
Ricardo Cortez
Actor · Died April 28, 1977, aged 76 · New York City, New York, USA
Ricardo Cortez (September 19, 1900 – April 28, 1977) was an American film actor who began his career during the silent film era. Born Jacob Krantz in New York City into a Jewish family, he worked on Wall Street in a broker's office and as a boxer before his looks got him into the film business. Hollywood executives changed his name to Cortez to appeal to film-goers as a "Latin lover" to compete with such highly popular actors of the era as Rudolph Valentino, Ramon Novarro and Antonio Moreno. When rumour began to circulate that Cortez was not actually Spanish, the studios tried to pass him off as a different type of Latin, French, before they finally admitted his (supposedly) Viennese origin. Cortez appeared in over 100 films. He played opposite Joan Crawford in Montana Moon in 1930, played Sam Spade in the original The Maltese Falcon in 1931, co-starred with Charles Farrell and Bette Davis in The Big Shakedown and Wonder Bar (with Al Jolson and Dolores del Río) in 1934. He also played Perry Mason in the 1936 film The Case of the Black Cat. Although he began his career playing romantic leads with actresses like Greta Garbo, when sound cinema arrived, his powerful delivery and New York accent made him an ideal villain and conman, and he switched from sex symbol to character actor. Cortez was married to silent film actress Alma Rubens until her death of pneumonia in 1931. When he retired from the film business, Cortez went to work as a stockbroker for Solomon Brothers on New York's Wall Street. He died in New York City in 1977 and was interred at Woodlawn Cemetery in The Bronx. He was the older brother of noted cinematographer Stanley Cortez (born Stanislaus Krantz).
Read moreShow less
Biography from TMDB.
- September 17, 1900
- April 28, 1977 (aged 76)
- New York City, New York, USA
- Actor
- 27 on MovieCove · 106 credits in all
What are Ricardo Cortez's films like?
Across their 26 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 4 · Earnest 21
A split, not a type: Light 13 · Serious 8 · Dark 5
A split, not a type: Grounded 14 · Stylized 10 · Heightened 2
Gentle 4 · Charged 18 · Intense 4
Steady 9 · Shifting 13 · Whiplash 4
A split, not a type: Straight-faced 12 · Some laughs 11 · Funny 3
Slow burn 8 · Even-paced 14 · Relentless 4
A split, not a type: Casual 15 · Engaged 11 · Full focus 0
A split, not a type: Easy watch 12 · Affecting 10 · Heavy 4
Resolved 19 · Open-ended 5 · Ambiguous 2
Roles they play
Usually the Shadow: 8 of 21 analyzed roles.
Show the 21 rolesHide the roles
- Heroas Dr. Walter, the Tutor in The Swan (1925)
- Heroas Morris Goldfish in The Younger Generation (1929)
- Shadowas Johnnie in Her Man (1930)
- Shadowas Ronnie Wales in Behind Office Doors (1931)
- Shapeshifteras Robert Clayton in Big Business Girl (1931)
- Heraldas Bradley Carlton in Ten Cents a Dance (1931)
- Heroas William Poster in Is My Face Red? (1932)
- Tricksteras William Poster in Is My Face Red? (1932)
- Allyas Police Sergeant Barry Clive in Thirteen Women (1932)
- Allyas Bill Blaine in The House on 56th Street (1933)
- Mentoras Tony Cummings in Torch Singer (1933)
- Shapeshifteras Ellinger in A Lost Lady (1934)
- Shadowas Harry in Wonder Bar (1934)
- Shadowas Paul Morra in Frisco Kid (1935)
- Shadowas Alexander Carston in Special Agent (1935)
- Allyas Jim Sundean in The White Cockatoo (1935)
- Heroas Inspector Bill Davis in Postal Inspector (1936)
- Shadowas Nolan in The Walking Dead (1936)
- Heroas Ramon Escobar in The Californian (1937)
- Shadowas Fritz Alden in Make Your Own Bed (1944)
- Shadowas Duke York in The Inner Circle (1946)
Moods and endings
- Happy12
- Bittersweet10
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ricardo Cortez's films?
As of October 24, 2026, 9 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Ricardo Cortez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
106 credits, 27 with a MovieCove page; 10 appearances as themselves are hidden until asked for.

The Last Hurrah(1958)
Midcredits score: 88th percentile of all films
Bunco Squad (not in the MovieCove catalog yet)(1950)

Mystery in Mexico (not in the MovieCove catalog yet)(1948)

Blackmail (not in the MovieCove catalog yet)(1947)

The Locket(1946)
Midcredits score: 83rd percentile of all films
The Inner Circle(1946)
Midcredits score: 35th percentile of all films
Make Your Own Bed(1944)
Midcredits score: 24th percentile of all films
Tomorrow We Live (not in the MovieCove catalog yet)(1942)

Rubber Racketeers (not in the MovieCove catalog yet)(1942)

Who Is Hope Schuyler? (not in the MovieCove catalog yet)(1942)

I Killed That Man (not in the MovieCove catalog yet)(1941)

World Premiere (not in the MovieCove catalog yet)(1941)

