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Jerome Kern

Jerome Kern

Composer and writer

From Wikipedia, the free encyclopedia Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight", "Long Ago (and Far Away)" and "Who?". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and E. Y. Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition. He and his collaborators also employed his melodies to further the action or develop characterization to a greater extent than in the other musicals of his day, creating the model for later musicals. Although dozens of Kern's musicals and musical films were hits, only Show Boat is now regularly revived. Songs from his other shows, however, are still frequently performed and adapted. Many of Kern's songs have been adapted by jazz musicians to become standard tunes.

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Biography from TMDB.

Works as
Composer and writer
Titles
14 on MovieCove · 26 credits in all
TMDB popularity, last 39 days to Oct 28Up 15% in 30 days

What are Jerome Kern's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 0 · Dark 0

Grounded 1 · Stylized 5 · Heightened 0

Gentle 5 · Charged 1 · Intense 0

Steady 5 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 3 · Funny 1

Slow burn 5 · Even-paced 1 · Relentless 0

Casual 6 · Engaged 0 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
6
Romantic
5
Melancholic
2
Warm
1
Hopeful
1
Other
4

How their films end

  • Happy6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jerome Kern's films?

As of October 24, 2026, 4 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jerome Kern's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Show Boat (not in the MovieCove catalog yet)(2015)

    Songs · Writer

  • Show Boat (not in the MovieCove catalog yet)(2015)

    Songs · Writer

  • Show Boat (not in the MovieCove catalog yet)(1989)

    Composer · Songs · Writer

  • Roberta (not in the MovieCove catalog yet)(1969)

    Songs · Theatre Play

  • Midcredits score: 44th percentile of all films
  • Midcredits score: 48th percentile of all films
  • Show Boat(1951)

    Composer · Songs · Theatre Play

    Midcredits score: 71st percentile of all films
  • That Midnight Kiss (not in the MovieCove catalog yet)(1949)

    Songs

  • Midcredits score: 53rd percentile of all films
  • Centennial Summer (not in the MovieCove catalog yet)(1946)

    Songs

  • Can't Help Singing(1944)

    Composer · Songs

    Midcredits score: 50th percentile of all films
  • Cover Girl(1944)

    Composer · Songs

    Midcredits score: 71st percentile of all films
  • Midcredits score: 87th percentile of all films
  • Joy of Living (not in the MovieCove catalog yet)(1938)

    Composer · Songs

  • Midcredits score: 53rd percentile of all films
  • Swing Time(1936)

    Composer

    Midcredits score: 90th percentile of all films
  • Show Boat(1936)

    Composer · Songs · Theatre Play

    Midcredits score: 86th percentile of all films
  • The Flame Within (not in the MovieCove catalog yet)(1935)

    Composer

  • Roberta(1935)

    Composer · Songs

    Midcredits score: 80th percentile of all films
  • Sweet Adeline (not in the MovieCove catalog yet)(1934)

    Writer

  • Music in the Air(1934)

    Composer · Songs · Writer

    Midcredits score: 63rd percentile of all films
  • The Cat and the Fiddle(1934)

    Songs · Theatre Play

    Midcredits score: 57th percentile of all films
  • Sunny (not in the MovieCove catalog yet)(1930)

    Songs

  • The Three Sisters (not in the MovieCove catalog yet)(1930)

    Songs

  • Sally(1929)

    Songs

    Midcredits score: 46th percentile of all films
  • Show Boat (not in the MovieCove catalog yet)(1929)

    Songs

Career shape

A full career of 26 titles from 1929 to 2015.

By role

only this rolewith another role
Writing8 of 26: 1 only writing, 7 with another roleMusic12 of 26: 4 only music, 8 with another role · typical Midcredits score71stOther crew21 of 26: 9 only other crew, 12 with another role · typical Midcredits score57th

26 titles, 12 with more than one role — other crew and music overlap on 8 of them.

By decade

1920s1 · crew1930s12 · crew1940s6 · crew1950s3 · crew1960s1 · crew1980s1 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jerome Kern's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 14; across their 6 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 6

Approval · how many liked their films

73rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 6

Midcredits score across 14 titles, by percentile

  • 75th and up4
  • 50th to 74th7
  • 25th to 49th3

Reviewers score the sound and music 80/100 in their films, across 6 reviewed titles; fans 87, detractors 63. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jerome Kern work with?

People who share at least 2 of Jerome Kern's MovieCove titles, grouped by what they did on them; Oscar Hammerstein II shares the most, 2.

Writers

Actors

Producers