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Renée Gundelach

Producer

Works as
Producer
Titles
12 on MovieCove · 38 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 16% in 30 days

What are Renée Gundelach's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Society and Power.

Genres

Drama7 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 45th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Society
32%
Power
23%
Self
17%
Morality
11%
Survival
7%
Bonds
5%
Ideas
5%
Identity4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeCorruption3 titles, browse their movies with this themePrejudice3 titles, browse their movies with this themePower2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 3 · Wry 0 · Earnest 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 5 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 7 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 4 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 4 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 4 · Full focus 4

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 4 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
6
Melancholic
6
Tense
5
Absurd
4
Cold
2
Other
6

How their films linger

Unsettling8 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertaste

How their films end

  • Happy1
  • Bittersweet1
  • Tragic1
  • Ambiguous7
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Renée Gundelach's films?

As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on MUBI (3).

Also on these channels

Subscription and free streaming for Renée Gundelach's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

38 credits, 12 with a MovieCove page.

  • Don't Come Knocking(2005)

    Post Production Consulting

    Midcredits score: 62nd percentile of all films

  • My Sweet Home (not in the MovieCove catalog yet)(2001)

    Executive Producer

  • Demons (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • The 120 Days of Bottrop (not in the MovieCove catalog yet)(1997)

    Production Manager

  • A Rat's Tale(1997)

    Producer

    Midcredits score: 23rd percentile of all films

  • Die Wildnis (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • I Am My Own Woman (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • Terror 2000 - Intensivstation Deutschland(1992)

    Producer

    Midcredits score: 40th percentile of all films

  • Bronstein's Children(1991)

    Producer

    Midcredits score: 54th percentile of all films (provisional, few ratings)

  • The Girlfriend (not in the MovieCove catalog yet)(1989)

    Executive Producer

  • Virgin Machine (not in the MovieCove catalog yet)(1989)

    Thanks

  • Die Feuerprobe - Novemberpogrom 1938 (not in the MovieCove catalog yet)(1988)

    Production Manager

  • Ballhaus Barmbek - Let's Kiss and Say Goodbye (not in the MovieCove catalog yet)(1988)

    Executive Producer

  • The Case of Mr. Spalt (not in the MovieCove catalog yet)(1988)

    Production Coordinator · Production Manager

  • Devil's Paradise (not in the MovieCove catalog yet)(1987)

    Executive Producer

  • Seduction: The Cruel Woman(1985)

    Executive Producer

    Midcredits score: 39th percentile of all films

  • A Virus Knows No Morals (not in the MovieCove catalog yet)(1986)

    Executive Producer

  • The Cop & the Girl (not in the MovieCove catalog yet)(1985)

    Executive Producer

  • Flight to Berlin(1984)

    Consulting Producer

    Midcredits score: 21st percentile of all films (provisional, few ratings)

  • Is was, Kanzler? (not in the MovieCove catalog yet)(1984)

    Consulting Producer

  • Dorian Gray in the Mirror of the Yellow Press(1984)

    Executive Producer

    Midcredits score: 60th percentile of all films

  • The Bite (not in the MovieCove catalog yet)(1984)

    Executive Producer

  • White Star (not in the MovieCove catalog yet)(1983)

    Executive Producer

  • Utopia (not in the MovieCove catalog yet)(1983)

    Producer

  • Mit starrem Blick aufs Geld (not in the MovieCove catalog yet)(1983)

    Executive Producer

  • Dabbel Trabbel (not in the MovieCove catalog yet)(1982)

    Executive Producer

  • The State of Things(1982)

    Producer

    Midcredits score: 77th percentile of all films

  • Freak Orlando(1981)

    Executive Producer

    Midcredits score: 50th percentile of all films

  • Lightning Over Water (not in the MovieCove catalog yet)(1980)

    Executive Producer

  • Germany Pale Mother (not in the MovieCove catalog yet)(1980)

    Consulting Producer

  • Radio On(1979)

    Executive Producer

    Midcredits score: 61st percentile of all films

  • Milo-Milo (not in the MovieCove catalog yet)(1979)

    Finance

  • Ticket of No Return(1979)

    Consulting Producer

    Midcredits score: 72nd percentile of all films

  • ...als Diesel geboren (not in the MovieCove catalog yet)(1979)

    Line Producer

  • The Left-Handed Woman (not in the MovieCove catalog yet)(1978)

    Executive Producer

  • The American Friend(1977)

    Executive Producer

    Midcredits score: 92nd percentile of all films

  • Snowdrops Bloom in September (not in the MovieCove catalog yet)(1974)

    Executive Producer

  • Liebe Mutter, mir geht es gut (not in the MovieCove catalog yet)(1972)

    Executive Producer

Career shape

A full career of 34 titles from 1972 to 2005.

Biggest box office

The American Friend (1977)

$4K worldwide

Highest rated

The American Friend (1977)

Midcredits 92nd

Most popular right now

Seduction: The Cruel Woman (1985)

By role

only this rolewith another role
Producing28 of 34: 28 only producing, 0 with another role · typical Midcredits score60thOther crew6 of 34: 6 only other crew, 0 with another role

By decade

1970s8 · crew1980s20 · crew1990s3 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Renée Gundelach's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 11

Approval · how many liked their films

52ndpercentile
Typical film, the median of 11

Reach · how many have seen their films

51stpercentile
Typical film, the median of 11

Midcredits score across 12 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

5 of their 12 titles are Crowd Pleasers.

  • Cult Classic2
  • Crowd Pleaser5
  • Mixed5

Most divisive · producer

Terror 2000 - Intensivstation Deutschland (1992)

73rd percentile spread · 27% rated it 4 or lower

Most loved · producer

The American Friend (1977)

Midcredits 92nd · 79% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Renée Gundelach work with?

People who share at least 2 of Renée Gundelach's MovieCove titles, grouped by what they did on them; Ulrike Ottinger shares the most, 3.

Directors

Actors

Composers, cinematographers and editors

Producers