Roland Totheroh
Cinematographer · Died June 18, 1967, aged 76 · San Francisco, California, USA
- November 29, 1890
- June 18, 1967 (aged 76)
- San Francisco, California, USA
- Cinematographer
- 19 on MovieCove · 36 credits in all
What are Roland Totheroh's films like?
Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 3 · Wry 0 · Earnest 15
Light 14 · Serious 3 · Dark 1
Grounded 4 · Stylized 11 · Heightened 3
Gentle 11 · Charged 7 · Intense 0
A split, not a type: Steady 10 · Shifting 7 · Whiplash 1
Straight-faced 1 · Some laughs 1 · Funny 16
Slow burn 6 · Even-paced 11 · Relentless 1
Casual 15 · Engaged 3 · Full focus 0
Easy watch 14 · Affecting 3 · Heavy 1
Resolved 14 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet6
- Tragic2
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roland Totheroh's films?
As of October 24, 2026, all 19 MovieCove titles stream on a subscription or free service, most on HBO Max (18).
- The Great Dictator (1940) · cinematographer
- Modern Times (1936) · cinematographer
- City Lights (1931) · cinematographer
- The Gold Rush (1925) · cinematographer
- The Kid (1921) · cinematographer
- Limelight (1952) · camera supervisor
- The Circus (1928) · cinematographer
- Monsieur Verdoux (1947) · cinematographer
- A Dog's Life (1918) · cinematographer
- The Immigrant (1917) · cinematographer
- Pay Day (1922) · cinematographer
- The Idle Class (1921) · cinematographer
- +6 more
- The Great Dictator (1940) · cinematographer
- Modern Times (1936) · cinematographer
- City Lights (1931) · cinematographer
- The Gold Rush (1925) · cinematographer
- The Kid (1921) · cinematographer
- Limelight (1952) · camera supervisor
- The Circus (1928) · cinematographer
- Monsieur Verdoux (1947) · cinematographer
- A Dog's Life (1918) · cinematographer
- Pay Day (1922) · cinematographer
- The Idle Class (1921) · cinematographer
- The Pilgrim (1923) · cinematographer
- +5 more
Subscription and free streaming for Roland Totheroh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
36 credits, 19 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Limelight(1952)
Midcredits score: 98th percentile of all films
Song of My Heart (not in the MovieCove catalog yet)(1948)

Monsieur Verdoux(1947)
Midcredits score: 97th percentile of all films
The Chaplin Cavalcade (not in the MovieCove catalog yet)(1941)

The Charlie Chaplin Festival (not in the MovieCove catalog yet)(1941)

The Great Dictator(1940)
Midcredits score: 99th percentile of all films
Chaplin Carnival (not in the MovieCove catalog yet)(1938)

Modern Times(1936)
Midcredits score: 99th percentile of all films
City Lights(1931)
Midcredits score: 99th percentile of all films
The Circus(1928)
Midcredits score: 98th percentile of all films
The Gold Rush(1925)
Midcredits score: 99th percentile of all films
The Pilgrim(1923)
Midcredits score: 84th percentile of all films
Midcredits score: 77th percentile of all films
Pay Day(1922)
Midcredits score: 89th percentile of all films
The Idle Class(1921)
Midcredits score: 85th percentile of all films
The Kid(1921)
Midcredits score: 99th percentile of all films
A Day's Pleasure(1919)
Midcredits score: 63rd percentile of all films
Sunnyside(1919)
Midcredits score: 65th percentile of all films
Shoulder Arms(1918)
Midcredits score: 83rd percentile of all films
A Dog's Life(1918)
Midcredits score: 95th percentile of all films
The Adventurer (not in the MovieCove catalog yet)(1917)

The Immigrant(1917)
Midcredits score: 92nd percentile of all films
The Cure (not in the MovieCove catalog yet)(1917)

Easy Street (not in the MovieCove catalog yet)(1917)

The Rink(1916)
Midcredits score: 79th percentile of all films
Behind the Screen (not in the MovieCove catalog yet)(1916)

The Pawnshop (not in the MovieCove catalog yet)(1916)