A Shot in the Dark(1941)
Midcredits score: 24th percentile of all films
Romance of the Rio Grande (not in the MovieCove catalog yet)(1941)

Murder Over New York (not in the MovieCove catalog yet)(1940)

Girl in 313 (not in the MovieCove catalog yet)(1940)

Free, Blonde and 21 (not in the MovieCove catalog yet)(1940)

City of Chance (not in the MovieCove catalog yet)(1940)

Heaven with a Barbed Wire Fence (not in the MovieCove catalog yet)(1939)

The Escape (not in the MovieCove catalog yet)(1939)

Charlie Chan in Reno(1939)
Midcredits score: 82nd percentile of all films
Chasing Danger (not in the MovieCove catalog yet)(1939)

Inside Story (not in the MovieCove catalog yet)(1939)

Mr. Moto's Last Warning (not in the MovieCove catalog yet)(1939)

City Girl (not in the MovieCove catalog yet)(1938)

West of Shanghai (not in the MovieCove catalog yet)(1937)

The Californian(1937)
Midcredits score: 12th percentile of all films (provisional, few ratings)
Her Husband Lies (not in the MovieCove catalog yet)(1937)

Talk of the Devil (not in the MovieCove catalog yet)(1936)

The Case of the Black Cat (not in the MovieCove catalog yet)(1936)

Postal Inspector(1936)
Midcredits score: 12th percentile of all films
The Walking Dead(1936)
Midcredits score: 67th percentile of all films
Man Hunt (not in the MovieCove catalog yet)(1936)

Sunkist Stars at Palm Springs (not in the MovieCove catalog yet)(1936)

The Murder of Dr. Harrigan (not in the MovieCove catalog yet)(1936)

Frisco Kid(1935)
Midcredits score: 57th percentile of all films
Special Agent(1935)
Midcredits score: 60th percentile of all films
Manhattan Moon (not in the MovieCove catalog yet)(1935)

Shadow of Doubt (not in the MovieCove catalog yet)(1935)

The White Cockatoo(1935)
Midcredits score: 57th percentile of all films
I Am a Thief (not in the MovieCove catalog yet)(1934)

The Firebird (not in the MovieCove catalog yet)(1934)

A Lost Lady(1934)
Midcredits score: 37th percentile of all films
The Man with Two Faces (not in the MovieCove catalog yet)(1934)

Hat, Coat and Glove (not in the MovieCove catalog yet)(1934)

Wonder Bar(1934)
Midcredits score: 59th percentile of all films
Mandalay (not in the MovieCove catalog yet)(1934)

The Big Shakedown (not in the MovieCove catalog yet)(1934)

The House on 56th Street(1933)
Midcredits score: 64th percentile of all films
Big Executive (not in the MovieCove catalog yet)(1933)

Torch Singer(1933)
Midcredits score: 63rd percentile of all films
Midnight Mary (not in the MovieCove catalog yet)(1933)

Broadway Bad (not in the MovieCove catalog yet)(1933)

Flesh (not in the MovieCove catalog yet)(1932)

The Phantom of Crestwood(1932)
Midcredits score: 61st percentile of all films
Thirteen Women(1932)
Midcredits score: 50th percentile of all films
Is My Face Red?(1932)
Midcredits score: 36th percentile of all films
Symphony of Six Million (not in the MovieCove catalog yet)(1932)

No One Man (not in the MovieCove catalog yet)(1932)

Men of Chance (not in the MovieCove catalog yet)(1931)
Reckless Living (not in the MovieCove catalog yet)(1931)

Bad Company (not in the MovieCove catalog yet)(1931)

Transgression (not in the MovieCove catalog yet)(1931)

Big Business Girl(1931)
Midcredits score: 36th percentile of all films
The Maltese Falcon (not in the MovieCove catalog yet)(1931)

White Shoulders (not in the MovieCove catalog yet)(1931)

Behind Office Doors(1931)
Midcredits score: 38th percentile of all films
Illicit (not in the MovieCove catalog yet)(1931)

Ten Cents a Dance(1931)
Midcredits score: 59th percentile of all films
Her Man(1930)
Midcredits score: 59th percentile of all films
Montana Moon(1930)
Midcredits score: 15th percentile of all films
The Lost Zeppelin (not in the MovieCove catalog yet)(1929)

The Phantom in the House(1929)
Midcredits score: 9th percentile of all films
Midstream (not in the MovieCove catalog yet)(1929)

New Orleans (not in the MovieCove catalog yet)(1929)

The Younger Generation(1929)
Midcredits score: 56th percentile of all films
Excess Baggage (not in the MovieCove catalog yet)(1928)

Prowlers of the Sea (not in the MovieCove catalog yet)(1928)

Ladies of the Night Club (not in the MovieCove catalog yet)(1928)

Woman of Destiny (not in the MovieCove catalog yet)(1928)

The Private Life of Helen of Troy (not in the MovieCove catalog yet)(1927)

By Whose Hand? (not in the MovieCove catalog yet)(1927)

Mockery (not in the MovieCove catalog yet)(1927)

