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Daniel L. Fapp

Daniel L. Fapp

Cinematographer · Died July 19, 1986, aged 82 · Kansas City, Kansas, USA

Daniel L. Fapp, A.S.C. (April 21, 1904 – July 19, 1986) was an American cinematographer, best known as director of photography for West Side Story (1961), for which he won an Academy Award for Best Cinematography, and The Great Escape (1963). He also was nominated for Academy Awards for his cinematography for Desire Under the Elms (1958), The Five Pennies (1959), One, Two, Three (1961), The Unsinkable Molly Brown (1964), Ice Station Zebra (1968) and Marooned (1969). From Wikipedia, the free encyclopedia.

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Biography from TMDB.

Born
April 21, 1904
Died
July 19, 1986 (aged 82)
From
Kansas City, Kansas, USA
Works as
Cinematographer
Titles
53 on MovieCove · 84 credits in all
TMDB popularity, last 157 days to Oct 28Down 47% in 30 days

What are Daniel L. Fapp's films like?

Across their 49 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 49 films
ToneFeelDemandtheir average · filled zone: the category

Light 31 · Serious 9 · Dark 9

Grounded 19 · Stylized 24 · Heightened 6

A split, not a type: Gentle 21 · Charged 18 · Intense 10

Steady 27 · Shifting 17 · Whiplash 5

A split, not a type: Straight-faced 14 · Some laughs 10 · Funny 25

Slow burn 16 · Even-paced 31 · Relentless 2

Casual 33 · Engaged 14 · Full focus 2

Resolved 44 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
26
Tense
20
Absurd
19
Romantic
17
Warm
9
Other
38

How their films end · 5 with a twist

  • Happy29
  • Bittersweet16
  • Tragic2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniel L. Fapp's films?

As of October 24, 2026, 13 of their 53 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Daniel L. Fapp's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

84 credits, 53 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Marooned(1969)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • 5 Card Stud(1968)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • Ice Station Zebra(1968)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • Sweet November(1968)

    Cinematographer

    Midcredits score: 74th percentile of all films
  • Double Trouble(1967)

    Cinematographer

    Midcredits score: 19th percentile of all films
  • Spinout(1966)

    Cinematographer

    Midcredits score: 33rd percentile of all films
  • Lord Love a Duck(1966)

    Cinematographer

    Midcredits score: 55th percentile of all films
  • Our Man Flint(1966)

    Cinematographer

    Midcredits score: 60th percentile of all films
  • I'll Take Sweden(1965)

    Cinematographer

    Midcredits score: 21st percentile of all films
  • The Pleasure Seekers (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Send Me No Flowers(1964)

    Cinematographer

    Midcredits score: 79th percentile of all films
  • The Unsinkable Molly Brown(1964)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • Move Over, Darling(1963)

    Cinematographer

    Midcredits score: 78th percentile of all films
  • Fun in Acapulco(1963)

    Cinematographer

    Midcredits score: 38th percentile of all films
  • A New Kind of Love(1963)

    Cinematographer

    Midcredits score: 35th percentile of all films
  • The Great Escape(1963)

    Cinematographer

    Midcredits score: 99th percentile of all films
  • The Pigeon That Took Rome (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • One, Two, Three(1961)

    Cinematographer

    Midcredits score: 96th percentile of all films
  • West Side Story(1961)

    Cinematographer

    Midcredits score: 93rd percentile of all films
  • Bachelor Flat (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Let's Make Love(1960)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • All the Young Men(1960)

    Cinematographer

    Midcredits score: 48th percentile of all films
  • Li'l Abner (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • The Five Pennies(1959)

    Cinematographer

    Midcredits score: 83rd percentile of all films
  • The Trap(1959)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • Kings Go Forth(1958)

    Cinematographer

    Midcredits score: 62nd percentile of all films
  • Desire Under the Elms(1958)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • The Devil's Hairpin(1957)

    Cinematographer

    Midcredits score: 21st percentile of all films (provisional, few ratings)
  • The Joker Is Wild(1957)

    Cinematographer

    Midcredits score: 84th percentile of all films
  • Hollywood or Bust(1956)

    Cinematographer

    Midcredits score: 61st percentile of all films
  • Pardners(1956)

    Cinematographer

    Midcredits score: 53rd percentile of all films
  • The Birds and the Bees (not in the MovieCove catalog yet)(1956)

    Cinematographer

  • Artists and Models(1955)

    Cinematographer

    Midcredits score: 66th percentile of all films
  • You're Never Too Young(1955)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • The Far Horizons(1955)

    Cinematographer

    Midcredits score: 47th percentile of all films
  • Run for Cover(1955)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • Living It Up(1954)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • Knock on Wood (not in the MovieCove catalog yet)(1954)

    Cinematographer

  • Money from Home(1953)

    Cinematographer

    Midcredits score: 49th percentile of all films
  • The Caddy(1953)

