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Milton R. Krasner

Milton R. Krasner

Cinematographer · Died July 16, 1988, aged 84 · New York City, New York, USA

Milton Krasner (February 17, 1901 - July 17, 1988) was a film cinematographer. He won an Academy Award for Three Coins in the Fountain (1954).

Biography from TMDB.

Born
February 17, 1904
Died
July 16, 1988 (aged 84)
From
New York City, New York, USA
Works as
Cinematographer
Titles
91 on MovieCove · 127 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 25% in 30 days

What are Milton R. Krasner's films like?

Across their 88 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy32 titlesTypical Midcredits score: 59th percentile, at or above their average across these genres
: browse their Comedy movies
Drama21 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Drama movies
Crime15 titlesTypical Midcredits score: 77th percentile, at or above their average across these genres
: browse their Crime movies
Action9 titlesTypical Midcredits score: 40th percentile
: browse their Action movies
Adventure5 titlesTypical Midcredits score: 30th percentile
: browse their Adventure movies
Biography3 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
30%
Morality
29%
Self
17%
Society
8%
Survival
7%
Power
7%
Ideas
2%
Romantic love35 titles, browse their movies with this themeJustice20 titles, browse their movies with this themeFamily bonds17 titles, browse their movies with this themeDeception16 titles, browse their movies with this themeRedemption11 titles, browse their movies with this themeIdentity11 titles, browse their movies with this themeSelf-worth8 titles, browse their movies with this themeSurvival8 titles, browse their movies with this theme

What they feel like to watch

their average across 88 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 48 · Serious 15 · Dark 25

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 46 · Stylized 35 · Heightened 7

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 30 · Charged 43 · Intense 15

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 41 · Shifting 44 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 38 · Some laughs 24 · Funny 26

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 45 · Even-paced 40 · Relentless 3

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 52 · Engaged 34 · Full focus 2

Easy watch: How much it costs you emotionally; whether you need recovery time. Browse their easy watch movies.
Demand · Emotional cost
easyheavy

Easy watch 43 · Affecting 29 · Heavy 16

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 80 · Open-ended 8 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
47
Joyful
28
Romantic
33
Melancholic
31
Warm
17
Other
81

How their films linger

Feel-good42 titles, browse their movies with this aftertasteFun32 titles, browse their movies with this aftertasteBittersweet26 titles, browse their movies with this aftertasteHopeful23 titles, browse their movies with this aftertasteHaunting10 titles, browse their movies with this aftertasteRousing9 titles, browse their movies with this aftertaste

How their films end · 17 with a twist

  • Happy47
  • Bittersweet27
  • Tragic10
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Milton R. Krasner's films?

As of October 24, 2026, 20 of their 91 MovieCove titles stream on a subscription or free service, most on Tubi (12).

Also on these channels

Subscription and free streaming for Milton R. Krasner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

127 credits, 91 with a MovieCove page.

  • Love Is a Function of Death (not in the MovieCove catalog yet)(2021)

    Cinematographer

  • Beneath the Planet of the Apes(1970)

    Cinematographer

    Midcredits score: 37th percentile of all films

  • The Sterile Cuckoo(1969)

    Cinematographer

    Midcredits score: 67th percentile of all films

  • Don't Just Stand There(1968)

    Cinematographer

    Midcredits score: 29th percentile of all films

  • The Ballad of Josie(1967)

    Cinematographer

    Midcredits score: 38th percentile of all films

  • The St. Valentine's Day Massacre(1967)

    Cinematographer

    Midcredits score: 68th percentile of all films

  • Hurry Sundown(1967)

    Cinematographer

    Midcredits score: 42nd percentile of all films

  • The Venetian Affair(1966)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • The Singing Nun(1966)

    Cinematographer

    Midcredits score: 44th percentile of all films

  • Made in Paris(1966)

    Cinematographer

    Midcredits score: 25th percentile of all films

  • Red Line 7000(1965)

    Cinematographer

    Midcredits score: 40th percentile of all films

  • The Sandpiper(1965)

    Cinematographer

    Midcredits score: 53rd percentile of all films

  • Goodbye Charlie(1964)

    Cinematographer

    Midcredits score: 47th percentile of all films

  • Fate Is the Hunter(1964)

