
Raúl Dávalos
- Editor
- 20 on MovieCove · 26 credits in all
What are Raúl Dávalos' films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 12
Light 5 · Serious 8 · Dark 1
Grounded 11 · Stylized 2 · Heightened 1
Gentle 2 · Charged 10 · Intense 2
Steady 6 · Shifting 7 · Whiplash 1
A split, not a type: Straight-faced 8 · Some laughs 4 · Funny 2
A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 1
Casual 8 · Engaged 6 · Full focus 0
Easy watch 3 · Affecting 9 · Heavy 2
Resolved 12 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet5
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Raúl Dávalos' films?
As of October 24, 2026, 11 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Raúl Dávalos' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 20 with a MovieCove page.

Jane the Virgin(2014)
Midcredits score: 84th percentile of all shows
Truth Be Told (not in the MovieCove catalog yet)(2011)

J.A.W. (not in the MovieCove catalog yet)(2011)

The Way(2010)
Midcredits score: 89th percentile of all films
Persons Unknown(2010)
Midcredits score: 40th percentile of all shows
Midcredits score: 11th percentile of all films
The Middleman(2008)
Midcredits score: 86th percentile of all shows
April Fool's Day(2008)
Midcredits score: 2nd percentile of all films
The Amateurs(2005)
Midcredits score: 45th percentile of all films
Judas(2004)
Midcredits score: 25th percentile of all films
Dreamcatcher(2003)
Midcredits score: 26th percentile of all films
Love Lessons(2000)
Midcredits score: 36th percentile of all films
Switched at Birth(1999)
Midcredits score: 47th percentile of all films
Blue Ridge Fall (not in the MovieCove catalog yet)(1999)

Half a Dozen Babies(1999)
Midcredits score: 50th percentile of all films
Paulie(1998)
Midcredits score: 69th percentile of all films
Every Dog Has Its Day(1998)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Cloned(1997)
Midcredits score: 15th percentile of all films
Meet Wally Sparks(1997)
Midcredits score: 19th percentile of all films
Ed McBain's 87th Precinct: Heatwave (not in the MovieCove catalog yet)(1997)

Conundrum (not in the MovieCove catalog yet)(1996)
Midcredits score: 12th percentile of all films
Cronos(1992)
Midcredits score: 71st percentile of all films
Vibes(1988)
Midcredits score: 39th percentile of all films
Made in U.S.A.(1987)
Midcredits score: 33rd percentile of all films
Shadows Run Black (not in the MovieCove catalog yet)(1986)
Career shape
A full career of 22 titles from 1986 to 2014.

Biggest box office
Dreamcatcher (2003)

Highest rated
The Way (2010)

Most popular right now
Wrong Turn 3: Left for Dead (2009)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Raúl Dávalos' films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 17; across their 14 films with reception data, the typical film sits in the 29th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th9
- Below 25th5
Shape of the crowd
12 of their 20 titles are Mixed.
- Universally Loved2
- Divisive1
- Cult Classic1
- Crowd Pleaser4
- Mixed12
Reviewers score the pacing 40/100 in their films, across 11 reviewed titles; fans 53, detractors 25. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Raúl Dávalos' work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Raúl Dávalos work with?
People who share at least 2 of Raúl Dávalos' MovieCove titles, grouped by what they did on them; Douglas Barr shares the most, 4.
Directors
- Douglas BarrShared titles: Love Lessons (2000), Half a Dozen Babies (1999), Switched at Birth (1999), Cloned (1997)See all 4 shared titles with Douglas Barr

Composers
- James StempleShared titles: April Fool's Day (2008), Every Dog Has Its Day (1998)See all 2 shared titles with James Stemple

Mixed roles
- Tim MathesonShared titles: Persons Unknown (2010), Judas (2004)See all 2 shared titles with Tim Matheson

