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Reginald H. Morris

Cinematographer · Died January 8, 2004, aged 85 · Ruislip, Middlesex, England, UK

Born
July 4, 1918
Died
January 8, 2004 (aged 85)
From
Ruislip, Middlesex, England, UK
Works as
Cinematographer
Titles
22 on MovieCove · 52 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 29% in 30 days

What are Reginald H. Morris' films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Society and Bonds.

Genres

Adventure5 titlesTypical Midcredits score: 8th percentile
: browse their Adventure movies
Drama4 titlesTypical Midcredits score: 23rd percentile
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Comedy movies
Horror3 titlesTypical Midcredits score: 40th percentile, at or above their average across these genres
: browse their Horror movies
Action2 titlesTypical Midcredits score: 16th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
19%
Bonds
18%
Self
17%
Morality
15%
Survival
14%
Ideas
13%
Power
4%
Survival5 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeNature2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 8 · Serious 6 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 12 · Stylized 5 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 7 · Charged 5 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 9 · Shifting 8 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 3 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 12 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 7 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Dread
5
Warm
4
Absurd
5
Joyful
3
Other
15

How their films linger

Feel-good7 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy10
  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Reginald H. Morris' films?

As of October 24, 2026, 12 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Reginald H. Morris' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

52 credits, 22 with a MovieCove page.

  • Loose Cannons(1990)

    Cinematographer

    Midcredits score: 11th percentile of all films

  • Lady in the Corner(1989)

    Cinematographer

    Midcredits score: 32nd percentile of all films

  • The Fortunate Pilgrim (not in the MovieCove catalog yet)(1988)

    Show 2 episodes · Cinematographer

  • The Ann Jillian Story (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • Christmas Eve (not in the MovieCove catalog yet)(1986)

    Cinematographer

  • The French Connection 3(1986)

    Cinematographer

    Midcredits score: 20th percentile of all films

  • Easy Prey (not in the MovieCove catalog yet)(1986)

    Cinematographer

  • Yes - 9012Live (not in the MovieCove catalog yet)(1985)

    Cinematographer

  • Turk 182! (not in the MovieCove catalog yet)(1985)

    Cinematographer

  • A Christmas Story(1983)

    Cinematographer

    Midcredits score: 94th percentile of all films

  • Porky's II: The Next Day(1983)

    Cinematographer

    Midcredits score: 17th percentile of all films

  • Murder by Phone(1982)

    Cinematographer

    Midcredits score: 26th percentile of all films

  • Love(1982)

    Cinematographer

    Midcredits score: 17th percentile of all films (provisional, few ratings)

  • Porky's(1981)

    Cinematographer

    Midcredits score: 46th percentile of all films

  • Tribute (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • Phobia (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • Middle Age Crazy (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • The Shape of Things to Come(1979)

    Cinematographer

    Midcredits score: 1st percentile of all films

  • Murder by Decree(1979)

    Cinematographer

    Midcredits score: 72nd percentile of all films

  • Superman(1978)

    Additional Photography

    Midcredits score: 91st percentile of all films

  • Home to Stay (not in the MovieCove catalog yet)(1978)

    Cinematographer

  • Marie-Anne(1978)

    Cinematographer

    Midcredits score: 56th percentile of all films (provisional, few ratings)

  • Empire of the Ants(1977)

    Cinematographer

    Midcredits score: 6th percentile of all films

  • Welcome to Blood City(1977)

    Cinematographer

    Midcredits score: 19th percentile of all films

  • Shadow of the Hawk(1976)

    Cinematographer

    Midcredits score: 33rd percentile of all films

  • The Food of the Gods(1976)

    Cinematographer

    Midcredits score: 8th percentile of all films

  • Second Wind (not in the MovieCove catalog yet)(1976)

    Cinematographer

  • Black Christmas(1974)

    Cinematographer

    Midcredits score: 84th percentile of all films

  • The Paper Chase(1973)

    Camera Operator

    Midcredits score: 85th percentile of all films

  • A Name for Evil (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • When Michael Calls(1972)

    Cinematographer

    Midcredits score: 40th percentile of all films

  • Exeter (not in the MovieCove catalog yet)(1972)

    Cinematographer

  • King of the Grizzlies(1970)

    Cinematographer

    Midcredits score: 26th percentile of all films

  • Hey Cinderella! (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • The Fox (not in the MovieCove catalog yet)(1967)

    Camera Operator

  • The Ride (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • Drylanders (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Georges-Étienne Cartier - The Lion of Québec (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Lord Durham (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Yukon Old, Yukon New (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Tourist Go Home (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • A Foreign Language (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • A Day in June (not in the MovieCove catalog yet)(1958)

    Camera Operator

  • Mystery in the Kitchen (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Setting Fires for Science (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Tales Out of School (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • The Quest (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Profile of a Problem Drinker (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • One Good Turn(1955)

    Camera Operator

    Midcredits score: 64th percentile of all films

  • Fast and Loose (not in the MovieCove catalog yet)(1954)

    Camera Operator

  • The Assassin(1952)

    Focus Puller

    Midcredits score: 51st percentile of all films

  • I Met a Murderer (not in the MovieCove catalog yet)(1939)

    Assistant Camera

Career shape

A full career of 50 titles from 1939 to 1990.

Biggest box office

Porky's (1981)

$111M worldwide

Highest rated

A Christmas Story (1983)

Midcredits 94th

By role

only this rolewith another role
Cinematography42 of 50: 42 only cinematography, 0 with another role · typical Midcredits score23rdOther crew8 of 50: 8 only other crew, 0 with another role

By decade

1930s1 · crew1950s11 · crew1960s7 · crew1970s15 · crew1980s15 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Reginald H. Morris' films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 22; across their 18 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 18

Approval · how many liked their films

26thpercentile
Typical film, the median of 18

Reach · how many have seen their films

66thpercentile
Typical film, the median of 18

Midcredits score across 22 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th6
  • Below 25th8

Shape of the crowd

11 of their 22 titles are Mixed.

  • Universally Loved1
  • Universally Panned2
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser6
  • Mixed11

Most divisive · cinematographer

Love (1982)

91st percentile spread · 49% rated it 4 or lower

Most loved · cinematographer

A Christmas Story (1983)

Midcredits 94th · 83% liked

Reviewers score the cinematography 53/100 in their films, across 11 reviewed titles; fans 59, detractors 36. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Reginald H. Morris' work okay for kids?

Across up to 7 MovieCove titles with content scores, 2 of the 5 categories sit near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles32–61 · median 47 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity7 titles17–67 · median 34 · mildnear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 70 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 45 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 22 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Reginald H. Morris work with?

People who share at least 2 of Reginald H. Morris' MovieCove titles, grouped by what they did on them; Stan Cole shares the most, 7.

Directors

Writers

Actors

Composers and editors

Producers