    Cinematographer

    Midcredits score: 74th percentile of all films

  • Looking for Love(1964)

    Cinematographer

    Midcredits score: 31st percentile of all films

  • Advance to the Rear(1964)

    Cinematographer

    Midcredits score: 36th percentile of all films

  • Love with the Proper Stranger(1963)

    Cinematographer

    Midcredits score: 88th percentile of all films

  • A Ticklish Affair (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • The Courtship of Eddie's Father(1963)

    Cinematographer

    Midcredits score: 72nd percentile of all films

  • How the West Was Won(1962)

    Cinematographer

    Midcredits score: 81st percentile of all films

  • Two Weeks in Another Town(1962)

    Cinematographer

    Midcredits score: 58th percentile of all films

  • Sweet Bird of Youth(1962)

    Cinematographer

    Midcredits score: 82nd percentile of all films

  • The Four Horsemen of the Apocalypse(1962)

    Cinematographer

    Midcredits score: 63rd percentile of all films

  • King of Kings(1961)

    Cinematographer

    Midcredits score: 81st percentile of all films

  • Go Naked in the World(1961)

    Cinematographer

    Midcredits score: 25th percentile of all films

  • Bells Are Ringing(1960)

    Cinematographer

    Midcredits score: 77th percentile of all films

  • Home from the Hill(1960)

    Cinematographer

    Midcredits score: 90th percentile of all films

  • The Man Who Understood Women(1959)

    Cinematographer

    Midcredits score: 3rd percentile of all films

  • Count Your Blessings (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • The Remarkable Mr. Pennypacker(1958)

    Cinematographer

    Midcredits score: 53rd percentile of all films

  • A Certain Smile (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • The Gift of Love(1958)

    Cinematographer

    Midcredits score: 57th percentile of all films

  • Kiss Them for Me(1957)

    Cinematographer

    Midcredits score: 34th percentile of all films

  • An Affair to Remember(1957)

    Cinematographer

    Midcredits score: 91st percentile of all films

  • Boy on a Dolphin(1957)

    Cinematographer

    Midcredits score: 49th percentile of all films

  • Bus Stop(1956)

    Cinematographer

    Midcredits score: 50th percentile of all films

  • 23 Paces to Baker Street(1956)

    Cinematographer

    Midcredits score: 77th percentile of all films

  • The Man in the Gray Flannel Suit(1956)

    Set Photographer

    Midcredits score: 81st percentile of all films

  • The Seven Year Itch(1955)

    Cinematographer

    Midcredits score: 80th percentile of all films

  • How to Be Very, Very Popular(1955)

    Cinematographer

    Midcredits score: 14th percentile of all films

  • The Rains of Ranchipur(1955)

    Cinematographer

    Midcredits score: 35th percentile of all films

  • Désirée(1954)

    Cinematographer

    Midcredits score: 55th percentile of all films

  • Garden of Evil(1954)

    Cinematographer

    Midcredits score: 67th percentile of all films

  • Demetrius and the Gladiators(1954)

    Cinematographer

    Midcredits score: 66th percentile of all films

  • Three Coins in the Fountain(1954)

    Cinematographer

    Midcredits score: 51st percentile of all films

  • Vicki (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • Dream Wife(1953)

    Cinematographer

    Midcredits score: 38th percentile of all films

  • Taxi (not in the MovieCove catalog yet)(1953)

    Cinematographer

  • O. Henry's Full House(1952)

    Cinematographer

    Midcredits score: 83rd percentile of all films

  • Monkey Business(1952)

    Cinematographer

    Midcredits score: 76th percentile of all films

  • Dreamboat(1952)

    Cinematographer

    Midcredits score: 64th percentile of all films

  • Deadline - U.S.A.(1952)

    Cinematographer

    Midcredits score: 87th percentile of all films

  • Phone Call from a Stranger(1952)

    Cinematographer

    Midcredits score: 76th percentile of all films

  • The Model and the Marriage Broker(1951)

    Cinematographer

    Midcredits score: 76th percentile of all films

  • People Will Talk(1951)

    Cinematographer

    Midcredits score: 86th percentile of all films

  • Half Angel(1951)

    Cinematographer

    Midcredits score: 36th percentile of all films

  • I Can Get It for You Wholesale (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • Rawhide(1951)

