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Harold Rosson

Harold Rosson

Cinematographer · Died September 6, 1988, aged 93 · New York City, New York, USA

From Wikipedia Harold G. "Hal" Rosson, A.S.C. (April 6, 1895 – September 6, 1988) was an American cinematographer who worked during the early and classical Hollywood cinema. He is best known for his work on the 1939 fantasy film The Wizard of Oz. Harold Rosson began his film career in 1908 as an actor at the Vitagraph Studios in the Flatbush area of Brooklyn, New York City. He became the assistant to Irvin Willat at the Mark Dintenfass Studios. In 1912 he divided his time as an office boy in a stockbrokers firm and as an assistant, extra, and handyman at the Famous Players Studio in New York. His first film for Famous Players was David Harum (1915). In December 1914, Rosson moved to California and joined Metro Pictures. During World War I, he served in the United States Army. After his demobilization, he went to work on the Marion Davies film The Dark Star. He was offered a contract with the Davies Company. In 1920 he was signed by Mary Pickford, working primarily with her brother Jack Pickford. In the 1930s, Rosson signed with Metro-Goldwyn-Mayer and directed the photography for some of the studio's most popular films including Treasure Island (1934), The Wizard of Oz, Duel in the Sun, and Singin' in the Rain (1952). In 1936, Rosson and fellow cinematographer W. Howard Greene were awarded an Honorary Oscar for the color cinematography of the 1936 David O. Selznick production The Garden of Allah. Rosson later said it was the first time he attempted to film in color. After a very long and successful career in Hollywood, Rosson retired in 1958. He briefly came out of retirement in 1966 for the Howard Hawks film El Dorado starring John Wayne. Rosson was married twice, with both marriages ending in divorce, and had no children. While shooting the film Bombshell in 1933, actress Jean Harlow proposed to Rosson. The two had worked together previously on Red-Headed Woman, Dinner at Eight, Hold Your Man, and Red Dust and had struck up a friendship. On September 17, 1933, the two were married in Yuma, Arizona. In an interview with Leicester Wagner, Harlow recalled that she and Rosson grew closer after the death of her second husband, Paul Bern, and he encouraged her to go out and socialize. Rosson and Harlow separated in May 1934 with Harlow charging that Rosson was "rude, sullen and irritable". She was granted a divorce in March 1935. On October 11, 1936, Rosson married socialite Yvonne Crellin in Beverly Hills. They divorced in June 1945. On September 6, 1988, Rosson died, age 93, at his home in Palm Beach, Florida. He is buried in Hollywood Forever Cemetery.

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Biography from TMDB.

Born
April 6, 1895
Died
September 6, 1988 (aged 93)
From
New York City, New York, USA
Works as
Cinematographer
Titles
68 on MovieCove · 129 credits in all
TMDB popularity, last 39 days to Oct 28Down 6% in 30 days

What are Harold Rosson's films like?

Across their 66 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 66 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 37 · Serious 18 · Dark 11

A split, not a type: Grounded 37 · Stylized 22 · Heightened 7

Gentle 22 · Charged 40 · Intense 4

A split, not a type: Steady 35 · Shifting 26 · Whiplash 5

Straight-faced 26 · Some laughs 28 · Funny 12

Slow burn 25 · Even-paced 39 · Relentless 2

Casual 47 · Engaged 17 · Full focus 2

Resolved 61 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
32
Romantic
27
Joyful
18
Melancholic
21
Warm
15
Other
54

How their films end · 1 with a twist

  • Happy36
  • Bittersweet22
  • Tragic4
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harold Rosson's films?

As of October 24, 2026, 15 of their 68 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Harold Rosson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

129 credits, 68 with a MovieCove page.

