- January 1, 1960 (66)
- New York City, New York, USA
- Director, producer and writer, also editor
- 4 on MovieCove · 7 credits in all
What are Matthew Harrison's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 0 · Intense 2
A split, not a type: Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Matthew Harrison's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Matthew Harrison's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Popular (not in the MovieCove catalog yet)(1999)
The Bystander From Hell (not in the MovieCove catalog yet)(1998)
Sex and the City(1998)
Midcredits score: 67th percentile of all shows
Kicked in the Head(1997)
Midcredits score: 10th percentile of all films
The Good Life(1997)
Midcredits score: 17th percentile of all films
Rhythm Thief(1994)
Midcredits score: 62nd percentile of all films
Spare Me (not in the MovieCove catalog yet)(1993)
Career shape
A full career of 6 titles from 1993 to 1999.
How do Matthew Harrison's films land?
Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 14th percentile for acclaim.
- 50th to 74th2
- Below 25th2
Shape of the crowd
2 of their 4 titles are Mixed.
- Divisive1
- Crowd Pleaser1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Matthew Harrison work with?
People who share at least 2 of Matthew Harrison's MovieCove titles, grouped by what they did on them; Alan Davidson shares the most, 2.
Actors
- Alan DavidsonShared titles: Kicked in the Head (1997), Rhythm Thief (1994)See all 2 shared titles with Alan Davidson
- Kevin CorriganShared titles: Kicked in the Head (1997), Rhythm Thief (1994)See all 2 shared titles with Kevin Corrigan
Composers and cinematographers
- Howard KrupaShared titles: Kicked in the Head (1997), Rhythm Thief (1994)See all 2 shared titles with Howard Krupa
- John L. HornShared titles: The Good Life (1997), Rhythm Thief (1994)See all 2 shared titles with John L. Horn