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Philippe de Broca

Philippe de Broca

Director, writer and actor, also producer · Died November 26, 2004, aged 71 · Paris, France

Philippe Claude Alex de Broca de Ferrussac (15 March 1933 – 26 November 2004) was a French film director. He directed 30 full-length feature films, including the highly successful That Man from Rio (L'Homme de Rio), The Man from Acapulco (Le Magnifique) and On Guard (Le Bossu). His works include historical, romantic epics such as Chouans! and King of Hearts (Le Roi de cœur), as well as comedies with a charismatic, breezy hero ready to embark upon any adventure which comes his way, so long as it means escaping everyday modern life: Practice Makes Perfect (Le Cavaleur), The Devil by the Tail (Le Diable par la queue), The African (L'Africain). He had links with the actor Jean-Paul Belmondo, with whom he made six films, as well as with Jean-Pierre Cassel, Philippe Noiret and Jean Rochefort. Philippe de Broca was born on 15 March 1933 in Paris. He was the son of a cinema set designer and the grandson of a well-known painter, Alexis de Broca. He studied at the Paris Photography and Cinematography School (école Vaugirard), graduating in 1953. He carried out his military service with the French Army's service cinématographique des armées (army film service) in Germany and then in Algeria, directing or acting as head cameraman on short films. Greatly affected by the war he witnessed in Algeria, he vowed to show life in its best light in his future films "because laughter is the best defence against upsets in life". After his discharge from the military, he set off on a journey taking in the length of Africa in Berliet trucks before returning to Paris. He began working as an intern with Henri Decoin, before finding assistant positions with Claude Chabrol: Bitter Reunion (Le Beau Serge), The Cousins (Les Cousins), Web of Passion (À Double Tour), François Truffaut: The 400 Blows (Les 400 Coups) and Pierre Schoendoerffer: Ramuntcho. In 1959, Claude Chabrol produced de Broca's first film for him, The Love Game (Les jeux de l'amour) with Jean-Pierre Cassel. De Broca went on to work with Cassel again in The Joker (Le Farceur, 1960), Five Day Lover (L'Amant de cinq jours, 1961), and Male Companion (Un Monsieur de Compagnie, 1964). De Broca's first commercial success came with Swords of Blood (Cartouche), filmed in 1962. This film also saw two more names become associated with de Broca: the actor Jean-Paul Belmondo and the producer Alexandre Mnouchkine. International acclaim came with That Man from Rio (L'Homme de Rio) in 1964, Up to His Ears (Les tribulations d'un Chinois en Chine) in 1965, The Man from Acapulco (Le Magnifique) in 1973 and Incorrigible (L'Incorrigible) in 1975. In 1966, he co-wrote, directed and produced King of Hearts (Le Roi de Cœur). This parody of the Great War, which some cinema-lovers consider his masterpiece, was a commercial and personal failure, to de Broca's dismay. Yet it eventually achieved genuine cult-film status during the mid 1970s when it was presented in repertory movie theaters as well as non-theatrical college and university film series across the United States, eventually running for five years at the now defunct film house, the Central Square Cinemas [2] in Cambridge, Massachusetts. ... Source: Article "Philippe de Broca" from Wikipedia in English, licensed under CC-BY-SA.

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Biography from TMDB.

Born
March 15, 1933
Died
November 26, 2004 (aged 71)
From
Paris, France
Works as
Director, writer and actor, also producer
Titles
24 on Motif · 50 credits in all
TMDB popularity, last 39 days to Oct 28Up 22% in 30 days

What are Philippe de Broca's films like?

Across their 23 Motif titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

Light 17 · Serious 5 · Dark 1

Grounded 5 · Stylized 13 · Heightened 5

Gentle 8 · Charged 9 · Intense 6

Steady 7 · Shifting 13 · Whiplash 3

Straight-faced 2 · Some laughs 6 · Funny 15

Slow burn 10 · Even-paced 10 · Relentless 3

Casual 12 · Engaged 11 · Full focus 0

Resolved 20 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
16
Absurd
11
Warm
7
Romantic
7
Thrilling
5
Other
14

How their films end · 1 with a twist

  • Happy12
  • Bittersweet7
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philippe de Broca's films?

As of October 24, 2026, 8 of their 24 Motif titles stream on a subscription or free service.

Subscription and free streaming for Philippe de Broca's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

50 credits, 24 with a Motif page; 14 appearances as themselves are hidden until asked for.

  • Belmondo: The Incorrigible (not in the Motif catalog yet)(2022)

    Actor

  • Viper in the Fist (not in the Motif catalog yet)(2004)

    Director · Writer

  • Un amour en kit (not in the Motif catalog yet)(2003)

    Director

  • Y aura pas école demain (not in the Motif catalog yet)(2003)

    Director

  • Madame Sans-Gêne (not in the Motif catalog yet)(2002)

    Director

  • Amazon(2000)

    Director · Writer

    Midcredits score: 7th percentile of all films
  • On Guard(1997)

    Director · Screenplay

    Midcredits score: 78th percentile of all films
  • Le Veilleur de nuit (not in the Motif catalog yet)(1996)

    Director

  • Les hommes et les femmes sont faits pour vivre heureux… mais pas ensemble (not in the Motif catalog yet)(1995)

    Director

  • Tales from the Zoo (not in the Motif catalog yet)(1994)

    Director

  • Les Clés du Paradis (not in the Motif catalog yet)(1991)

    Director · Writer

  • 1001 Nights(1990)

    Director · Writer

    Midcredits score: 31st percentile of all films
  • Chouans!(1988)

