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Georg Söring

Editor · Born February 27, 1970 (56) · Hamburg, Germany

Born
February 27, 1970 (56)
From
Hamburg, Germany
Works as
Editor
Titles
7 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 10% in 30 days

What are Georg Söring's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Themes

share of theme weight
Bonds
41%
Society
26%
Self
11%
Morality
11%
Power
7%
Survival
4%
Romantic love3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 0 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 0 · Heightened 0

Gentle: How hard the emotional peaks hit while you watch. Browse their gentle movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 0 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 0 · Whiplash 0

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 2 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
3
Warm
3
Tense
1
Absurd
1
Contemplative
1
Other
3

How their films linger

Feel-good4 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Georg Söring's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service, on Netflix (1).

Subscription and free streaming for Georg Söring's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 7 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Das Geheimnis der gestohlenen Maske (not in the MovieCove catalog yet)(2026)

    Editor

  • Pumuckl and the Big Misunderstanding(2025)

    Editor

    Midcredits score: 86th percentile of all films

  • Auf der Walz – Drei Jahre und ein Tag (not in the MovieCove catalog yet)(2025)

    Editor

  • Neue Geschichten vom Pumuckl (not in the MovieCove catalog yet)(2023)

    Editor

  • And Tomorrow the Entire World(2020)

    Editor

    Midcredits score: 56th percentile of all films

  • Beckenrand Sheriff(2021)

    Editor

    Midcredits score: 46th percentile of all films

  • Luther and I (not in the MovieCove catalog yet)(2017)

    Editor

  • Radio Home (not in the MovieCove catalog yet)(2016)

    Editor

  • I'm Off Then(2015)

    Editor

    Midcredits score: 48th percentile of all films

  • Playing Doctor (not in the MovieCove catalog yet)(2014)

    Editor

  • Wer's glaubt, wird selig(2012)

    Editor

    Midcredits score: 47th percentile of all films

  • Papa allein zu Haus (not in the MovieCove catalog yet)(2011)

    Editor

  • Räuber Kneißl(2008)

    Editor

    Midcredits score: 60th percentile of all films

  • Kiss me Kismet(2006)

    Editor

    Midcredits score: 40th percentile of all films

  • Hausmeister Krause – Ordnung muss sein (not in the MovieCove catalog yet)(1999)

    Show 8 episodes · Script · as Bestatter 2

Career shape

A full career of 13 titles, 12 of them dated from 1999 to 2025.

Biggest box office

I'm Off Then (2015)

$17M worldwide

Highest rated

I'm Off Then (2015)

Midcredits 48th

By role

only this rolewith another role
Acting1 of 13: 0 only acting, 1 with another roleEditing12 of 13: 12 only editing, 0 with another role · typical Midcredits score56thOther crew1 of 13: 0 only other crew, 1 with another role

By decade

1990s1 · 1 acting · 1 crew2000s2 · crew2010s5 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Georg Söring's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 5

Approval · how many liked their films

42ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

54thpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4

Shape of the crowd

3 of their 7 titles are Broadly Agreed.

  • Cult Classic1
  • Crowd Pleaser2
  • Broadly Agreed3
  • Mixed1

Most divisive · editor

Kiss me Kismet (2006)

72nd percentile spread · 25% rated it 4 or lower

Most loved · editor

Pumuckl and the Big Misunderstanding (2025)

Midcredits 86th · 74% liked

Reviewers score the pacing 62/100 in their films, across 3 reviewed titles; fans 68, detractors 40. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Georg Söring work with?

People who share at least 2 of Georg Söring's MovieCove titles, grouped by what they did on them; Marcus H. Rosenmüller shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers