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Curt Alexander

Writer

Works as
Writer
Titles
4 on MovieCove · 15 credits in all
TMDB popularity, last 39 days to Oct 28Down 16% in 30 days

What are Curt Alexander's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
37%
Self
36%
Morality
14%
Power
8%
Ideas
6%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 4

Grounded 0 · Stylized 4 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 4 · Full focus 0

Easy watch 0 · Affecting 2 · Heavy 2

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
4
Romantic
2
Dread
2
Tense
1
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Curt Alexander's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Curt Alexander's titles on MovieCove; rent and buy are not counted.

Filmography

15 credits, 4 with a MovieCove page.

  • Twilight(1944)

    Writer

    Midcredits score: 59th percentile of all films
  • There's No Tomorrow(1939)

    Screenplay

    Midcredits score: 88th percentile of all films
  • Midcredits score: 71st percentile of all films
  • Threats (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Allegri masnadieri (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Boefje (not in the MovieCove catalog yet)(1939)

    Screenplay

  • La fossa degli angeli (not in the MovieCove catalog yet)(1937)

    Screenplay

  • The Tender Enemy (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Amore (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Whirlpool (not in the MovieCove catalog yet)(1935)

    Writer

  • Alpine Love (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Everybody's Woman(1934)

    Screenplay

    Midcredits score: 87th percentile of all films
  • The Town Stands on Its Head (not in the MovieCove catalog yet)(1933)

    Writer

  • The Bartered Bride (not in the MovieCove catalog yet)(1932)

    Scenario Writer · Screenplay

  • Five from the Jazzband (not in the MovieCove catalog yet)(1932)

    Writer

Career shape

A full career of 15 titles from 1932 to 1944.

By role

only this rolewith another role
Writing15 of 15: 15 only writing, 0 with another role

By decade

1930s11 · crew1940s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Curt Alexander's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 80th percentile for acclaim.

Acclaim · how much people like their films

80thpercentile
Typical film, the median of 4

Approval · how many liked their films

75thpercentile
Typical film, the median of 4

Reach · how many have seen their films

36thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Shape of the crowd

None of their 4 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4

Reviewers score the dialogue 50/100 and the plot and story 38/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Curt Alexander work with?

People who share at least 2 of Curt Alexander's MovieCove titles, grouped by what they did on them; Max Ophüls shares the most, 3.

Directors

Writers

Actors