  • El Dorado(1966)

    Cinematographer

    Midcredits score: 95th percentile of all films
  • No Time for Sergeants(1958)

    Cinematographer

    Midcredits score: 91st percentile of all films
  • Onionhead(1958)

    Cinematographer

    Midcredits score: 32nd percentile of all films
  • The Enemy Below(1957)

    Cinematographer

    Midcredits score: 93rd percentile of all films
  • Toward the Unknown(1956)

    Cinematographer

    Midcredits score: 61st percentile of all films
  • The Bad Seed(1956)

    Cinematographer

    Midcredits score: 87th percentile of all films
  • Pete Kelly's Blues(1955)

    Cinematographer

    Midcredits score: 51st percentile of all films
  • Strange Lady in Town(1955)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • Ulysses(1954)

    Cinematographer

    Midcredits score: 70th percentile of all films
  • Mambo(1954)

    Cinematographer

    Midcredits score: 26th percentile of all films
  • The Actress(1953)

    Cinematographer

    Midcredits score: 58th percentile of all films
  • Dangerous When Wet(1953)

    Cinematographer

    Midcredits score: 50th percentile of all films
  • The Story of Three Loves(1953)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • I Love Melvin(1953)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • Lone Star(1952)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • Singin' in the Rain(1952)

    Cinematographer

    Midcredits score: 99th percentile of all films
  • Love Is Better Than Ever(1952)

    Cinematographer

    Midcredits score: 29th percentile of all films
  • The Red Badge of Courage(1951)

    Cinematographer

    Midcredits score: 79th percentile of all films
  • To Please a Lady(1950)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • The Asphalt Jungle(1950)

    Cinematographer

    Midcredits score: 97th percentile of all films
  • Key to the City(1950)

    Cinematographer

    Midcredits score: 56th percentile of all films
  • On the Town(1949)

    Cinematographer

    Midcredits score: 89th percentile of all films
  • Any Number Can Play(1949)

    Cinematographer

    Midcredits score: 75th percentile of all films
  • The Stratton Story(1949)

    Cinematographer

    Midcredits score: 84th percentile of all films
  • Command Decision(1948)

    Cinematographer

    Midcredits score: 85th percentile of all films
  • Homecoming(1948)

    Cinematographer

    Midcredits score: 73rd percentile of all films
  • The Hucksters(1947)

    Cinematographer

    Midcredits score: 69th percentile of all films
  • Living in a Big Way(1947)

    Cinematographer

    Midcredits score: 47th percentile of all films
  • My Brother Talks to Horses(1947)

    Cinematographer

    Midcredits score: 42nd percentile of all films
  • Duel in the Sun(1946)

    Cinematographer

    Midcredits score: 70th percentile of all films
  • Three Wise Fools (not in the MovieCove catalog yet)(1946)

    Cinematographer

  • No Leave, No Love (not in the MovieCove catalog yet)(1946)

    Cinematographer

  • Between Two Women (not in the MovieCove catalog yet)(1945)

    Cinematographer

  • Thirty Seconds Over Tokyo(1944)

    Cinematographer

    Midcredits score: 87th percentile of all films
  • An American Romance (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Marriage Is a Private Affair(1944)

    Cinematographer

    Midcredits score: 43rd percentile of all films
  • Slightly Dangerous(1943)

    Cinematographer

    Midcredits score: 67th percentile of all films
  • Tennessee Johnson (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • Somewhere I'll Find You(1942)

    Cinematographer

    Midcredits score: 44th percentile of all films
  • Tortilla Flat(1942)

    Cinematographer

    Midcredits score: 51st percentile of all films
  • Johnny Eager (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • Honky Tonk(1941)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • Washington Melodrama (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • Men of Boys Town(1941)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • The Chocolate Soldier(1941)

    Cinematographer

    Midcredits score: 40th percentile of all films
  • Dr. Kildare Goes Home(1940)

    Cinematographer

    Midcredits score: 66th percentile of all films
  • Boom Town(1940)

    Cinematographer

    Midcredits score: 80th percentile of all films
  • I Take This Woman(1940)