    Director · Scenario Writer

    Midcredits score: 48th percentile of all films
  • La gitane(1986)

    Director · Writer

    Midcredits score: 4th percentile of all films
  • Louisiane(1984)

    Director

    Midcredits score: 19th percentile of all films
  • L'africain(1983)

    Director · Writer

    Midcredits score: 50th percentile of all films
  • Psy (not in the Motif catalog yet)(1981)

    Director

  • On a volé la cuisse de Jupiter(1980)

    Director · Writer

    Midcredits score: 50th percentile of all films
  • Practice Makes Perfect(1979)

    Director · Writer

    Midcredits score: 45th percentile of all films
  • Dear Inspector(1977)

    Director · Adaptation

    Midcredits score: 67th percentile of all films
  • Julie pot-de-colle (not in the Motif catalog yet)(1977)

    Director

  • Incorrigible(1975)

    Director · Writer

    Midcredits score: 58th percentile of all films
  • Le Magnifique(1973)

    Director · Writer · as Second Plumber (uncredited)

    Midcredits score: 84th percentile of all films
  • Dear Louise (not in the Motif catalog yet)(1972)

    Director

  • Touch and Go(1971)

    Director · Writer

    Midcredits score: 26th percentile of all films
  • Le Cinema de Papa (not in the Motif catalog yet)(1971)

    as Jean Timent

  • Give Her the Moon(1970)

    Director · Screenplay

    Midcredits score: 33rd percentile of all films
  • The Devil by the Tail(1969)

    Director · Producer · Writer · as Un passant suédois

    Midcredits score: 65th percentile of all films
  • Don't Play with Martians (not in the Motif catalog yet)(1968)

    Co-Producer

  • The Oldest Profession(1967)

    Director

    Midcredits score: 25th percentile of all films
  • King of Hearts(1966)

    Director · Producer · as Adolf Hitler

    Midcredits score: 87th percentile of all films
  • Up to His Ears(1965)

    Director

    Midcredits score: 55th percentile of all films
  • Male Companion (not in the Motif catalog yet)(1964)

    Director · Writer

  • Les Pieds nickelés (not in the Motif catalog yet)(1964)

    as le chauffeur de taxi

  • The Little Misses (not in the Motif catalog yet)(1964)

    as Le timide

  • That Man from Rio(1964)

    Director · Writer

    Midcredits score: 85th percentile of all films
  • People in Luck (not in the Motif catalog yet)(1963)

    Director · Writer · as Le passant qui reçoit l'affiche (segment "Une nuit avec la vedette")

  • The Girls of La Rochelle (not in the Motif catalog yet)(1962)

    Actor

  • Cartouche(1962)

    Director · Writer · as L'homme qui crie 'les aristocrates à la lanterne'

    Midcredits score: 61st percentile of all films
  • La Gourmandise (not in the Motif catalog yet)(1962)

    Director

  • The Seven Deadly Sins(1962)

    Director

    Midcredits score: 48th percentile of all films
  • Five Day Lover(1961)

    Director · Screenplay

    Midcredits score: 48th percentile of all films
  • The Joker (not in the Motif catalog yet)(1961)

    Director · Scenario Writer

  • The Love Game (not in the Motif catalog yet)(1960)

    Director · Screenplay · as L'homme au cabaret Le Bateau Mouche

  • Breathless(1960)

    as A Journalist (uncredited)

    Midcredits score: 95th percentile of all films
  • The 400 Blows(1959)

    Assistant Director · as Homme dans une fête foraine (non crédité)

    Midcredits score: 98th percentile of all films
  • Le Beau Serge (not in the Motif catalog yet)(1959)

    Assistant Director · as Jacques Rivette de la Chasuble

  • Three Dates (not in the Motif catalog yet)(1953)

    Director · Screenplay · as Alex, le peintre

  • Regarde-moi quand je te quitte (not in the Motif catalog yet)

    Director

  • That Man from Rio (not in the Motif catalog yet)

    Original Film Writer

Career shape

A full career of 50 titles, 48 of them dated from 1953 to 2022.

Film career

  • 1959Screen debut· Le Beau Serge

By role

only this rolewith another role
Acting15 of 50: 6 only acting, 9 with another role · typical Midcredits score86thDirecting40 of 50: 16 only directing, 24 with another role · typical Midcredits score49thWriting23 of 50: 1 only writing, 22 with another role · typical Midcredits score48thProducing2 of 50: 1 only producing, 1 with another roleOther crew2 of 50: 0 only other crew, 2 with another role

50 titles, 26 with more than one role — directing and writing overlap on 22 of them.

By decade

1950s3 · 3 acting · 3 crew1960s18 · 9 acting · 14 crew1970s9 · 2 acting · 8 crew1980s6 · crew1990s6 · crew2000s5 · crew2020s1 · acting

Billing

usually 18th · top billed in 0% of 7 roles

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.

How do Philippe de Broca's films land?

Their typical Motif film has a Midcredits score in the 50th percentile, the median of all 24; across their 23 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 23

Approval · how many liked their films

44thpercentile
Typical film, the median of 23

Reach · how many have seen their films

57thpercentile
Typical film, the median of 23

Midcredits score across 24 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th3

Shape of the crowd

7 of their 24 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Crowd Pleaser7
  • Broadly Agreed7
  • Mixed6

Reviewers score the atmosphere 70/100 and the pacing 52/100 in their films, across 19 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Philippe de Broca work with?

People who share at least 2 of Philippe de Broca's Motif titles, grouped by what they did on them; Georges Delerue shares the most, 12.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers