Jeff Lass

What are Jeff Lass' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jeff Lass' films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on The Roku Channel (2).

• The Roku Channel2 titles, browse their movies on this service
  • To the Limit (1995) · composer · free
  • Hard Vice (1994) · producer, composer · free
• Prime Video1 title, browse their movies on this service
  • The Killing Zone (1991) · writer, composer
• Tubi1 title, browse their movies on this service
  • To the Limit (1995) · composer · free

Subscription and free streaming for Jeff Lass' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  To the Limit(1995)

  Composer

  Midcredits score: 6th percentile of all films6^th
• 

  Hard Vice(1994)

  Composer · Producer

  Midcredits score: 3rd percentile of all films3^rd
• 

  Da Vinci's War(1993)

  Composer

  Midcredits score: 3rd percentile of all films3^rd
• 

  The Killing Zone(1991)

  Composer · Writer

  Midcredits score: 7th percentile of all films7^th

Career shape

Across a limited sample of 4 MovieCove titles from 1991 to 1995.

Highest rated

To the Limit (1995)

Midcredits 6^th

How do Jeff Lass' films land?

Their typical MovieCove film has a Midcredits score in the 5^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 6^th percentile for acclaim.

Shape of the crowd

4 of their 4 titles are Mixed.

4

• Mixed4

Most divisive · composer

To the Limit (1995)

88^th percentile spread · 64% rated it 4 or lower

Most loved · writer, composer

The Killing Zone (1991)

Midcredits 7^th · 16% liked

Reviewers score the sound and music 35/100 in their films, across 3 reviewed titles; fans 48, detractors 23. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jeff Lass work with?

People who share at least 2 of Jeff Lass' MovieCove titles, grouped by what they did on them; Raymond Martino shares the most, 3.