    Cinematographer

    Midcredits score: 55th percentile of all films
  • Edison, the Man(1940)

    Cinematographer

    Midcredits score: 80th percentile of all films
  • Flight Command(1940)

    Cinematographer

    Midcredits score: 57th percentile of all films
  • Forgotten Victory (not in the MovieCove catalog yet)(1939)

    Cinematographer

  • The Wizard of Oz(1939)

    Cinematographer

    Midcredits score: 97th percentile of all films
  • Too Hot to Handle(1938)

    Cinematographer

    Midcredits score: 64th percentile of all films
  • That Mothers Might Live (not in the MovieCove catalog yet)(1938)

    Cinematographer

  • A Yank at Oxford(1938)

    Cinematographer

    Midcredits score: 60th percentile of all films
  • Double Wedding(1937)

    Cinematographer

    Midcredits score: 79th percentile of all films
  • The Emperor's Candlesticks(1937)

    Cinematographer

    Midcredits score: 59th percentile of all films
  • Captains Courageous(1937)

    Cinematographer

    Midcredits score: 97th percentile of all films
  • They Gave Him a Gun(1937)

    Cinematographer

    Midcredits score: 53rd percentile of all films
  • The Garden of Allah(1936)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • The Devil Is a Sissy(1936)

    Cinematographer

    Midcredits score: 69th percentile of all films
  • As You Like It(1936)

    Cinematographer

    Midcredits score: 37th percentile of all films
  • The Man Who Could Work Miracles(1936)

    Cinematographer

    Midcredits score: 76th percentile of all films
  • The Ghost Goes West(1935)

    Cinematographer

    Midcredits score: 68th percentile of all films
  • The Scarlet Pimpernel(1934)

    Cinematographer

    Midcredits score: 86th percentile of all films
  • Treasure Island(1934)

    Cinematographer

    Midcredits score: 82nd percentile of all films
  • The Cat and the Fiddle(1934)

    Cinematographer

    Midcredits score: 57th percentile of all films
  • This Side of Heaven (not in the MovieCove catalog yet)(1934)

    Cinematographer

  • The Girl from Missouri(1934)

    Cinematographer

    Midcredits score: 69th percentile of all films
  • Bombshell(1933)

    Cinematographer

    Midcredits score: 78th percentile of all films
  • Penthouse (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • Turn Back the Clock(1933)

    Cinematographer

    Midcredits score: 62nd percentile of all films
  • Hold Your Man(1933)

    Cinematographer

    Midcredits score: 74th percentile of all films
  • The Barbarian (not in the MovieCove catalog yet)(1933)

    Cinematographer

  • Red Dust(1932)

    Cinematographer

    Midcredits score: 82nd percentile of all films
  • Kongo (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • Downstairs (not in the MovieCove catalog yet)(1932)

    Cinematographer

  • Red-Headed Woman(1932)

    Cinematographer

    Midcredits score: 77th percentile of all films
  • Tarzan the Ape Man(1932)

    Cinematographer

    Midcredits score: 76th percentile of all films
  • The Cuban Love Song (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Sporting Blood (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Son of India (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • The Squaw Man (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Love in Every Port (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Men Call It Love (not in the MovieCove catalog yet)(1931)

    Cinematographer

  • Passion Flower(1930)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • Madam Satan(1930)

    Cinematographer

    Midcredits score: 54th percentile of all films
  • This Mad World (not in the MovieCove catalog yet)(1930)

    Cinematographer

  • South Sea Rose (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • Frozen Justice (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • The Far Call (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • Trent's Last Case (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • The Case of Lena Smith (not in the MovieCove catalog yet)(1929)

    Cinematographer

  • Three Week Ends (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • The Docks of New York(1928)

    Cinematographer

    Midcredits score: 91st percentile of all films
  • The Sawdust Paradise (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • The Drag Net (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • Abie's Irish Rose (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • Gentlemen Prefer Blondes (not in the MovieCove catalog yet)(1928)

