Tony Klinger
- Producer
- 3 on MovieCove
What are Tony Klinger's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tony Klinger's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Tony Klinger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
The Kids Are Alright(1979)
Midcredits score: 97th percentile of all films
Shout at the Devil(1976)
Midcredits score: 50th percentile of all films
Gold(1974)
Midcredits score: 31st percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1974 to 1979.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Tony Klinger's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Broadly Agreed.
- Universally Loved1
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tony Klinger work with?
People who share at least 2 of Tony Klinger's MovieCove titles, grouped by what they did on them; Peter R. Hunt shares the most, 2.
Directors
- Peter R. HuntShared titles: Shout at the Devil (1976), Gold (1974)See all 2 shared titles with Peter R. Hunt
Writers
- Stanley PriceShared titles: Shout at the Devil (1976), Gold (1974)See all 2 shared titles with Stanley Price
- Wilbur SmithShared titles: Shout at the Devil (1976), Gold (1974)See all 2 shared titles with Wilbur Smith
Actors
- Roger MooreShared titles: Shout at the Devil (1976), Gold (1974)See all 2 shared titles with Roger Moore
Producers
- Michael KlingerShared titles: Shout at the Devil (1976), Gold (1974)See all 2 shared titles with Michael Klinger