Akhtar-Ul-Iman

What are Akhtar-Ul-Iman's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Akhtar-Ul-Iman's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.

• Netflix2 titles, browse their movies on this service
  • Daag: A Poem of Love (1973) · writer
  • Vijay (1988) · writer
• Prime Video2 titles, browse their movies on this service
  • Phool Aur Patthar (1966) · writer
  • Zameer (1975) · writer

Subscription and free streaming for Akhtar-Ul-Iman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Vijay(1988)

  Writer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Zameer(1975)

  Writer

  Midcredits score: 46th percentile of all films46^th
• 

  Daag: A Poem of Love(1973)

  Writer

  Midcredits score: 80th percentile of all films80^th
• 

  Mera Saaya(1966)

  Writer

  Midcredits score: 91st percentile of all films91^st
• 

  Phool Aur Patthar(1966)

  Writer

  Midcredits score: 68th percentile of all films68^th
• 

  Waqt(1965)

  Writer

  Midcredits score: 89th percentile of all films89^th
• 

  Aaj Aur Kal(1963)

  Writer

  Midcredits score: 41st percentile of all films (provisional, few ratings)~41^st

Career shape

Across their 7 MovieCove titles from 1963 to 1988.

Highest rated

Mera Saaya (1966)

Midcredits 91^st

Most popular right now

Aaj Aur Kal (1963)

How do Akhtar-Ul-Iman's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Shape of the crowd

2 of their 7 titles are Universally Loved.

2212

• Universally Loved2
• Cult Classic2
• Crowd Pleaser1
• Mixed2

Most divisive · writer

Aaj Aur Kal (1963)

89^th percentile spread · 31% rated it 4 or lower

Most loved · writer

Mera Saaya (1966)

Midcredits 91^st · 84% liked

Reviewers score the dialogue 55/100 and the plot and story 44/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Akhtar-Ul-Iman work with?

People who share at least 2 of Akhtar-Ul-Iman's MovieCove titles, grouped by what they did on them; Madan Puri shares the most, 4.