New York (not in the MovieCove catalog yet)(1927)

The Eagle of the Sea (not in the MovieCove catalog yet)(1926)

The Sorrows of Satan (not in the MovieCove catalog yet)(1926)

The Cat's Pajamas (not in the MovieCove catalog yet)(1926)

Volcano (not in the MovieCove catalog yet)(1926)

Torrent (not in the MovieCove catalog yet)(1926)

Not So Long Ago (not in the MovieCove catalog yet)(1925)

The Pony Express (not in the MovieCove catalog yet)(1925)

In the Name of Love (not in the MovieCove catalog yet)(1925)

The Spaniard (not in the MovieCove catalog yet)(1925)

The Swan(1925)
Midcredits score: 44th percentile of all films (provisional, few ratings)
Argentine Love (not in the MovieCove catalog yet)(1924)

This Woman (not in the MovieCove catalog yet)(1924)

The City That Never Sleeps (not in the MovieCove catalog yet)(1924)

Feet of Clay (not in the MovieCove catalog yet)(1924)

The Bedroom Window (not in the MovieCove catalog yet)(1924)

A Society Scandal (not in the MovieCove catalog yet)(1924)

The Next Corner (not in the MovieCove catalog yet)(1924)

The Call of the Canyon (not in the MovieCove catalog yet)(1923)

Hollywood (not in the MovieCove catalog yet)(1923)

Children of Jazz (not in the MovieCove catalog yet)(1923)

Sixty Cents an Hour (not in the MovieCove catalog yet)(1923)

The Gentleman from America (not in the MovieCove catalog yet)(1923)
Career shape
Star power in the 90th percentile of 239,109 people with a billed film role, over a full career of 106 titles from 1923 to 1958.

Biggest box office
Montana Moon (1930)

Highest rated
The Locket (1946)

Most popular right now
The Swan (1925)
Film career
Top draw in 1 MovieCove title.
- 1931Screen debut· The Maltese Falcon
- 1931First top-billed film· The Maltese Falcon
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Ricardo Cortez's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 27; across their 26 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up3
- 50th to 74th12
- 25th to 49th6
- Below 25th6
Shape of the crowd
12 of their 27 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser12
- Broadly Agreed8
- Mixed6
Reviewers score the acting 68/100 in their films, across 26 reviewed titles; fans 77, detractors 52. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ricardo Cortez work with?
People who share at least 2 of Ricardo Cortez's MovieCove titles, grouped by what they did on them; Bernhard Kaun shares the most, 5.
Directors
- Lloyd BaconShared titles: Frisco Kid (1935), Wonder Bar (1934)See all 2 shared titles with Lloyd Bacon

- Phil RosenShared titles: A Lost Lady (1934), The Phantom in the House (1929)See all 2 shared titles with Phil Rosen

- William A. SeiterShared titles: Is My Face Red? (1932), Big Business Girl (1931)See all 2 shared titles with William A. Seiter

Writers
- Sheridan GibneyShared titles: The Locket (1946), The House on 56th Street (1933)See all 2 shared titles with Sheridan Gibney
- Lillie HaywardShared titles: The Walking Dead (1936), The White Cockatoo (1935)See all 2 shared titles with Lillie Hayward
- Ben MarksonShared titles: The White Cockatoo (1935), Is My Face Red? (1932)See all 2 shared titles with Ben Markson
- Lenore J. CoffeeShared titles: Torch Singer (1933), The Swan (1925)See all 2 shared titles with Lenore J. Coffee

Actors
- Addison RichardsShared titles: The Walking Dead (1936), Frisco Kid (1935), The White Cockatoo (1935)See all 3 shared titles with Addison Richards

- Gene RaymondShared titles: The Locket (1946), The House on 56th Street (1933)See all 2 shared titles with Gene Raymond

- Sidney TolerShared titles: Charlie Chan in Reno (1939), Is My Face Red? (1932)See all 2 shared titles with Sidney Toler

- Slim SummervilleShared titles: Charlie Chan in Reno (1939), Her Man (1930)See all 2 shared titles with Slim Summerville

Composers, cinematographers and editors
- Bernhard KaunShared titles: The Walking Dead (1936), Frisco Kid (1935), Special Agent (1935), The White Cockatoo (1935), The House on 56th Street (1933)See all 5 shared titles with Bernhard Kaun
- Clarence KolsterShared titles: Make Your Own Bed (1944), Special Agent (1935), The White Cockatoo (1935)See all 3 shared titles with Clarence Kolster

- Sol PolitoShared titles: Frisco Kid (1935), Wonder Bar (1934), Big Business Girl (1931)See all 3 shared titles with Sol Polito
- Heinz RoemheldShared titles: Make Your Own Bed (1944), A Lost Lady (1934)See all 2 shared titles with Heinz Roemheld

Producers
- David O. SelznickShared titles: Is My Face Red? (1932), The Phantom of Crestwood (1932), Thirteen Women (1932)See all 3 shared titles with David O. Selznick

- Samuel BischoffShared titles: Frisco Kid (1935), Special Agent (1935)See all 2 shared titles with Samuel Bischoff


