Ernst Toch
Composer · Died October 1, 1964, aged 76 · Leopoldstadt, Vienna, Austria
- December 7, 1887
- October 1, 1964 (aged 76)
- Leopoldstadt, Vienna, Austria
- Composer
- 14 on MovieCove · 27 credits in all
What are Ernst Toch's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 7
Light 6 · Serious 4 · Dark 0
Grounded 3 · Stylized 4 · Heightened 3
Gentle 2 · Charged 8 · Intense 0
A split, not a type: Steady 4 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 3
Slow burn 6 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 5 · Full focus 0
Easy watch 6 · Affecting 3 · Heavy 1
Resolved 9 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ernst Toch's films?
As of October 24, 2026, 4 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Ernst Toch's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 14 with a MovieCove page.

Four Journeys Into Mystic Time: One Two Three (not in the MovieCove catalog yet)(1978)

Women's Prison(1955)
Midcredits score: 60th percentile of all films
The Big Heat(1953)
Midcredits score: 98th percentile of all films
Devotion (not in the MovieCove catalog yet)(1946)

My Name Is Julia Ross(1945)
Midcredits score: 81st percentile of all films
The Unseen (not in the MovieCove catalog yet)(1945)

The Soul of a Monster (not in the MovieCove catalog yet)(1944)

Address Unknown (not in the MovieCove catalog yet)(1944)

None Shall Escape (not in the MovieCove catalog yet)(1944)

First Comes Courage (not in the MovieCove catalog yet)(1943)

Fly By Night (not in the MovieCove catalog yet)(1942)

Ladies in Retirement (not in the MovieCove catalog yet)(1941)

The Ghost Breakers(1940)
Midcredits score: 76th percentile of all films
Dr. Cyclops (not in the MovieCove catalog yet)(1940)

The Cat and the Canary(1939)
Midcredits score: 83rd percentile of all films
The Return of the Cisco Kid (not in the MovieCove catalog yet)(1939)
Midcredits score: 74th percentile of all films
Happy Landing(1938)
Midcredits score: 49th percentile of all films
Suez(1938)
Midcredits score: 63rd percentile of all films
On Such a Night(1937)
Midcredits score: 48th percentile of all films (provisional, few ratings)
Outcast (not in the MovieCove catalog yet)(1937)

Heidi(1937)
Midcredits score: 83rd percentile of all films
Murder with Pictures(1936)
Midcredits score: 24th percentile of all films
Peter Ibbetson(1935)
Midcredits score: 75th percentile of all films
Little Friend (not in the MovieCove catalog yet)(1934)
Midcredits score: 51st percentile of all films
Midcredits score: 53rd percentile of all films
Career shape
A full career of 24 titles from 1934 to 1978.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ernst Toch's films land?
Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 14; across their 10 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th2
- Below 25th1
Shape of the crowd
10 of their 14 titles are Crowd Pleasers.
- Universally Loved1
- Divisive1
- Crowd Pleaser10
- Broadly Agreed1
- Mixed1
Reviewers score the sound and music 57/100 in their films, across 8 reviewed titles; fans 62, detractors 50. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ernst Toch work with?
People who share at least 2 of Ernst Toch's MovieCove titles, grouped by what they did on them; Charles Lang shares the most, 3.
Directors
- Allan DwanShared titles: Suez (1938), Heidi (1937)See all 2 shared titles with Allan Dwan

- Alexander KordaShared titles: The Private Life of Don Juan (1934), The Rise of Catherine the Great (1934)See all 2 shared titles with Alexander Korda

Writers
- Walter DeLeonShared titles: The Ghost Breakers (1940), The Cat and the Canary (1939)See all 2 shared titles with Walter DeLeon
- Boris IngsterShared titles: The Story of Alexander Graham Bell (1939), Happy Landing (1938)See all 2 shared titles with Boris Ingster

- Milton SperlingShared titles: The Story of Alexander Graham Bell (1939), Happy Landing (1938)See all 2 shared titles with Milton Sperling
- Julien JosephsonShared titles: Suez (1938), Heidi (1937)See all 2 shared titles with Julien Josephson
Actors
- Bob HopeShared titles: The Ghost Breakers (1940), The Cat and the Canary (1939)See all 2 shared titles with Bob Hope

- Paulette GoddardShared titles: The Ghost Breakers (1940), The Cat and the Canary (1939)See all 2 shared titles with Paulette Goddard

- Don AmecheShared titles: The Story of Alexander Graham Bell (1939), Happy Landing (1938)See all 2 shared titles with Don Ameche

- John WrayShared titles: The Cat and the Canary (1939), On Such a Night (1937)See all 2 shared titles with John Wray

Composers and cinematographers
- Charles LangShared titles: The Ghost Breakers (1940), The Cat and the Canary (1939), Peter Ibbetson (1935)See all 3 shared titles with Charles Lang

- Charles MaxwellShared titles: Suez (1938), Heidi (1937)See all 2 shared titles with Charles Maxwell
- Cyril J. MockridgeShared titles: Happy Landing (1938), Suez (1938)See all 2 shared titles with Cyril J. Mockridge
- David ButtolphShared titles: Happy Landing (1938), Heidi (1937)See all 2 shared titles with David Buttolph

Producers
- Arthur Hornblow Jr.Shared titles: The Ghost Breakers (1940), The Cat and the Canary (1939)See all 2 shared titles with Arthur Hornblow Jr.

- Darryl F. ZanuckShared titles: The Story of Alexander Graham Bell (1939), Happy Landing (1938)See all 2 shared titles with Darryl F. Zanuck