The Count (not in the MovieCove catalog yet)(1916)

One A.M. (not in the MovieCove catalog yet)(1916)

The Vagabond (not in the MovieCove catalog yet)(1916)

The Floorwalker (not in the MovieCove catalog yet)(1916)

A Burlesque on Carmen (not in the MovieCove catalog yet)(1915)

A Night in the Show(1915)
Midcredits score: 54th percentile of all films
Work (not in the MovieCove catalog yet)(1915)

The Making of Broncho Billy (not in the MovieCove catalog yet)(1913)

The Tomboy on Bar Z (not in the MovieCove catalog yet)(1912)
Career shape
A full career of 35 titles from 1912 to 1952.

Biggest box office
The Great Dictator (1940)

Highest rated
Modern Times (1936)

Most popular right now
The Great Dictator (1940)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roland Totheroh's films land?
Their typical MovieCove film has a Midcredits score in the 92nd percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 86th percentile for acclaim.
- 75th and up16
- 50th to 74th3
Shape of the crowd
None of their 19 titles divides audiences: 10 are Universally Loved.
- Universally Loved10
- Crowd Pleaser9
Reviewers score the cinematography 68/100 in their films, across 18 reviewed titles; fans 73, detractors 52. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Roland Totheroh's work okay for kids?
Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Roland Totheroh work with?
People who share at least 2 of Roland Totheroh's MovieCove titles, grouped by what they did on them; Charles Chaplin shares the most, 18.
Directors
- Charles ChaplinShared titles: Monsieur Verdoux (1947), The Great Dictator (1940), Modern Times (1936), City Lights (1931), The Circus (1928), The Gold Rush (1925), A Woman of Paris: A Drama of Fate (1923), The Pilgrim (1923), Pay Day (1922), The Idle Class (1921), The Kid (1921), A Day's Pleasure (1919) and 6 moreSee newest 12 of 18 shared titles with Charles Chaplin

Writers
- Maverick TerrellShared titles: The Immigrant (1917), The Rink (1916)See all 2 shared titles with Maverick Terrell
- Vincent BryanShared titles: The Immigrant (1917), The Rink (1916)See all 2 shared titles with Vincent Bryan
Actors
- Henry BergmanShared titles: Modern Times (1936), The Circus (1928), The Gold Rush (1925), Pay Day (1922), The Idle Class (1921), The Kid (1921), Sunnyside (1919), Shoulder Arms (1918), The Immigrant (1917), The Rink (1916)See all 10 shared titles with Henry Bergman

- Edna PurvianceShared titles: A Woman of Paris: A Drama of Fate (1923), The Pilgrim (1923), Pay Day (1922), The Idle Class (1921), The Kid (1921), A Day's Pleasure (1919), Sunnyside (1919), Shoulder Arms (1918), The Immigrant (1917), The Rink (1916)See all 10 shared titles with Edna Purviance

- Albert AustinShared titles: The Circus (1928), The Gold Rush (1925), Pay Day (1922), The Kid (1921), Sunnyside (1919), Shoulder Arms (1918), The Immigrant (1917), The Rink (1916)See all 8 shared titles with Albert Austin

- Al Ernest GarciaShared titles: Modern Times (1936), City Lights (1931), The Circus (1928), Pay Day (1922), The Idle Class (1921)See all 5 shared titles with Al Ernest Garcia

Cinematographers and editors
- Willard NicoShared titles: Monsieur Verdoux (1947), The Great Dictator (1940), Modern Times (1936), City Lights (1931)See all 4 shared titles with Willard Nico
- William C. FosterShared titles: The Immigrant (1917), The Rink (1916)See all 2 shared titles with William C. Foster
Producers
- Henry P. CaulfieldShared titles: The Immigrant (1917), The Rink (1916)See all 2 shared titles with Henry P. Caulfield
Mixed roles
- Harry CrockerShared titles: City Lights (1931), The Circus (1928)See all 2 shared titles with Harry Crocker

- Jack WilsonShared titles: A Woman of Paris: A Drama of Fate (1923), Shoulder Arms (1918)See all 2 shared titles with Jack Wilson


