacktop(1971)

    Unit Production Manager

    Midcredits score: 87th percentile of all films

Career shape

A full career of 18 titles from 1971 to 1997.

By role

only this rolewith another role
Producing17 of 18: 17 only producing, 0 with another role · typical Midcredits score35thOther crew1 of 18: 1 only other crew, 0 with another role

By decade

1970s7 · crew1980s6 · crew1990s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Walter Coblenz's films land?

Their typical Motif film has a Midcredits score in the 36th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 11

Approval · how many liked their films

33rdpercentile
Typical film, the median of 11

Reach · how many have seen their films

80thpercentile
Typical film, the median of 11

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th3

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Walter Coblenz's work okay for kids?

Across up to 6 Motif titles with content scores, 1 of the 3 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 46 · moderateMedian of all films: 44
Sex & Nudity6 titles7–54 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 70 · intenseMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Walter Coblenz work with?

People who share at least 2 of Walter Coblenz's Motif titles, grouped by what they did on them; John W. Wheeler shares the most, 3.

Writers

Actors

Cinematographers and editors

Producers

Mixed roles