    Cinematographer

    Midcredits score: 85th percentile of all films

  • All About Eve(1950)

    Cinematographer

    Midcredits score: 98th percentile of all films

  • No Way Out(1950)

    Cinematographer

    Midcredits score: 91st percentile of all films

  • Three Came Home(1950)

    Cinematographer

    Midcredits score: 85th percentile of all films

  • Holiday Affair(1949)

    Cinematographer

    Midcredits score: 84th percentile of all films

  • House of Strangers(1949)

    Cinematographer

    Midcredits score: 89th percentile of all films

  • The Set-Up(1949)

    Cinematographer

    Midcredits score: 96th percentile of all films

  • The Accused(1949)

    Cinematographer

    Midcredits score: 74th percentile of all films

  • The Saxon Charm (not in the MovieCove catalog yet)(1948)

    Cinematographer

  • Up in Central Park (not in the MovieCove catalog yet)(1948)

    Cinematographer

  • A Double Life(1947)

    Cinematographer

    Midcredits score: 76th percentile of all films

  • Something in the Wind (not in the MovieCove catalog yet)(1947)

    Cinematographer

  • The Egg and I(1947)

    Cinematographer

    Midcredits score: 75th percentile of all films

  • The Farmer's Daughter(1947)

    Cinematographer

    Midcredits score: 88th percentile of all films

  • The Dark Mirror(1946)

    Cinematographer

    Midcredits score: 85th percentile of all films

  • Without Reservations(1946)

    Cinematographer

    Midcredits score: 59th percentile of all films

  • Scarlet Street(1945)

    Cinematographer

    Midcredits score: 97th percentile of all films

  • Along Came Jones(1945)

    Cinematographer

    Midcredits score: 59th percentile of all films

  • Delightfully Dangerous(1945)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • The Woman in the Window(1944)

    Cinematographer

    Midcredits score: 95th percentile of all films

  • The Invisible Man's Revenge(1944)

    Cinematographer

    Midcredits score: 22nd percentile of all films

  • 'Gung Ho!': The Story of Carlson's Makin Island Raiders(1943)

    Cinematographer

    Midcredits score: 43rd percentile of all films

  • The Mad Ghoul(1943)

    Cinematographer

    Midcredits score: 30th percentile of all films

  • So's Your Uncle(1943)

    Cinematographer

    Midcredits score: 30th percentile of all films (provisional, few ratings)

  • We've Never Been Licked (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • Arabian Nights(1942)

    Cinematographer

    Midcredits score: 44th percentile of all films

  • Pardon My Sarong (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • The Spoilers(1942)

    Cinematographer

    Midcredits score: 67th percentile of all films

  • The Ghost of Frankenstein(1942)

    Cinematographer

    Midcredits score: 39th percentile of all films

  • Paris Calling (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • Buck Privates(1941)

    Cinematographer

    Midcredits score: 82nd percentile of all films

  • Bachelor Daddy(1941)

    Cinematographer

    Midcredits score: 28th percentile of all films (provisional, few ratings)

  • This Woman Is Mine(1941)

    Cinematographer

    Midcredits score: 18th percentile of all films

  • Trail of the Vigilantes(1940)

    Cinematographer

    Midcredits score: 57th percentile of all films

  • The Bank Dick(1940)

    Cinematographer

    Midcredits score: 79th percentile of all films

  • Hired Wife (not in the MovieCove catalog yet)(1940)

    Cinematographer

  • Private Affairs (not in the MovieCove catalog yet)(1940)

    Cinematographer

  • Sandy Is a Lady (not in the MovieCove catalog yet)(1940)

    Cinematographer

  • The House of the Seven Gables(1940)

    Cinematographer

    Midcredits score: 79th percentile of all films

  • The Invisible Man Returns(1940)

    Cinematographer

    Midcredits score: 55th percentile of all films

  • I Stole a Million(1939)

    Cinematographer

    Midcredits score: 51st percentile of all films

  • The House of Fear (not in the MovieCove catalog yet)(1939)

    Cinematographer

  • You Can't Cheat an Honest Man(1939)

    Cinematographer

    Midcredits score: 77th percentile of all films

  • The Devil's Party(1938)

    Cinematographer

    Midcredits score: 19th percentile of all films

  • Midnight Intruder (not in the MovieCove catalog yet)(1938)

