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Vangelis

Vangelis

Composer · Died May 17, 2022, aged 79 · Volos, Thessaly, Greece

Evangelos Odysseas Papathanassiou (Greek: Ευάγγελος Οδυσσέας Παπαθανασίου, pronounced [eˈvaɲɟelos oðiˈseas papaθanaˈsi.u]; 29 March 1943 – 17 May 2022), known professionally as Vangelis (/væŋˈɡɛlɪs/ vang-GHEL-iss; Greek: Βαγγέλης, pronounced [vaɲˈɟelis]), was a Greek musician, composer, and producer of electronic, progressive, ambient, and classical orchestral music. He composed the Academy Award-winning score to Chariots of Fire (1981), as well as scores for the films Blade Runner (1982), Missing (1982), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004), and the 1980 PBS documentary series Cosmos: A Personal Voyage by Carl Sagan. Born in Agria and raised in Athens, Vangelis began his career in the 1960s as a member of the rock bands the Forminx and Aphrodite's Child; the latter's album 666 (1972) is recognised as a progressive-psychedelic rock classic. Vangelis settled in Paris and gained initial recognition for his scores to the Frédéric Rossif animal documentaries L'Apocalypse des Animaux, La Fête sauvage, and Opéra sauvage. He released his first solo albums during this time and performed as a solo artist. In 1975, Vangelis relocated to London, where he built his home recording facility named Nemo Studios and released a series of successful and influential albums for RCA Records, including Heaven and Hell (1975), Albedo 0.39 (1976), Spiral (1977), and China (1979). From 1979 to 1986, Vangelis performed in a duo with Yes vocalist Jon Anderson, releasing several albums as Jon and Vangelis. He collaborated with Irene Papas on two albums of Greek traditional and religious songs. Vangelis reached his commercial peak in the 1980s and 1990s. His score for Chariots of Fire (1981) won him an Academy Award for Best Original Score and the film's main theme, "Chariots of Fire – Titles,” went to number one on the U.S. Billboard Hot 100 chart, while his score for 1492: Conquest of Paradise (1992) was nominated for a Golden Globe Award for Best Original Score, and the film's soundtrack and main theme topped the European charts, selling millions of copies. His compilation albums Themes (1989), Portraits (So Long Ago, So Clear) (1996), and studio album Voices (1995) sold well. Vangelis composed the official anthem of the 2002 FIFA World Cup held in Korea and Japan. In his last 20 years, Vangelis collaborated with NASA and ESA on music projects Mythodea (1993), Rosetta (2016), and Juno to Jupiter (2021), his 23rd and final studio album. He died on 17 May 2022, at age 79, of heart failure at a hospital in Paris. Having had a career in music spanning over 50 years, and having composed and performed more than 50 albums, Vangelis is one of the most important figures in the history of electronic music and modern film music. He used many electronic instruments in the fashion of a "one-man quasi-classical orchestra," composing and performing on the first take. Description above from the Wikipedia article Vangelis, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
March 29, 1943
Died
May 17, 2022 (aged 79)
From
Volos, Thessaly, Greece
Works as
Composer
Titles
14 on MovieCove · 42 credits in all
TMDB popularity, last 37 days to Oct 26Up 15% in 30 days

What are Vangelis' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Power and Morality.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 10

A split, not a type: Grounded 7 · Stylized 6 · Heightened 1

A split, not a type: Gentle 3 · Charged 4 · Intense 7

Steady 5 · Shifting 8 · Whiplash 1

Straight-faced 13 · Some laughs 1 · Funny 0

Slow burn 8 · Even-paced 6 · Relentless 0

Casual 3 · Engaged 8 · Full focus 3

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 8

Resolved 6 · Open-ended 7 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
8
Contemplative
6
Hopeful
4
Dread
4
Other
6

How their films end · 2 with a twist

  • Happy1
  • Bittersweet6
  • Tragic3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Vangelis' films?

As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Vangelis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 14 with a MovieCove page; 8 appearances as themselves are hidden until asked for.

  • 2790 (not in the MovieCove catalog yet)(2025)

    Composer

  • Beyond, ode to the Earth (not in the MovieCove catalog yet)(2024)

    Composer

  • We are Stardust (not in the MovieCove catalog yet)(2023)

    Composer

  • Nuclear Now(2022)

    Composer

    Midcredits score: 81st percentile of all films
  • The Creator of the Jungle (not in the MovieCove catalog yet)(2014)

    Songs

  • Twilight of Shadows (not in the MovieCove catalog yet)(2014)

    Composer

  • Vangelis and the Journey to Ithaka(2013)

    Composer · as Self

    Midcredits score: 83rd percentile of all films
  • Rupture: A Matter of Life OR Death (not in the MovieCove catalog yet)(2011)

    Composer

  • El Greco (not in the MovieCove catalog yet)(2007)

    Composer

  • Alexander(2004)

    Composer · Music Arranger

    Midcredits score: 30th percentile of all films
  • Cavafy (not in the MovieCove catalog yet)(1996)

    Composer

  • Bitter Moon(1992)

    Composer

    Midcredits score: 86th percentile of all films
  • The Plague (not in the MovieCove catalog yet)(1992)

    Composer

  • Midcredits score: 52nd percentile of all films
  • Black Ink (not in the MovieCove catalog yet)(1991)

    Composer

  • Starwatcher (not in the MovieCove catalog yet)(1991)

    Composer

  • Francesco(1989)

    Composer

    Midcredits score: 54th percentile of all films
  • Vampire in Venice(1988)

    Composer

    Midcredits score: 14th percentile of all films
  • The Bounty(1984)

    Composer

    Midcredits score: 83rd percentile of all films
  • Antarctica(1983)

    Composer

    Midcredits score: 91st percentile of all films
  • Blade Runner(1982)

    Composer

    Midcredits score: 98th percentile of all films
  • Missing(1982)

    Composer

    Midcredits score: 95th percentile of all films
  • Chariots of Fire(1981)

    Composer

    Midcredits score: 83rd percentile of all films
  • The Cosmic Machine (not in the MovieCove catalog yet)(1981)

    Composer

  • Cosmos: A Personal Voyage (not in the MovieCove catalog yet)(1980)

    Show 13 episodes · Music Director

  • Mater amatísima (not in the MovieCove catalog yet)(1980)

    Composer

  • Death of a Princess(1980)

    Composer

    Midcredits score: 91st percentile of all films
  • Defiant Delta (not in the MovieCove catalog yet)(1980)

    Composer

  • The Mantle of Love (not in the MovieCove catalog yet)(1978)

    Composer

  • Crime and Passion(1975)

    Composer

    Midcredits score: 25th percentile of all films
  • The Wild Nation (not in the MovieCove catalog yet)(1976)

    Composer

  • Face in Motion (not in the MovieCove catalog yet)(1976)

    Composer

  • Do You Hear the Dogs Barking? (not in the MovieCove catalog yet)(1974)

    Composer

  • Love (not in the MovieCove catalog yet)(1974)

    Composer

  • The Apocalypse of the Animals (not in the MovieCove catalog yet)(1973)

    Composer

  • The Apocalypse of the Animals (not in the MovieCove catalog yet)(1973)

    Show 6 episodes · Composer

  • Frenzy (not in the MovieCove catalog yet)(1971)

    Composer

  • Georges Mathieu or the Fury of Being (not in the MovieCove catalog yet)(1971)

    Composer · as Self

  • Sex-Power (not in the MovieCove catalog yet)(1970)

    Composer

  • Vortex (not in the MovieCove catalog yet)(1967)

    Composer

  • Five Thousand Lies (not in the MovieCove catalog yet)(1966)

    Composer

  • State of Being (not in the MovieCove catalog yet)

    Composer

Career shape

A full career of 42 titles, 41 of them dated from 1966 to 2025.

By role

only this rolewith another role
Music40 of 42: 39 only music, 1 with another role · typical Midcredits score83rdOther crew3 of 42: 2 only other crew, 1 with another role

By decade

1960s2 · crew1970s11 · crew1980s12 · crew1990s6 · crew2000s2 · crew2010s4 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Vangelis' films land?

Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 14

Approval · how many liked their films

83rdpercentile
Typical film, the median of 14

Reach · how many have seen their films

79thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up9
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

6 of their 14 titles are Crowd Pleasers.

  • Universally Loved3
  • Cult Classic1
  • Crowd Pleaser6
  • Mixed4

Reviewers score the sound and music 74/100 in their films, across 12 reviewed titles; fans 80, detractors 56. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Vangelis' work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles31–85 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles20–71 · median 56 · moderateheavier than most filmsMedian of all films: 32
Profanity7 titles27–47 · median 33 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs7 titles28–52 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles28–69 · median 63 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Vangelis work with?

People who share at least 2 of Vangelis' MovieCove titles, grouped by what they did on them; Oliver Stone shares the most, 2.

Directors

Actors

Editors

Producers