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MovieCove

Luigi Alessi

Producer

Works as
Producer
Titles
4 on MovieCove · 9 credits in all
TMDB popularity, last 39 days to Oct 28Down 1% in 30 days

What are Luigi Alessi's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Survival.

Themes

share of theme weight
Power
32%
Survival
28%
Bonds
20%
Morality
20%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 0 · Earnest 1

Light 3 · Serious 0 · Dark 0

Grounded 0 · Stylized 2 · Heightened 1

Gentle 2 · Charged 1 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 0 · Some laughs 3 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
3
Tense
2
Cold
1
Warm
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luigi Alessi's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Luigi Alessi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 4 with a MovieCove page.

  • Star Odyssey(1979)

    Producer

    Midcredits score: 1st percentile of all films
  • The War of the Robots(1978)

    Producer

    Midcredits score: 1st percentile of all films
  • Battle of the Stars (not in the MovieCove catalog yet)(1978)

    Producer

  • War of the Planets (not in the MovieCove catalog yet)(1977)

    Executive Producer

  • Lady Dynamite (not in the MovieCove catalog yet)(1973)

    Production Manager

  • Roy Colt and Winchester Jack (not in the MovieCove catalog yet)(1970)

    Production Manager

  • Five Dolls for an August Moon(1970)

    Producer · Production Manager

    Midcredits score: 32nd percentile of all films
  • Django the Bastard (not in the MovieCove catalog yet)(1969)

    Production Manager

  • The Battle of the Damned(1969)

    Production Manager

    Midcredits score: 3rd percentile of all films

Career shape

A full career of 9 titles from 1969 to 1979.

By role

only this rolewith another role
Producing5 of 9: 4 only producing, 1 with another roleOther crew5 of 9: 4 only other crew, 1 with another role

By decade

1960s2 · crew1970s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Luigi Alessi's films land?

Their typical MovieCove film has a Midcredits score in the 2nd percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 3rd percentile for acclaim.

Acclaim · how much people like their films

3rdpercentile
Typical film, the median of 3

Approval · how many liked their films

1stpercentile
Typical film, the median of 3

Reach · how many have seen their films

51stpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 25th to 49th1
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luigi Alessi work with?

People who share at least 2 of Luigi Alessi's MovieCove titles, grouped by what they did on them; Alfonso Brescia shares the most, 2.

Directors

Actors

Composers, cinematographers and editors