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Shûji Abe

Shûji Abe

Producer · Died December 11, 2023, aged 74 · Tokyo, Japan

Shūji Abe (阿部 秀司, Abe Shūji, August 7, 1949 – December 11, 2023) was a Japanese film producer. The founder of Robot Communications, he was responsible for the production of many of Japan's most successful and acclaimed movies from the 21st century, including Bayside Shakedown 2 (2003), Stand by Me Doraemon (2014), and Godzilla Minus One (2023).

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Biography from TMDB.

Born
August 7, 1949
Died
December 11, 2023 (aged 74)
From
Tokyo, Japan
Works as
Producer
Titles
20 on MovieCove · 31 credits in all
TMDB popularity, last 157 days to Oct 28Up 7% in 30 days

What are Shûji Abe's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 1 · Dark 5

Grounded 2 · Stylized 11 · Heightened 1

Gentle 3 · Charged 8 · Intense 3

Steady 9 · Shifting 5 · Whiplash 0

Straight-faced 6 · Some laughs 7 · Funny 1

A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 1

Casual 4 · Engaged 9 · Full focus 1

Resolved 11 · Open-ended 3 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shûji Abe's films?

As of October 24, 2026, 6 of their 20 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Subscription and free streaming for Shûji Abe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 20 with a MovieCove page.

  • Godzilla Minus One(2023)

    Executive Producer

    Midcredits score: 97th percentile of all films
  • Ghost Book(2022)

    Producer

    Midcredits score: 45th percentile of all films
  • Stand by Me Doraemon 2(2020)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Lupin III: The First(2019)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • Dragon Quest: Your Story(2019)

    Executive Producer

    Midcredits score: 68th percentile of all films
  • The Great War of Archimedes(2019)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Our Departures (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • The Lies She Loved (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Destiny: The Tale of Kamakura(2017)

    Executive Producer

    Midcredits score: 69th percentile of all films
  • Fueled: The Man They Called "Pirate" (not in the MovieCove catalog yet)(2016)

    Executive Producer

  • Parasyte: Part 2(2015)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • Parasyte: Part 1(2014)

    Executive Producer

    Midcredits score: 75th percentile of all films
  • Stand by Me Doraemon(2014)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • The Fighter Pilot(2013)

    Producer

    Midcredits score: 85th percentile of all films
  • Always: Sunset on Third Street '64(2012)

    Executive Producer

    Midcredits score: 82nd percentile of all films
  • Crossroads(2011)

    Executive Producer

    Midcredits score: 26th percentile of all films (provisional, few ratings)
  • Odoru daisousasen the movie 3: Yatsura o kaihou seyo!(2010)

    as Governor of Tokyo Metropolis

    Midcredits score: 28th percentile of all films
  • Flowers (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Railways (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Professor Layton and the Eternal Diva(2009)

    Co-Executive Producer

    Midcredits score: 81st percentile of all films
  • Ballad (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • Honokaa Boy (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • K-20: The Fiend with Twenty Faces (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • Always: Sunset on Third Street 2(2007)

    Executive Producer

    Midcredits score: 89th percentile of all films
  • Midnight Sun (not in the MovieCove catalog yet)(2006)

    Producer

  • Always: Sunset on Third Street(2005)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Summer Time Machine Blues(2005)

    Executive Producer

    Midcredits score: 84th percentile of all films
  • Midcredits score: 45th percentile of all films
  • Laundry (not in the MovieCove catalog yet)(2002)

    Executive Producer

  • Juvenile (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Love Letter(1995)

    Executive Producer

    Midcredits score: 97th percentile of all films

Career shape

A full career of 30 titles from 1995 to 2023.

By role

only this rolewith another role
Acting1 of 30: 1 only acting, 0 with another roleProducing29 of 30: 29 only producing, 0 with another role · typical Midcredits score83rd

By decade

1990s1 · crew2000s11 · crew2010s16 · 1 acting · 15 crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Shûji Abe's films land?

Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 20; across their 14 films with reception data, the typical film sits in the 88th percentile for acclaim.

Acclaim · how much people like their films

88thpercentile
Typical film, the median of 14

Approval · how many liked their films

82ndpercentile
Typical film, the median of 14

Reach · how many have seen their films

84thpercentile
Typical film, the median of 14

Midcredits score across 20 titles, by percentile

  • 75th and up12
  • 50th to 74th4
  • 25th to 49th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Shûji Abe's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 34 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 17 · mildMedian of all films: 32
Profanity4 titlesmedian 14 · minimalMedian of all films: 36
Alcohol & Drugs4 titlesmedian 19 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 33 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Shûji Abe work with?

People who share at least 2 of Shûji Abe's MovieCove titles, grouped by what they did on them; Takashi Yamazaki shares the most, 11.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers