- Composer, also director and editor
- 6 on MovieCove · 15 credits in all
What are Edesio Alejandro's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 4
A split, not a type: Light 4 · Serious 0 · Dark 2
Grounded 5 · Stylized 0 · Heightened 1
Gentle 1 · Charged 4 · Intense 1
A split, not a type: Steady 3 · Shifting 2 · Whiplash 1
Straight-faced 2 · Some laughs 2 · Funny 2
Slow burn 2 · Even-paced 3 · Relentless 1
Casual 2 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 4 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet1
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edesio Alejandro's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Edesio Alejandro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 6 with a MovieCove page.
Farwell Cuba (not in the MovieCove catalog yet)(2025)
Mambo Man(2020)
Midcredits score: 57th percentile of all films
Los buenos demonios(2018)
Midcredits score: 28th percentile of all films (provisional, few ratings)
The Human Thing(2016)
Midcredits score: 41st percentile of all films (provisional, few ratings)
The Wall of Words (not in the MovieCove catalog yet)(2014)
Boleto al paraíso(2010)
Midcredits score: 33rd percentile of all films
Un rey en La Habana(2005)
Midcredits score: 58th percentile of all films
Dreaming of Julia (not in the MovieCove catalog yet)(2003)
Nada(2001)
Midcredits score: 65th percentile of all films
Molina's Test (not in the MovieCove catalog yet)(2001)
Más allá de una esperanza (not in the MovieCove catalog yet)(1999)
Little Tropikana (not in the MovieCove catalog yet)(1997)
History in Africa (not in the MovieCove catalog yet)(1997)
El largo viaje de Rústico (not in the MovieCove catalog yet)(1993)
Living Dangerously (not in the MovieCove catalog yet)(1987)
Career shape
A full career of 12 titles from 1987 to 2025.
How do Edesio Alejandro's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 50th to 74th3
- 25th to 49th3
Shape of the crowd
5 of their 6 titles are Mixed.
- Cult Classic1
- Mixed5
Reviewers score the sound and music 68/100 in their films, across 3 reviewed titles; fans 70, detractors 40. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edesio Alejandro work with?
People who share at least 2 of Edesio Alejandro's MovieCove titles, grouped by what they did on them; Gerardo Chijona shares the most, 3.
Directors
- Gerardo ChijonaShared titles: Los buenos demonios (2018), The Human Thing (2016), Boleto al paraíso (2010)See all 3 shared titles with Gerardo Chijona
Writers
- Francisco Garcia GonzalesShared titles: The Human Thing (2016), Boleto al paraíso (2010)See all 2 shared titles with Francisco Garcia Gonzales
Actors
- Carlos Enrique AlmiranteShared titles: Los buenos demonios (2018), The Human Thing (2016)See all 2 shared titles with Carlos Enrique Almirante
- Enrique MolinaShared titles: Los buenos demonios (2018), The Human Thing (2016)See all 2 shared titles with Enrique Molina
- Vladimir CruzShared titles: Los buenos demonios (2018), The Human Thing (2016)See all 2 shared titles with Vladimir Cruz
- Héctor MedinaShared titles: The Human Thing (2016), Boleto al paraíso (2010)See all 2 shared titles with Héctor Medina
Cinematographers and editors
- Miriam TalaveraShared titles: Los buenos demonios (2018), The Human Thing (2016), Boleto al paraíso (2010)See all 3 shared titles with Miriam Talavera
- Raúl Pérez UretaShared titles: Los buenos demonios (2018), The Human Thing (2016), Boleto al paraíso (2010)See all 3 shared titles with Raúl Pérez Ureta
Producers
- Danilo LeónShared titles: Los buenos demonios (2018), The Human Thing (2016)See all 2 shared titles with Danilo León
- Isabel PrendesShared titles: The Human Thing (2016), Boleto al paraíso (2010)See all 2 shared titles with Isabel Prendes
- Camilo VivesShared titles: Boleto al paraíso (2010), Nada (2001)See all 2 shared titles with Camilo Vives