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Harry Keramidas

Harry Keramidas

Editor · Detroit, Michigan USA

From
Detroit, Michigan USA
Works as
Editor
Titles
32 on MovieCove · 37 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 28% in 30 days

What are Harry Keramidas' films like?

Across their 28 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy11 titlesTypical Midcredits score: 30th percentile
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Drama movies
Horror4 titlesTypical Midcredits score: 19th percentile
: browse their Horror movies
Adventure3 titlesTypical Midcredits score: 97th percentile, at or above their average across these genres
: browse their Adventure movies
Action2 titlesTypical Midcredits score: 20th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
33%
Self
22%
Morality
17%
Power
12%
Society
7%
Ideas
5%
Survival
5%
Family bonds8 titles, browse their movies with this themeFriendship6 titles, browse their movies with this themePurpose7 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeComing of age3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themePower2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 28 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 19 · Serious 3 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 16 · Stylized 9 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 11 · Charged 9 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 11 · Shifting 15 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 10 · Funny 9

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 18 · Relentless 3

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 18 · Engaged 9 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 25 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Warm
11
Joyful
8
Thrilling
8
Absurd
8
Other
29

How their films linger

Feel-good16 titles, browse their movies with this aftertasteFun13 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy17
  • Bittersweet9
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harry Keramidas' films?

As of October 24, 2026, 18 of their 32 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Harry Keramidas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 32 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Back to the Future: Doc Brown Saves the World(2015)

    Editor

    Midcredits score: 60th percentile of all films

  • The Final Season(2007)

    Editor

    Midcredits score: 55th percentile of all films

  • The Sandlot 2(2005)

    Editor

    Midcredits score: 19th percentile of all films

  • Deacons for Defense(2003)

    Editor

    Midcredits score: 77th percentile of all films

  • Barely Legal(2003)

    Editor

    Midcredits score: 12th percentile of all films

  • Tomcats(2001)

    Editor

    Midcredits score: 19th percentile of all films

  • Beethoven's 3rd(2000)

    Editor

    Midcredits score: 8th percentile of all films

  • Hoodlum(1997)

    Editor

    Midcredits score: 55th percentile of all films

  • Contact(1997)

    Additional Editing

    Midcredits score: 93rd percentile of all films

  • First Kid(1996)

    Editor

    Midcredits score: 30th percentile of all films

  • Judge Dredd(1995)

    Editor

    Midcredits score: 28th percentile of all films

  • Man of the House(1995)

    Editor

    Midcredits score: 23rd percentile of all films

  • Attack of the 50 Ft. Woman(1993)

    Editor

    Midcredits score: 4th percentile of all films

  • The Favor(1994)

    Editor

    Midcredits score: 16th percentile of all films

  • Passed Away(1992)

    Editor

    Midcredits score: 34th percentile of all films

  • Back to the Future Part III(1990)

    Editor

    Midcredits score: 91st percentile of all films

  • Back to the Future Part II(1989)

    Editor

    Midcredits score: 97th percentile of all films

  • Tales from the Crypt(1989)

    Show 1 episode · Editor

    Midcredits score: 90th percentile of all shows

  • Chances Are(1989)

    Editor

    Midcredits score: 61st percentile of all films

  • Big Business(1988)

    Editor

    Midcredits score: 60th percentile of all films

  • The Squeeze(1987)

    Editor

    Midcredits score: 11th percentile of all films

  • About Last Night(1986)

    Editor

    Midcredits score: 53rd percentile of all films

  • Back to the Future(1985)

    Editor

    Midcredits score: 99th percentile of all films

  • Children of the Corn(1984)

    Editor

    Midcredits score: 26th percentile of all films

  • The Jerk, Too (not in the MovieCove catalog yet)(1984)

    Editor

  • American Playhouse (not in the MovieCove catalog yet)(1982)

    Show 1 episode · Editor

  • The Children Nobody Wanted(1981)

    Editor

    Midcredits score: 42nd percentile of all films

  • Bustin' Loose(1981)

    Editor

    Midcredits score: 47th percentile of all films

  • Homeward Bound (not in the MovieCove catalog yet)(1980)

    Editor

  • Scared Straight! Another Story (not in the MovieCove catalog yet)(1980)

    Editor

  • Goldengirl(1979)

    Editor

    Midcredits score: 19th percentile of all films

  • New York, New York(1977)

    Sound Editor

    Midcredits score: 66th percentile of all films

  • Dracula's Dog(1977)

    Editor

    Midcredits score: 9th percentile of all films

  • Crash!(1976)

    Editor

    Midcredits score: 12th percentile of all films

  • Mansion of the Doomed(1976)

    Editor

    Midcredits score: 27th percentile of all films

  • Massacre at Central High(1976)

    Editor

    Midcredits score: 48th percentile of all films

  • Memory of Us (not in the MovieCove catalog yet)(1974)

    Editor

Career shape

A full career of 37 titles from 1974 to 2015.

Biggest box office

Back to the Future (1985)

$392M worldwide

Highest rated

Back to the Future (1985)

Midcredits 99th

By role

only this rolewith another role
Editing35 of 37: 35 only editing, 0 with another role · typical Midcredits score32ndOther crew2 of 37: 2 only other crew, 0 with another role

By decade

1970s7 · crew1980s14 · crew1990s9 · crew2000s6 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Harry Keramidas' films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 31; across their 28 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 28

Approval · how many liked their films

29thpercentile
Typical film, the median of 28

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 28

Midcredits score across 32 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th11

Shape of the crowd

15 of their 32 titles are Mixed.

  • Universally Loved4
  • Universally Panned1
  • Crowd Pleaser8
  • Broadly Agreed4
  • Mixed15

Most divisive · editor

The Sandlot 2 (2005)

80th percentile spread · 45% rated it 4 or lower

Most loved · editor

Back to the Future (1985)

Midcredits 99th · 93% liked

Reviewers score the pacing 46/100 in their films, across 27 reviewed titles; fans 55, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Harry Keramidas' work okay for kids?

Across up to 15 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles7–72 · median 39 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity15 titles13–63 · median 35 · mildnear the median of all filmsMedian of all films: 32
Profanity12 titles35–72 · median 43 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs7 titles17–44 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles20–53 · median 36 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Harry Keramidas work with?

People who share at least 2 of Harry Keramidas' MovieCove titles, grouped by what they did on them; David Mickey Evans shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles