Henry Adams
Editor · Died August 20, 1996, aged 97 · Beresford, South Dakota, USA
- April 18, 1899
- August 20, 1996 (aged 97)
- Beresford, South Dakota, USA
- Editor
- 14 on MovieCove · 22 credits in all
What are Henry Adams' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 2 · Dark 0
Grounded 3 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 3 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henry Adams' films?
As of October 24, 2026, 13 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Henry Adams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 14 with a MovieCove page.
The Gun Hawk(1963)
Midcredits score: 44th percentile of all films
Boy Who Caught a Crook(1961)
Midcredits score: 12th percentile of all films
The Boy and the Pirates(1960)
Midcredits score: 14th percentile of all films
Midcredits score: 28th percentile of all films
Invisible Invaders(1959)
Midcredits score: 15th percentile of all films
Riot in Juvenile Prison(1959)
Midcredits score: 11th percentile of all films
God's Little Acre(1958)
Midcredits score: 63rd percentile of all films
Badman's Country(1958)
Midcredits score: 20th percentile of all films
Top Gun(1955)
Midcredits score: 56th percentile of all films
Fury(1955)
Midcredits score: 64th percentile of all shows
New York Confidential (not in the MovieCove catalog yet)(1955)
Swamp Fire(1946)
Midcredits score: 26th percentile of all films
Big Town (not in the MovieCove catalog yet)(1946)
They Made Me a Killer (not in the MovieCove catalog yet)(1946)
People Are Funny(1946)
Midcredits score: 24th percentile of all films
Midnight Manhunt (not in the MovieCove catalog yet)(1945)
Scared Stiff (not in the MovieCove catalog yet)(1945)
High Powered(1945)
Midcredits score: 13th percentile of all films
Dangerous Passage (not in the MovieCove catalog yet)(1944)
Double Exposure (not in the MovieCove catalog yet)(1944)
One Body Too Many(1944)
Midcredits score: 21st percentile of all films
Tex Takes a Holiday (not in the MovieCove catalog yet)(1932)
Career shape
A full career of 20 titles from 1932 to 1963.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Henry Adams' films land?
Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 13; across their 5 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 50th to 74th3
- 25th to 49th3
- Below 25th8
Shape of the crowd
8 of their 14 titles are Mixed.
- Crowd Pleaser3
- Broadly Agreed3
- Mixed8
Reviewers score the pacing 48/100 in their films, across 5 reviewed titles; fans 56, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Henry Adams work with?
People who share at least 2 of Henry Adams' MovieCove titles, grouped by what they did on them; William C. Thomas shares the most, 4.
Writers
- Maxwell ShaneShared titles: People Are Funny (1946), High Powered (1945), One Body Too Many (1944)See all 3 shared titles with Maxwell Shane
Actors
- Jack HaleyShared titles: People Are Funny (1946), One Body Too Many (1944)See all 2 shared titles with Jack Haley
Composers, cinematographers and editors
- Fred Jackman Jr.Shared titles: Swamp Fire (1946), High Powered (1945), One Body Too Many (1944)See all 3 shared titles with Fred Jackman Jr.
- Howard A. SmithShared titles: People Are Funny (1946), High Powered (1945), One Body Too Many (1944)See all 3 shared titles with Howard A. Smith
- Rudy SchragerShared titles: People Are Funny (1946), Swamp Fire (1946)See all 2 shared titles with Rudy Schrager
- Alexander LaszloShared titles: High Powered (1945), One Body Too Many (1944)See all 2 shared titles with Alexander Laszlo
Producers
- William C. ThomasShared titles: People Are Funny (1946), Swamp Fire (1946), High Powered (1945), One Body Too Many (1944)See all 4 shared titles with William C. Thomas
- William H. PineShared titles: People Are Funny (1946), Swamp Fire (1946), High Powered (1945), One Body Too Many (1944)See all 4 shared titles with William H. Pine
