Alessandro was an Italian musician and composer. He played multiple instruments, including the guitar, mandolin, mandolincello, sitar, accordion and piano, and composed more than 40 film scores and countless library music.
Biography from TMDB.
- March 18, 1925
- March 26, 2017 (aged 92)
- Roma, Italy
- Composer, also actor
- 13 on MovieCove · 48 credits in all
What are Alessandro Alessandroni's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 4
Light 4 · Serious 2 · Dark 1
A split, not a type: Grounded 3 · Stylized 2 · Heightened 2
Gentle 2 · Charged 4 · Intense 1
A split, not a type: Steady 3 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 1
A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 0
A split, not a type: Casual 4 · Engaged 2 · Full focus 1
Easy watch 6 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alessandro Alessandroni's films?
As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Alessandro Alessandroni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
48 credits, 13 with a MovieCove page; 3 appearances as themselves are hidden until asked for.
Midcredits score: 93rd percentile of all showsWestern all'italiana (not in the MovieCove catalog yet)(2004)
Waitress Without ... Malice (not in the MovieCove catalog yet)(1980)
Eva Man (not in the MovieCove catalog yet)(1980)
Lulù 77 (not in the MovieCove catalog yet)(1980)
Il casinista (not in the MovieCove catalog yet)(1980)
Porno Esotic Love (not in the MovieCove catalog yet)(1980)
Hard Sensation (not in the MovieCove catalog yet)(1980)
L'imbranato (not in the MovieCove catalog yet)(1979)
The Killer Nun(1979)
Midcredits score: 17th percentile of all films
Man Man Man (not in the MovieCove catalog yet)(1979)
Il Gabbiano d'Argento - Pallavolo '78 Italia-Campionati del Mondo (not in the MovieCove catalog yet)(1979)
Two Pieces of Bread (not in the MovieCove catalog yet)(1979)
Very Close Encounters of the Fourth Kind (not in the MovieCove catalog yet)(1978)
Women's Camp 119 (not in the MovieCove catalog yet)(1977)
Liebes Lager (not in the MovieCove catalog yet)(1976)
Blood and Bullets (not in the MovieCove catalog yet)(1976)
Omelette Italian Style (not in the MovieCove catalog yet)(1976)
School Days (not in the MovieCove catalog yet)(1976)
Love Sacrifice (not in the MovieCove catalog yet)(1976)
Don Milani (not in the MovieCove catalog yet)(1976)
Noi siam come le lucciole (not in the MovieCove catalog yet)(1976)
Under the Sheets(1976)
Midcredits score: 5th percentile of all films
L'altro Dio (not in the MovieCove catalog yet)(1975)
Poker in Bed (not in the MovieCove catalog yet)(1974)
Peynet: The Journey of Love (not in the MovieCove catalog yet)(1974)
The Crazy Bunch (not in the MovieCove catalog yet)(1974)
Patroclooo!... e il soldato Camillone, grande grosso e frescone (not in the MovieCove catalog yet)(1973)
7 Hours of Violence (not in the MovieCove catalog yet)(1973)
Sinbad and the Calif of Bagdad (not in the MovieCove catalog yet)(1973)
What the Chambermaid Saw (not in the MovieCove catalog yet)(1973)
Novelle galeotte d'amore (not in the MovieCove catalog yet)(1972)
Sonny & Jed(1972)
Midcredits score: 50th percentile of all films
Hands Up, Dead Man! You're Under Arrest (not in the MovieCove catalog yet)(1971)
The Devil's Nightmare (not in the MovieCove catalog yet)(1971)
Duck, You Sucker!(1971)
Midcredits score: 95th percentile of all films
Lady Frankenstein(1971)
Midcredits score: 21st percentile of all films
Armida, the Tragedy of a Wife (not in the MovieCove catalog yet)(1970)
La guerra sul fronte Est (not in the MovieCove catalog yet)(1970)
El Puro (not in the MovieCove catalog yet)(1969)
One on Top of the Other(1969)
Midcredits score: 68th percentile of all films
Lesbo (not in the MovieCove catalog yet)(1969)
Any Gun Can Play(1967)
Midcredits score: 39th percentile of all films
Payment in Blood(1967)
Midcredits score: 27th percentile of all films
Midcredits score: 58th percentile of all films (provisional, few ratings)
Midcredits score: 99th percentile of all films
For a Few Dollars More(1965)
Midcredits score: 99th percentile of all films
A Fistful of Dollars(1964)
Midcredits score: 98th percentile of all films
Career shape
A full career of 47 titles from 1964 to 2023.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alessandro Alessandroni's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 12; across their 7 films with reception data, the typical film sits in the 45th percentile for acclaim.
- 75th and up5
- 50th to 74th3
- 25th to 49th2
- Below 25th3
Shape of the crowd
5 of their 13 titles are Universally Loved.
- Universally Loved5
- Crowd Pleaser2
- Broadly Agreed1
- Mixed5
Reviewers score the sound and music 69/100 in their films, across 4 reviewed titles; fans 74, detractors 56. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Alessandro Alessandroni's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Alessandro Alessandroni work with?
People who share at least 2 of Alessandro Alessandroni's MovieCove titles, grouped by what they did on them; Stefania Careddu shares the most, 2.
Actors
- Stefania CaredduShared titles: Any Gun Can Play (1967), Troppo per vivere... poco per morire (1967)See all 2 shared titles with Stefania Careddu
Composers
- Francesco De MasiShared titles: Any Gun Can Play (1967), Troppo per vivere... poco per morire (1967)See all 2 shared titles with Francesco De Masi
Producers
- Edmondo AmatiShared titles: Any Gun Can Play (1967), Troppo per vivere... poco per morire (1967)See all 2 shared titles with Edmondo Amati
- Maurizio AmatiShared titles: Any Gun Can Play (1967), Troppo per vivere... poco per morire (1967)See all 2 shared titles with Maurizio Amati
Mixed roles
- Enzo G. CastellariShared titles: Ennio (2021), Any Gun Can Play (1967)See all 2 shared titles with Enzo G. Castellari
