
Alessandro Pesci
Cinematographer · Born October 9, 1960 (66) · Rome, Italy
Alessandro Pesci was born on 9 October 1960 in Rome, Italy. He is a cinematographer and actor, known for We Have a Pope (2011), Quiet Chaos (2008) and Another Life (1992).
Biography from IMDb.
- October 9, 1960 (66)
- Rome, Italy
- Cinematographer
- 9 on Motif · 55 credits in all
What are Alessandro Pesci's films like?
Across their 6 Motif titles with a thematic analysis, their films lean Self and Society.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 4
Light 4 · Serious 1 · Dark 0
Grounded 4 · Stylized 1 · Heightened 0
Gentle 4 · Charged 1 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 4 · Funny 1
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 3 · Ambiguous 0
Moods and endings
- Bittersweet3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alessandro Pesci's films?
As of October 24, 2026, 5 of their 9 Motif titles stream on a subscription or free service.
Subscription and free streaming for Alessandro Pesci's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
55 credits, 9 with a Motif page.

Hotel Costiera(2025)
Midcredits score: 25th percentile of all shows
Blanca(2021)
Midcredits score: 72nd percentile of all shows
Leonardo (not in the Motif catalog yet)(2021)

Raccontare Venezia (not in the Motif catalog yet)(2017)

Cern and the Sense of Beauty (not in the Motif catalog yet)(2017)

Ignorance Is Bliss (not in the Motif catalog yet)(2017)

The Red Door(2017)
Midcredits score: 57th percentile of all shows
What’s the Big Deal (not in the Motif catalog yet)(2016)

How to Get Revenge on Your Ex (not in the Motif catalog yet)(2016)

The Last Will Be the Last (not in the Motif catalog yet)(2015)

The Legendary Giulia and Other Miracles (not in the Motif catalog yet)(2015)

Happily Mixed Up (not in the Motif catalog yet)(2014)

Twilight of Shadows (not in the Motif catalog yet)(2014)

Viva l'Italia (not in the Motif catalog yet)(2012)

Il caso Enzo Tortora: Dove eravamo rimasti? (not in the Motif catalog yet)(2012)

We Have a Pope(2011)
Midcredits score: 70th percentile of all films
The Monster of Florence (not in the Motif catalog yet)(2009)

Due mamme di troppo (not in the Motif catalog yet)(2009)

Quiet Chaos(2008)
Midcredits score: 72nd percentile of all films
Fuga per la libertà - L'aviatore (not in the Motif catalog yet)(2008)

To Each His Own Cinema(2007)
Midcredits score: 70th percentile of all films
The Sweet and the Bitter (not in the Motif catalog yet)(2007)

7 km da Gerusalemme (not in the Motif catalog yet)(2007)

Diario di Uno Spettatore (not in the Motif catalog yet)(2007)

N (Io e Napoleone)(2006)
Midcredits score: 51st percentile of all films
Upon My Skin (not in the Motif catalog yet)(2003)

On the Tiger's Back (not in the Motif catalog yet)(2002)

Ritratti: Luigi Meneghello (not in the Motif catalog yet)(2002)

Domenica (not in the Motif catalog yet)(2001)

Holy Tongue (not in the Motif catalog yet)(2000)

Ritratti: Andrea Zanzotto (not in the Motif catalog yet)(2000)

Don Matteo(2000)
Midcredits score: 33rd percentile of all shows
Asini (not in the Motif catalog yet)(1999)

La guerra degli Antò (not in the Motif catalog yet)(1999)

Ritratti: Mario Rigoni Stern (not in the Motif catalog yet)(1999)

Kisses and Hugs (not in the Motif catalog yet)(1999)

L'estate di Davide (not in the Motif catalog yet)(1998)

Notes of Love (not in the Motif catalog yet)(1998)

Aprile (not in the Motif catalog yet)(1998)

Auguri professore (not in the Motif catalog yet)(1997)

La mia generazione (not in the Motif catalog yet)(1996)

Vesna Goes Fast (not in the Motif catalog yet)(1996)

Opening Day of Close-Up (not in the Motif catalog yet)(1996)
Midcredits score: 29th percentile of all films
The Graduates (not in the Motif catalog yet)(1995)

The Second Time (not in the Motif catalog yet)(1995)
Bidoni (not in the Motif catalog yet)(1995)

Il toro (not in the Motif catalog yet)(1994)

DeGenerazione (not in the Motif catalog yet)(1994)

Un'altra vita (not in the Motif catalog yet)(1992)

The Yes Man (not in the Motif catalog yet)(1991)

Traces of an Amorous Life (not in the Motif catalog yet)(1990)

The Thing (not in the Motif catalog yet)(1990)

Nulla ci può fermare (not in the Motif catalog yet)(1989)

I Am Self-Sufficient (not in the Motif catalog yet)(1976)
Career shape
A full career of 54 titles from 1976 to 2021.

Biggest box office
We Have a Pope (2011)

Highest rated
Quiet Chaos (2008)

Most popular right now
Hotel Costiera (2025)
Film career
- 1998Screen debut· Aprile
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Alessandro Pesci's films land?
Their typical Motif film has a Midcredits score in the 70th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 50th to 74th6
- 25th to 49th3
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed1
- Mixed4
Reviewers score the cinematography 73/100 in their films, across 5 reviewed titles; fans 77, detractors 60. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alessandro Pesci work with?
People who share at least 2 of Alessandro Pesci's Motif titles, grouped by what they did on them; Nanni Moretti shares the most, 3.
Directors
- Nanni MorettiShared titles: We Have a Pope (2011), Quiet Chaos (2008), To Each His Own Cinema (2007)See all 3 shared titles with Nanni Moretti

Writers
- Francesco PiccoloShared titles: We Have a Pope (2011), Quiet Chaos (2008)See all 2 shared titles with Francesco Piccolo

Actors
- Michel PiccoliShared titles: We Have a Pope (2011), To Each His Own Cinema (2007)See all 2 shared titles with Michel Piccoli

- Silvio OrlandoShared titles: Quiet Chaos (2008), Il cielo è sempre più blu (1996)See all 2 shared titles with Silvio Orlando

- Monica BellucciShared titles: N (Io e Napoleone) (2006), Il cielo è sempre più blu (1996)See all 2 shared titles with Monica Bellucci

Composers
- Paolo BuonvinoShared titles: Quiet Chaos (2008), N (Io e Napoleone) (2006)See all 2 shared titles with Paolo Buonvino

Producers
- Domenico ProcacciShared titles: We Have a Pope (2011), Quiet Chaos (2008), Il cielo è sempre più blu (1996)See all 3 shared titles with Domenico Procacci