    Cinematographer

    Midcredits score: 58th percentile of all films
  • The Girls of Pleasure Island(1953)

    Cinematographer

    Midcredits score: 40th percentile of all films
  • Jumping Jacks(1952)

    Cinematographer

    Midcredits score: 54th percentile of all films
  • Anything Can Happen (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • Sailor Beware(1952)

    Cinematographer

    Midcredits score: 55th percentile of all films
  • The Stooge(1951)

    Cinematographer

    Midcredits score: 72nd percentile of all films
  • Darling, How Could You!(1951)

    Cinematographer

    Midcredits score: 56th percentile of all films
  • The Lemon Drop Kid(1951)

    Cinematographer

    Midcredits score: 78th percentile of all films
  • The Redhead and the Cowboy(1951)

    Cinematographer

    Midcredits score: 40th percentile of all films
  • Union Station(1950)

    Cinematographer

    Midcredits score: 75th percentile of all films
  • No Man of Her Own(1950)

    Cinematographer

    Midcredits score: 90th percentile of all films
  • September Affair(1950)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • Song of Surrender (not in the MovieCove catalog yet)(1949)

    Cinematographer

  • Red, Hot and Blue(1949)

    Cinematographer

    Midcredits score: 38th percentile of all films
  • Sorrowful Jones(1949)

    Cinematographer

    Midcredits score: 76th percentile of all films
  • Bride of Vengeance(1949)

    Cinematographer

    Midcredits score: 27th percentile of all films
  • Dream Girl (not in the MovieCove catalog yet)(1948)

    Cinematographer

  • Hazard (not in the MovieCove catalog yet)(1948)

    Cinematographer

  • Golden Earrings (not in the MovieCove catalog yet)(1947)

    Cinematographer

  • Easy Come, Easy Go(1947)

    Cinematographer

    Midcredits score: 62nd percentile of all films (provisional, few ratings)
  • Suddenly It's Spring (not in the MovieCove catalog yet)(1947)

    Cinematographer

  • To Each His Own(1946)

    Cinematographer

    Midcredits score: 92nd percentile of all films
  • Hold That Blonde!(1945)

    Cinematographer

    Midcredits score: 42nd percentile of all films
  • Kitty (not in the MovieCove catalog yet)(1945)

    Cinematographer

  • You Came Along (not in the MovieCove catalog yet)(1945)

    Cinematographer

  • And Now Tomorrow (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Henry Aldrich's Little Secret(1944)

    Cinematographer

    Midcredits score: 82nd percentile of all films
  • Henry Aldrich Plays Cupid (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Henry Aldrich, Boy Scout (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Henry Aldrich Haunts a House (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • Henry Aldrich Swings It (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • Henry Aldrich Gets Glamour(1943)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • Lady Bodyguard (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • My Heart Belongs to Daddy (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • Priorities on Parade (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • Henry and Dizzy (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • True to the Army (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • Glamour Boy (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • World Premiere (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • Thirty Day Princess (not in the MovieCove catalog yet)(1934)

    Camera Operator

  • Shanghai Express(1932)

    Second Assistant Camera

    Midcredits score: 88th percentile of all films
  • This Reckless Age (not in the MovieCove catalog yet)(1932)

    Camera Operator

  • Rich Man's Folly (not in the MovieCove catalog yet)(1931)

    Camera Operator

  • Huckleberry Finn (not in the MovieCove catalog yet)(1931)

    Camera Operator

  • The Wild Party (not in the MovieCove catalog yet)(1929)

    Assistant Camera

Career shape

A full career of 83 titles from 1929 to 1969.

By role

only this rolewith another role
Cinematography77 of 83: 77 only cinematography, 0 with another role · typical Midcredits score62ndOther crew6 of 83: 6 only other crew, 0 with another role

By decade

1920s1 · crew1930s5 · crew1940s27 · crew1950s28 · crew1960s22 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Daniel L. Fapp's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 53; across their 49 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 49

Approval · how many liked their films

61stpercentile
Typical film, the median of 49

Reach · how many have seen their films

58thpercentile
Typical film, the median of 49

Midcredits score across 53 titles, by percentile

  • 75th and up14
  • 50th to 74th24
  • 25th to 49th12
  • Below 25th3

Shape of the crowd

33 of their 53 titles are Crowd Pleasers.

  • Universally Loved4
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser33
  • Broadly Agreed4
  • Mixed10

Reviewers score the cinematography 63/100 in their films, across 37 reviewed titles; fans 70, detractors 52. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Daniel L. Fapp's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 43 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 24 · mildMedian of all films: 32
Profanity4 titlesmedian 21 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 35 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 55 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Daniel L. Fapp work with?

People who share at least 2 of Daniel L. Fapp's MovieCove titles, grouped by what they did on them; Dean Martin shares the most, 11.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles