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MovieCove

Jean Yatove

Composer

Works as
Composer
Titles
5 on MovieCove
Links
IMDb (opens in a new tab)

Known for

What are Jean Yatove's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
49%
Self
21%
Survival
11%
Bonds
10%
Power
5%
Ideas
3%
Guilt2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
3
Contemplative
2
Hopeful
1
Romantic
1
Other
3

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy1
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean Yatove's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Jean Yatove's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

  • The Seventh Juror(1962)

    Composer

    Midcredits score: 92nd percentile of all films

  • Boulevard(1960)

    Composer

    Midcredits score: 64th percentile of all films

  • Marie-Octobre(1959)

    Composer

    Midcredits score: 93rd percentile of all films

  • The Night Affair(1958)

    Composer

    Midcredits score: 60th percentile of all films

  • The Girl in the Bikini(1952)

    Composer

    Midcredits score: 23rd percentile of all films

Career shape

Across their 5 MovieCove titles from 1952 to 1962.

Highest rated

Marie-Octobre (1959)

Midcredits 93rd

By role

only this rolewith another role
Music5 of 5: 5 only music, 0 with another role · typical Midcredits score64th

By decade

1950s3 · crew1960s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jean Yatove's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 5

Approval · how many liked their films

63rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

50thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • Below 25th1

Shape of the crowd

None of their 5 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed1

Most loved · composer

Marie-Octobre (1959)

Midcredits 93rd · 82% liked

Reviewers score the sound and music 59/100 in their films, across 5 reviewed titles; fans 64, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jean Yatove work with?

People who share at least 2 of Jean Yatove's MovieCove titles, grouped by what they did on them; Lucien Viard shares the most, 4.

Directors

Writers

Actors

Producers