    Cinematographer

  • Open Range (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • A Gentleman of Paris (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • Service for Ladies (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • Rough House Rosie (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • Evening Clothes (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • Getting Gertie's Garter (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • Man Bait (not in the MovieCove catalog yet)(1927)

    Cinematographer

  • Jim the Conqueror (not in the MovieCove catalog yet)(1926)

    Cinematographer

  • For Wives Only (not in the MovieCove catalog yet)(1926)

    Cinematographer

  • Almost a Lady (not in the MovieCove catalog yet)(1926)

    Cinematographer

  • Up in Mabel's Room (not in the MovieCove catalog yet)(1926)

    Cinematographer

  • The Little French Girl (not in the MovieCove catalog yet)(1925)

    Cinematographer

  • A Man Must Live (not in the MovieCove catalog yet)(1925)

    Cinematographer

  • Too Many Kisses (not in the MovieCove catalog yet)(1925)

    Cinematographer

  • Manhattan (not in the MovieCove catalog yet)(1924)

    Cinematographer

  • Manhandled (not in the MovieCove catalog yet)(1924)

    Cinematographer

  • A Society Scandal (not in the MovieCove catalog yet)(1924)

    Cinematographer

  • Big Brother (not in the MovieCove catalog yet)(1923)

    Cinematographer

  • Zaza (not in the MovieCove catalog yet)(1923)

    Cinematographer

  • The Glimpses of the Moon (not in the MovieCove catalog yet)(1923)

    Cinematographer

  • Quicksands (not in the MovieCove catalog yet)(1923)

    Cinematographer

  • Dark Secrets (not in the MovieCove catalog yet)(1923)

    Cinematographer

  • Through a Glass Window (not in the MovieCove catalog yet)(1922)

    Cinematographer

  • A Virginia Courtship (not in the MovieCove catalog yet)(1921)

    Cinematographer

  • Buried Treasure (not in the MovieCove catalog yet)(1921)

    Cinematographer

  • Heliotrope (not in the MovieCove catalog yet)(1920)

    Camera Operator

  • The Cinema Murder (not in the MovieCove catalog yet)(1919)

    Cinematographer

  • The American Consul (not in the MovieCove catalog yet)(1917)

    Cinematographer

  • Panthea (not in the MovieCove catalog yet)(1917)

    Cinematographer

  • Oliver Twist (not in the MovieCove catalog yet)(1916)

    Cinematographer

Career shape

A full career of 120 titles from 1916 to 1966.

By role

only this rolewith another role
Cinematography119 of 120: 119 only cinematography, 0 with another role · typical Midcredits score69thOther crew1 of 120: 1 only other crew, 0 with another role

By decade

1910s4 · crew1920s37 · crew1930s37 · crew1940s22 · crew1950s19 · crew1960s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Harold Rosson's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 68; across their 66 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 66

Approval · how many liked their films

67thpercentile
Typical film, the median of 66

Reach · how many have seen their films

50thpercentile
Typical film, the median of 66

Midcredits score across 68 titles, by percentile

  • 75th and up25
  • 50th to 74th29
  • 25th to 49th14

Shape of the crowd

None of their 68 titles divides audiences: 43 are Crowd Pleasers.

  • Universally Loved11
  • Crowd Pleaser43
  • Broadly Agreed7
  • Mixed7

Reviewers score the cinematography 70/100 in their films, across 54 reviewed titles; fans 76, detractors 56. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Harold Rosson's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, sex & nudity and profanity run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles4–49 · median 34 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity11 titles9–30 · median 15 · mildlighter than most filmsMedian of all films: 32
Profanity6 titles1–19 · median 3 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs6 titles13–37 · median 26 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 38 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Harold Rosson work with?

People who share at least 2 of Harold Rosson's MovieCove titles, grouped by what they did on them; Clark Gable shares the most, 11.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles