Serge Franklin
- Composer
- 4 on MovieCove
What are Serge Franklin's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 2 · Stylized 2 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 1
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Serge Franklin's films?
As of October 28, 2026, none of Serge Franklin's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Serge Franklin's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Les guérisseurs(1988)
Midcredits score: 68th percentile of all films (provisional, few ratings)
Dernier été à Tanger(1987)
Midcredits score: 9th percentile of all films
Hold-Up(1985)
Midcredits score: 58th percentile of all films
The Big Pardon(1982)
Midcredits score: 43rd percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1982 to 1988.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Serge Franklin's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Divisive1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Serge Franklin work with?
People who share at least 2 of Serge Franklin's MovieCove titles, grouped by what they did on them; Alexandre Arcady shares the most, 3.
Directors
- Alexandre ArcadyShared titles: Dernier été à Tanger (1987), Hold-Up (1985), The Big Pardon (1982)See all 3 shared titles with Alexandre Arcady
Writers
- Alain Le HenryShared titles: Dernier été à Tanger (1987), The Big Pardon (1982)See all 2 shared titles with Alain Le Henry
- Daniel Saint-HamontShared titles: Hold-Up (1985), The Big Pardon (1982)See all 2 shared titles with Daniel Saint-Hamont
Actors
- Jacques VilleretShared titles: Dernier été à Tanger (1987), Hold-Up (1985)See all 2 shared titles with Jacques Villeret
- Jean-Claude de GorosShared titles: Dernier été à Tanger (1987), Hold-Up (1985)See all 2 shared titles with Jean-Claude de Goros
- Roger HaninShared titles: Dernier été à Tanger (1987), The Big Pardon (1982)See all 2 shared titles with Roger Hanin
Editors
- Joële Van EffenterreShared titles: Hold-Up (1985), The Big Pardon (1982)See all 2 shared titles with Joële Van Effenterre