    Cinematographer

  • The Jury's Secret (not in the MovieCove catalog yet)(1938)

    Cinematographer

  • The Missing Guest(1938)

    Cinematographer

    Midcredits score: 26th percentile of all films

  • There Goes the Groom (not in the MovieCove catalog yet)(1937)

    Cinematographer

  • The Lady Fights Back (not in the MovieCove catalog yet)(1937)

    Cinematographer

  • We Have Our Moments (not in the MovieCove catalog yet)(1937)

    Cinematographer

  • Mysterious Crossing (not in the MovieCove catalog yet)(1936)

    Cinematographer

  • Love Letters of a Star (not in the MovieCove catalog yet)(1936)

    Cinematographer

  • Crash Donovan (not in the MovieCove catalog yet)(1936)

    Cinematographer

  • Yellowstone(1936)

    Cinematographer

    Midcredits score: 13th percentile of all films

  • The Great Impersonation (not in the MovieCove catalog yet)(1935)

    Cinematographer

  • The Virginia Judge (not in the MovieCove catalog yet)(1935)

    Cinematographer

  • Cheers of the Crowd(1935)

    Cinematographer

    Midcredits score: 15th percentile of all films (provisional, few ratings)

  • Honeymoon Limited(1935)

    Cinematographer

    Midcredits score: 18th percentile of all films (provisional, few ratings)

  • Murder in the Fleet(1935)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • Hold 'Em Yale (not in the MovieCove catalog yet)(1935)

    Cinematographer

  • Great God Gold(1935)

    Cinematographer

    Midcredits score: 34th percentile of all films

  • Women Must Dress (not in the MovieCove catalog yet)(1935)

    Cinematographer

  • Death on the Diamond(1934)

    Cinematographer

    Midcredits score: 49th percentile of all films

  • Paris Interlude (not in the MovieCove catalog yet)(1934)

    Cinematographer

  • She Made Her Bed (not in the MovieCove catalog yet)(1934)

    Cinematographer

  • Sitting Pretty (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • I Love That Man (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • Strictly Personal (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • The Billion Dollar Scandal (not in the MovieCove catalog yet)(1933)

    Camera Operator

  • 70,000 Witnesses (not in the MovieCove catalog yet)(1932)

    Camera Operator

Career shape

A full career of 121 titles from 1932 to 2021.

Biggest box office

Beneath the Planet of the Apes (1970)

$19M worldwide

Highest rated

All About Eve (1950)

Midcredits 98th

Most popular right now

Beneath the Planet of the Apes (1970)

By role

only this rolewith another role
Cinematography118 of 121: 118 only cinematography, 0 with another role · typical Midcredits score61stOther crew3 of 121: 3 only other crew, 0 with another role

By decade

1930s28 · crew1940s34 · crew1950s32 · crew1960s25 · crew1970s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Milton R. Krasner's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 91; across their 88 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 88

Approval · how many liked their films

56thpercentile
Typical film, the median of 88

Reach · how many have seen their films

65thpercentile
Typical film, the median of 88

Midcredits score across 91 titles, by percentile

  • 75th and up33
  • 50th to 74th22
  • 25th to 49th28
  • Below 25th8

Shape of the crowd

50 of their 91 titles are Crowd Pleasers.

  • Universally Loved6
  • Crowd Pleaser50
  • Broadly Agreed11
  • Mixed24

Most divisive · cinematographer

So's Your Uncle (1943)

68th percentile spread · 27% rated it 4 or lower

Most loved · cinematographer

All About Eve (1950)

Midcredits 98th · 87% liked

Reviewers score the cinematography 67/100 in their films, across 74 reviewed titles; fans 74, detractors 53. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Milton R. Krasner's work okay for kids?

Across up to 12 MovieCove titles with content scores, sex & nudity, profanity and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles9–52 · median 41 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity12 titles3–23 · median 13 · minimallighter than most filmsMedian of all films: 32
Profanity9 titles0–38 · median 0 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs10 titles18–44 · median 35 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles11–43 · median 28 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Milton R. Krasner work with?

People who share at least 2 of Milton R. Krasner's MovieCove titles, grouped by what they did on them; Frank Skinner shares the most, 9.

Directors

Writers

Actors

Composers

Producers

Mixed roles