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Angelo Lotti

Cinematographer

Works as
Cinematographer
Titles
10 on MovieCove · 52 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 40% in 30 days

What are Angelo Lotti's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Drama3 titlesTypical Midcredits score: 13th percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 17th percentile, at or above their average across these genres
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
40%
Power
18%
Society
15%
Survival
12%
Bonds
9%
Self
6%
Revenge3 titles, browse their movies with this themeFreedom2 titles, browse their movies with this themeDuty2 titles, browse their movies with this themePrejudice2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 5 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 6 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 6 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 4 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Thrilling
6
Melancholic
3
Absurd
2
Joyful
1
Other
2

How their films linger

Fun3 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy7
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Angelo Lotti's films?

As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Angelo Lotti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

52 credits, 10 with a MovieCove page.

  • Farewell to Enrico Berlinguer (not in the MovieCove catalog yet)(1984)

    Cinematographer

  • The Maid Seduces the Cowards (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • Perfume and Toys (not in the MovieCove catalog yet)(1979)

    Cinematographer

  • Latin Male Wanted (not in the MovieCove catalog yet)(1977)

    Cinematographer

  • Taxi Love - Servizio per signora (not in the MovieCove catalog yet)(1976)

    Cinematographer

  • Seven Devils on Horseback(1975)

    Cinematographer

    Midcredits score: 13th percentile of all films (provisional, few ratings)

  • The Tree with Pink Leaves (not in the MovieCove catalog yet)(1974)

    Cinematographer

  • What the Chambermaid Saw (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • Wife for Sale (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • When Women Were Called Virgins(1972)

    Cinematographer

    Midcredits score: 7th percentile of all films

  • Hot Nights of the Decameron (not in the MovieCove catalog yet)(1972)

    Cinematographer

  • They Were Still Called... The Most and the Least (not in the MovieCove catalog yet)(1972)

    Cinematographer

  • Seven Blood-Stained Orchids(1972)

    Cinematographer

    Midcredits score: 48th percentile of all films

  • Vengeance Is a Dish Served Cold(1971)

    Cinematographer

    Midcredits score: 13th percentile of all films

  • The Last Traitor (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • The Clan of the Two Borsalini (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Bali (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • The Golden Ass (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • May Morning(1970)

    Cinematographer

    Midcredits score: 16th percentile of all films

  • Mondo Finlandia (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • Le avventure di Ciuffettino (not in the MovieCove catalog yet)(1969)

    Show 6 episodes · Cinematographer

  • Venus in Furs(1969)

    Cinematographer

    Midcredits score: 40th percentile of all films

  • Il ragazzo che sorride (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Dirty Angels (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • The Mark of Kriminal (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • A Black Veil for Lisa (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Five Days in Sinai (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Poker with Pistols (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • Kill Me Gently (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • Kriminal (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • How We Got Into Trouble with the Army (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • Temple of a Thousand Lights (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • Three Sergeants of Bengal(1964)

    Cinematographer

    Midcredits score: 18th percentile of all films

  • I pirati della Malesia(1964)

    Cinematographer

    Midcredits score: 15th percentile of all films

  • The Lion of Thebes (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Temple of the White Elephant (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Sandokan the Great (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • A Queen for Caesar (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • The Avenger(1962)

    Cinematographer

    Midcredits score: 24th percentile of all films

  • Kerim, Son of the Sheik (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Totò versus Maciste (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Planets Around Us (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • The Grand Olympics (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • The Honored Society (not in the MovieCove catalog yet)(1961)

    Camera Operator

  • Blood Feud (not in the MovieCove catalog yet)(1961)

    Camera Operator

  • The Bacchantes (not in the MovieCove catalog yet)(1961)

    Camera Operator

  • Mill of the Stone Women(1960)

    Camera Operator

    Midcredits score: 61st percentile of all films

  • Lipstick (not in the MovieCove catalog yet)(1960)

    Camera Operator

  • The Thieves (not in the MovieCove catalog yet)(1959)

    Assistant Camera

  • The Head of a Tyrant (not in the MovieCove catalog yet)(1959)

    Camera Operator

  • There Is a Path in the Sky (not in the MovieCove catalog yet)(1957)

    Assistant Camera

  • In the Eddy of Sin (not in the MovieCove catalog yet)(1954)

    Camera Operator

Career shape

A full career of 51 titles from 1954 to 1984.

Highest rated

Seven Blood-Stained Orchids (1972)

Midcredits 48th

By role

only this rolewith another role
Cinematography42 of 51: 42 only cinematography, 0 with another role · typical Midcredits score17thOther crew9 of 51: 9 only other crew, 0 with another role

By decade

1950s4 · crew1960s28 · crew1970s17 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Angelo Lotti's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 10; across their 9 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 9

Approval · how many liked their films

12thpercentile
Typical film, the median of 9

Reach · how many have seen their films

30thpercentile
Typical film, the median of 9

Midcredits score across 10 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2
  • Below 25th7

Shape of the crowd

7 of their 10 titles are Mixed.

  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed7

Most divisive · cinematographer

When Women Were Called Virgins (1972)

57th percentile spread · 47% rated it 4 or lower

Most loved · cinematographer

Seven Blood-Stained Orchids (1972)

Midcredits 48th · 45% liked

Reviewers score the cinematography 56/100 in their films, across 8 reviewed titles; fans 74, detractors 38. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Angelo Lotti work with?

People who share at least 2 of Angelo Lotti's MovieCove titles, grouped by what they did on them; Umberto Lenzi shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers